Class 89

My review was written in March 1986 after watching the film at a Times Square screening room.

"3:15" is a weak entry in the trickle of gang rumble films which made some box office noise back when Walter Hill's "The Warriors" was released. Debuting helmer Larry Gross, formerly a screenwriter for Hill, minimizes the action and comes up with a forgettable pic ill-suited to theatrical release. Filmed two years ago, it has been in regional distribution since January.

Adam Baldwin (title roler in "My Bodyguard") is too old to be the high school student here, a former member of the Cobras gang who is now at odds with the Cobras' leader, Danny De La Paz. Crisis comes when a drug bust, organized by cop Ed Lauter, nabs De La Paz and Baldwin refuses to help his former leader. Branded a traitor by most kids at school, Baldwin is also being pressured by principal Rene Auberjonois to fink on his former crony.

On a half-day of school (morning only), Baldwin sets u a final confrontation with De La Paz' gang at, surprise, 3:15 p.m. Showdown is an anticlimax, with only Baldwin's girlfriend Deborah Foreman and a nerd played by Joseph Brutsmancoming to his aid against five armed toughs. Pledges of support to Baldwin from a black gang and an Oriental one amount to nought.

Pic suffers from the absence of action, with fights mainly consisting of kids running down school hallways and stabbing each other. Low budget and weak production values are inferior to a typical telefilm.

Acting is also weak, with Baldwin generating little sympathy in the lead underdog role (he physically towers over the rest of the cast) and Foreman stuck with an inconsistent part, De La Paz is the most impressive performer, upsetting the script's balance since he wins sympathy by virtue of forceful thesping yet is supposed to be the hissable villain. Screenplay skirts over racist conflicts, though the good guys are all white and the bad guys are mainly Chicanos.

This is a great school outta control flick from the glorious 80's that's right along the lines of SAVAGE STREETS and CLASS OF 1984. it's got all the necessary goods that those type of flicks require to kick ass: plenty of violence, criminal punks, and even some nudity. i'd much rather see a gang movie with the gangsters rockin studs and chains than todays b-rated fake ass rapper bling bling movies. being a punk rocker myself i was stoked to see one of the kids had the Misfits skull on the back of his jacket. one of the girlies has a Motorhead shirt too! Anyway it's got the typical plot (kinda like CLASS OF 1999 minus the killer cyborgs) where gangs and crime rule the streets and the schools and one of the gang members wants out causing a war with his gang. sure it's way cheesy but that's whats so fun about it. Highly recommended along with CLASS OF 1984, SAVAGE STREETS, CLASS OF 1999, and maybe even SUBURBIA(the one from 1983 of course)

People complain about the lack of politeness and respect of today's youth, but then what to say about those darned 80's kids? If you believe those early 80's exploitation movies, all American high schools were breeding grounds for bloody gang wars, drug-dealing, senseless violence, sleaze and mindless vandalism. Of course, they made cheap and grisly exploitation movies about pretty much everything during the early 80's, so I'm not quite sure if they qualify as socially relevant and accurate. These films are, however, guaranteed adrenalin-rushing entertainment! There are the modest cult classics like "Class of 1984" and "Savage Streets", but there definitely also are a couple of well-hidden gems like for example "The New Kids", "Massacre at Central High" and this "3:15". These movies can all be described as much cooler and darker variations on dull stuff like "Stand and Deliver" or "Dangerous Minds". So what if these kids have great intellectual potential? They're scum and only good to destroy each other, yeah!

"3:15" – that title alone I find tremendous – has a pretty solid plot and a downright fantastic opening half hour. The police (led by the marvelously skeptical Lt. Moran) and Principal Horner of the Lincoln High School team up for a large-scaled anti-drug operation, with as a main intention to arrest the members of the feared Cobra gang. The success of the bust is minimal, but the aggressive Cobra leader Cinco wants revenge nevertheless and picks out Jeff Hannah as a scapegoat. Jeff is a former Cobra member who turned his back on drugs and violence, but now Cinco spreads the word throughout the entire school that he turned into a police informant and that he has to pay for that. The ultimate confrontation between Jeff and the Cobras will take place at – you guessed it – 3:15.

The film can rely on good casting choices and an effectively sinister ambiance. The Cobra gang members are convincingly menacing and creepy. They're scum who harass everybody in school and beat up the weaklings. The school surrounding itself is a nicely grim and uncanny location as well. The walls are full of graffiti (a LOT of graffiti), the teachers are corrupt and there are rotten apples left, right and center. The set- up is truly atmospheric and plausible, but "3:15" inevitably also suffers from quite a bit of shortcomings. There are a couple of typically 80's and clichéd redundant interludes, like the romance elaboration and the song with the deeper meaning lyrics illustrating the tension between 3pm and 3:15pm. Some things in the screenplay also don't make 100% sense. For example, you would think that Jeff receives a little help from all his friends and school admirers, like the Afro- American guys in their GI Joe outfits, the Oriental dudes with their martial arts tricks, but in the end nobody moves a muscle. So, yes, admittedly the finale is a bit disappointing in case you are expecting a gigantic high school massacre as well. In spite of not really being known, "3:15" has quite a bit of good and familiar faces in the cast. Adam Baldwin is quite impressive in the lead role, but especially the smaller supportive roles are worth mentioning here in this case. Ed Lauter is terrific as the cynical police captain and Rene Auberjonois is even better as the sleazy school principal. Cult fanatics with a sharp eye will definitely recognize the ravishing Gina Gershon in one of her very first roles (as one of the docile Cobra members' girlfriends) and maybe even notice the small cameo appearance of Wings Hauser as the father of Jeff's goody-two-shoes girlfriend Sherry.

Sick of fighting the most feared member of The Cobras, Jeff Hannah, leaves the gang for good. However, a year later the leader of The Cobras is due to be released from prison and threatens to kill Hanna and those around him for his disloyalty.

Opening with a fight on the street it begins as a gang film in the vein Savage Streets, The Warriors and Band of the Hand, however, it quickly becomes a typical 80's trend high school gang film reminiscent of Class of 1984, but without much teacher involvement.

Larry Gross' offering oozes 80s grime, with its real locations and Gary Chang's music and score; but Sam Bernard and Michael Jacobs' basic High Noon story is quite plodding to a well deserved climatic showdown. Also while it has a gritty inner-city look, in contrast it sometimes has a visual suburban John Hughes feel. Casting director Valorie Massalas deserves a nod, with the leads played by 20 somethings in truth 80s fashion, something I genuinely love about these films made at the time.

Adam Baldwin's performance stops it falling into forgettable obscurity as he tries to forget his gang past but learns he has to confront it put it behind him. Baldwin is a solid lead in what is a heavy handed violent teen film from Gross with rape, fights, knife slashing and a shooting as strict Rene Auberjonois and nonchalant Ed Lauter as Moran talk Baldwin's Jeff Hannah into cleaning up the school. The cast is chockfull of familiar faces including, Danny De La Paz whose Cinco character pushes the Highnoon-like narrative, Dean Devlin, Deborah Foreman, stunning Wendy Barry, Lori Eastside, Deborah Foreman, Mario Van Peebles and also Gina Gershon pops up.

Overall, it's interesting 80s nostalgia and at times hard hitting, but only held together by Baldwin.

3:15 (1986) was one of the many 80's "teenage" gangster/ school violence films (the teenagers are usually in there mid to late 20's). Like most of them they're highly entertaining and are filled with the mandatory hardcore violence and the IL' T & A. This one promises an all out mano y mano, hand to hand combat film and guess what? It delivers. No lame cop out story or phony situations that would later destroy this genre. They promise and the filmmakers deliver. Fun stuff, not to be taken serious. Watch out for Adam Baldwin, Mario Van Peebles and Gina Gershon.

Highly recommended (if you can find a copy).

8 ( as a film)

10 (for it's genre)