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Ajouter une intrigue dans votre langueChicago critics Gene Siskel and Roger Ebert rate new movies with a thumbs up, or a thumbs down.Chicago critics Gene Siskel and Roger Ebert rate new movies with a thumbs up, or a thumbs down.Chicago critics Gene Siskel and Roger Ebert rate new movies with a thumbs up, or a thumbs down.
- Nommé pour 5 Primetime Emmys
- 2 victoires et 11 nominations au total
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What can I say? I've known this show all my life. First, it was Ebert and Siskel. I'll also remember how it was when Siskel was in the hosptial and he talked, like, over the phone I think, and tell his reviews of movies like "Godzilla". It seemed to have such an empty hole in the show when it was just Ebert, with his thumbs up or down. I mean, one person's opinion? What fun is that? Then, they had a different guest star every week. Finally, it was all down to just one critic on the show with Ebert: Roeper. Basically, I have no problem with him. Just the simple concept of two critics having reviews of movies is entertaining. The same formula has not worked for shows like "Hot Ticket". I've read Leonard Maltin's reviews and there are a lot of times when I have to disagree with him. He's definitley not my favorite critic. I should start getting some of Ebert review books, but they don't explore as many movies as the Leonard Maltin books.
The one episode where Ebert was reflecting on his reviews with Siskel was probably the most memorable. Sure, I disagree with them, sometimes, but it's cool to know critics that agree with most of what you think. I liked to give a tribute to Gene Siskel for rating "Babe: Pig In The City" as the #1 movie of 1998! I totally agree with him! Anyway, I'll be sure to watch this whenever I can! A 9/10.
The one episode where Ebert was reflecting on his reviews with Siskel was probably the most memorable. Sure, I disagree with them, sometimes, but it's cool to know critics that agree with most of what you think. I liked to give a tribute to Gene Siskel for rating "Babe: Pig In The City" as the #1 movie of 1998! I totally agree with him! Anyway, I'll be sure to watch this whenever I can! A 9/10.
Gene Siskel's death is the death of a major movie advertising tradition. What will happen to the thumbs? I love the show and think the two guys are so intelligent and I hear another guy will take Siskel's place. It won't be the same.
Why, Gene, why?!? You were the only critic with taste! You gotta love a guy who puts Kingpin on his top 10 list. Now, we have Roeper who makes this show funny because he hates just about everything. Then there's a hilariously funny argument between the two whenever there's a split decision. I make sure to tape it every week. Funny stuff.
Thumbs Up or Thumbs Down, Gene Siskel and Roger Ebert had their Thumbs Trade Marked. And Although They Didn't Always Agree, Siskel and Ebert were Still Friends Sharing the Balcony until The End. Rest in Peace Guys, and Thanks for Teaching Me how to do a Review. This gets My TM S for Satisfactory.
The best thing about Siskel and Ebert was that I knew both of them so well that it didn't even matter if they liked the movie or not, I could tell that I still should see it based on why they liked or disliked it. Likewise, Gene was always more discriminating than Roger, so if they both liked it, then the movie probably was very good.
Now with Roeper, we've lost that. He's still a good movie reviewer, but the system of checks and balanced that worked with Siskel and Ebert don't work with Ebert and Roeper. I can no longer tell how good a movie really is since Roeper's taste in movies can be erratic some times. He's liked some really weird movies and hated some that I thought were OK. For a young guy, he's really more jaded than he should be. Likewise, he has a bad tendency to expect too much from certain types of movies, but at the same time, be too forgiving of some real flaws. Everyone does that to a point, but he's very unpredictable and inconsistent.
That's not to say that Ebert is perfect. I think he lets his mood color his opinion too often. Some weeks he'll hate everything and others he'll just love even the worst movie. I'll be watching and be like "He gave thumbs down to the Godfather! He must have slept badly last night."
Now with Roeper, we've lost that. He's still a good movie reviewer, but the system of checks and balanced that worked with Siskel and Ebert don't work with Ebert and Roeper. I can no longer tell how good a movie really is since Roeper's taste in movies can be erratic some times. He's liked some really weird movies and hated some that I thought were OK. For a young guy, he's really more jaded than he should be. Likewise, he has a bad tendency to expect too much from certain types of movies, but at the same time, be too forgiving of some real flaws. Everyone does that to a point, but he's very unpredictable and inconsistent.
That's not to say that Ebert is perfect. I think he lets his mood color his opinion too often. Some weeks he'll hate everything and others he'll just love even the worst movie. I'll be watching and be like "He gave thumbs down to the Godfather! He must have slept badly last night."
Le saviez-vous
- AnecdotesGene Siskel and Roger Ebert actually agreed about films most of the time, but since they were best known for the feuds in between, the legend grew that the two were always at odds with one another. Considering all of the films that they reviewed in their years together, they only disagreed about 30% of the time.
- Citations
Gene Siskel: [reviewing "Stargate"] Do you know that the budget, supposedly, of this picture was fifty-five million dollars?
Roger Ebert: Boy, they must've had some great lunches.
- ConnexionsEdited into The Golden Girls Return from Space Mountain (2012)
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