Body Count

What a relief to find out that Ruggero Deodato is a fallible human being after all. His teen slasher BODY COUNT is the perfect pill for anyone who might make the mistake of finding him to be maybe more than human. I've read comments from people saying he is a god, a genius, a bastard, and Satan, and my advice to any/all of those who feel that way is to watch this film.

It could have been made by anybody, with only the remarkable supporting cast of Italian cult movie favorites as the selling point: David Hess, Mimsey Farmer, Charles Napier, Ivan Rassimov, John Steiner -- these are heavyweight names, so what are they doing in a disposable, formulaic and ultimately silly teen slasher movie? The answer is making a living, which is exactly what Deodato was doing as well. I would imagine he was under contract to direct a movie that would have to sell and this was what he chose to do. Anyone who has seen any three slasher horror thrillers made since 1981 or so will have a fairly easy time figuring out what is going to happen next, and if like me you've developed a taste for slightly offbeat, lower budgeted examples of the form this will prove to be somewhat more interesting than most.

Besides it's cast the best thing the film has going for it is the use of locations -- one commenter has already identified much of it as Colorado, which may be the case but certain locations will be very, very familiar to anyone who has seen a Spaghetti Western or two. I recognized a waterfall location from THE GRAND DUEL, a field of boulders from DAYS OF VIOLENCE and some patches of woods from WHITE COMANCHE, so it looks like maybe they either filmed part of this in Spain or France in addition to Colorado and edited it all together to look like a seamless shoot.

Who knows. It's wonderful to see an actor like John Steiner with that hollow, unemotional deadpan alongside Ivan Rassimov scowling at a bunch of college nitwits who are about to be chopped to bits. Deodato does deliver some good gore sequences during the butchery and the film is replete with the nudity the genre calls for, but honestly it could have been directed by just about anyone with a feel for shot composition, has none of the crackling immediacy or controversial nature of CANNIBAL HOLOCAUST, and serves as a workmanlike effort by a director who has been hailed as some sort of a demigod or agent of the Devil, depending on your sentiment.

Nope, he's just a man, and as capable as anyone of making a routine, paint by the numbers movie that is of interest because he was the one that made it. How refreshingly stupid!

6/10

Director Ruggero Deodato's BODY COUNT opens with a reference to an old legend about a shaman and a house built on an "Indian burial ground", deep in the woods. Soon enough, someone or something is butchering young people in the area.

Fast forward 15 years, and several more, wildly annoying young people head straight for the same spot, while insanely terrible theme music warbles. Enter David Hess as Robert Ritchie, the world's most intense, stressed-out man. No, really, he seems as though he could blast off at any moment! He's busy setting traps for the shaman (aka: someone in a $2 rubber mask), and glaring a lot.

Shockingly, the new bunch of young people start screaming and dying horrible deaths faster than you can yell, "Shut her up!". This movie's biggest mystery is why on earth these young idiots keep wandering into the same deserted structure. Especially since it resembles a truck stop toilet in hell.

The plot is thinner than a communion wafer, simply setting up one murder after another for no apparent reason.

WE ALSO GET: An atmosphere of overall absurdity, fake southern accents, a woman whose humongous blonde hair is a character unto itself, and Sid (Andrew Lederer), a man so irritating as to incite viewers to leap at the screen, trying to get to him before the killer does!

On the up side, there's some obligatory female nudity.

WARNING: Sid gets naked as well, going the full Monty. No, there is no god!

Deodato has certainly seen better days, and co-stars Mimsy Farmer and Charles Napier have nearly nothing to do in their roles. After watching this, the only question is: Why was this made?

P.S.- No one, and I mean no one, gives the skunk eye better than David Hess!...

Well, Body Count is as average a slasher flick as it gets. It's not a bad movie (if you like 80's slashers) but in no way is it good. The movie takes place out in a forest campground (sound familiar) where two teens are killed. Skip about 15 years later. A group of kids (teens or college kids?) decide to take a camping trip and they pick up a hitchhiker on the way who just got out of the service. He tells them they can stay at his place with his parents. His parents place just happens to be in the same forest that those murders took place in. When they all get there they are given a hole hearted welcome from service boys father (David Hess). It turns out that David Hess is a little on the angry side and is setting up traps all over the forest for a local legend called "The Shaman". Can you guess what happens with the rest of the movie? If not, go back and watch Friday the 13th.

As stupid as this movie is, it is still stand-able. The main problems are the characters are so cliché and the storyline has been done a million times. Ruggero Deodato directed this movie (Cannibal Holocaust, Jungle Holocaust) and it is hard to tell whether he was making this movie cliché on purpose or whether he was actually trying to make something original. The gore isn't even that great in the movie except for may be three or four scenes.

Nonetheless, great score by Claudio Simonetti and look for David Hess, Charles Napier and Ivan Rassimov. They all do fairly decent parts in the movie. 5/10

Body Count is excellent late night slasher fun, if you have a couple of hours to "kill" and you have access to Body Count then play it on your VHS or DVD and enjoy. This isn't rocket science but slasher films about nutty guys, masks and large knives have a select audience, being teenagers and twenty somethings, so the audience and screen market will go on forever. Mixing legends, slasher killings, campers and the question 'who will get it next' isn't original, the formulas been done before, but that doesn't matter here. The real entertainment is in the setting and the low budget film making, sure the director never meant it that way. But this is late night fodder for popcorn and fizzy drinks. Switch off brain and watch. There's some clever camera work and though there are holes in the plot and in the way some characters behave, this only adds to the spectacle. The hybrid US-Italian production has created a half decent half naff film with a young, willing to do anything cast and some useful forest and mountain settings. The story is worth watching for, though I couldn't help feeling some of the bigger name cast members, just turned up to say the lines and then run. The twentysomethings playing teenagers do well as dim wit campers looking for fun and a camping road trip. The magic-myth-legend Native American shaman element is a great touch and though the plot dwells on the haunted burial site well-used story it does create some tension. Budget and professional standards do take a toll and some stylish stalk and slash scenes are wasted in dumb sketches and weak visuals. The film is worth a watch and I would recommend it for slasher lovers. The cast are like-able and it is shocking to witness their demise when it seems some are going to survive the ordeal. All in all, 7 out of 10 for effort and imagination. Italian style and American balls.

I'm a fan of backwoods slasher films such as The Forest and Don't Go In The Woods, so had to see this one. And since it was done by the same director as Cannibal Holocaust I was of course expecting something brutal and bloody. Well, it wasn't that bloody. But it was a fairly decent slasher. The focus is more on atmosphere than anything else, and there are some rather creepy moments especially in the old house in the woods. There are some good death scenes too, such as when one girl is looking in the mirror and suddenly a hand breaks through and kills her. There is quite a high body count (as the title would suggest) but sadly the deaths are just not gory or bloody enough. There's also the mystery of who the killer is...I never saw it coming.

Watch this if you're a fan of backwoods slashers or a general slasher fan, but don't expect anything special.