Hale and Pace

Along with Smith & Jones, Gareth Hale and Norman Pace made up the other popular British comedy duo to brighten our screens in the nineties. They spent less time on satirising the big issues and more on sexual innuendos and dirty jokes than S & J, with the kind of sniggering enthusiasm that has always been the English approach to toilet humour. Not surprisingly, their regular characters included two imbecilic teenagers with penchant for sadomasochistic pranks, and a pair of so-nice-you-just-wanna-puke children's show hosts who dropped outlandish double entendres with smiling innocence. They also had something of a gangster fetish, best realised in the two Rons, a pair of stone-faced cockney hoods in black tie who had a firm faith in the compatibility of electrodes and testicles. They shamelessly drew and played on the boorish, sexist and national chauvinistic mentality so loved by the British tabloid press and still too often prevalent when dealing with anything or anyone across the Channel, but never really succumbed to endorsing it without that tongue on the cheek. They always were a bit too clever and a bit too juvenile for that.

Interestingly, Hale & Pace also shone in the obligatory musical numbers that closed their shows, producing a few classics such as the Chris Rea parody "The Voice from Hell"; the Scottish rap duo McHammer (probably not a joke anymore); a country and western song about the singer's Dad, who was a Nazi transvestite, "a goose-stepping man of the night"; and one Godley&Creme-style video that took all the sloppy metaphors in the song's lyrics just a bit too literally. Often these are the most perfunctory parts of a sketch show, but they had enough hits to warrant the one all-music special that combined the best of their singing career.

There is of course only so many ways you can crack a joke about the French, premature ejaculation or the oafishness of anyone with a regional accent, and Hale & Pace eventually started to lose their potency. But their best skits still hold up today, smutty but clever, liberatingly funny in their incorrectness and their vigorously exploited stereotypes.

Gareth Hale and Norman Pace are one of the most consistently entertaining comedy duos to emerge from the UK. They're irreverent brand of school-yard humour was always well scripted, staged and executed and the two appeared to have a genuine mutual rapport, and thus supported one another with the razor-sharp precision required for sketch comedy. In particular, Hale's expressive, walrus-like features make him an instant comedy attraction, the perfect vice to Pace's straight guy routine. Impressively, they could also reverse the roles and still produce genuine laughs.

Some of my personal highlights are Gareth Hale's jaunt to Spain, where he becomes totally inebriated, insults his host country and is forcibly removed from a Tapas bar ("and let's not forget, the generous Spanish hospitality"), Billy & Johnny and their adult-themed children's show ("one two drip on my shoe, three four not anymore") and one of the many music satires concerning the perils of wearing red hair ("oh yes it's utterly, utterly rotten to be ginger"). Really, there were so many highlights, every episode contained a memorable moment.

In later seasons, looking noticeably older and more portly, the pair relied on recurring characters (the cab driver's with the cockney dialect) that became more the subject than the vehicle to project the humour. Some of these worked (the well-hard boys for instance chanting "always drink from a broken glass and crack walnuts between the cheeks of me Arsenal, Arsenal, come on you gunners Arsenal"), although the formula seemed to be missing more often. But the best of Hale & Pace from seasons 2-4 and the ubiquitous 'Christmas Specials', offer hours of side-splitting humour that rank among the best of British comedy. If you're accustomed to that type of sketch comedy, then you should relish Hale & Pace.

Coming out in an era when satire was king with the likes of Spitting Image and Ben Elton doing his laborious, but pointed stand-up. Hale & Pace like slasher horror films of the 1980s is a great example of something that was a critical failure, but a commercial success. Much maligned throughout it's incredibly long run; sometimes justifiably, often unfairly.

A common criticism was "two straight men"; an unwritten rule of comedy being a straight man and a clown a la: Morecambe & Wise and Laurel & Hardy. However, there are many successful comedy double acts with two jokers like Dick & Dom, Trevor & Simon and Vic & Bob. The criticisms of being vulgar are true and often the laughs would be based on someone saying a rude word or a vulgar punchline about bodily functions.

However amongst the throwaway sketches there are some sketches that are as good as anything on any other sketch show at the time: "Yorkshire Airlines", "Piss Off Mr. Chips", "Billy & Johnny" - two kid's TV presenters who hate each other. Weirdly, many comedians who criticised H&P pretty much did the same albeit in a slightly more clever way: Harry Enfield, Lee & Herring, Baddiel & Newman. The mantra being nob gags are OK if there is a literary reference in there.

Another thing people forget is just how good the performances of Hale & Pace are. Both having a gift at regional accents. Norman Pace is a surprisingly good singer, while Gareth Hale often bring a pathos to some of the sketches.

It may have gone for the cheap laugh or have been unecessarily violent and rude, but it represents a time when there was entertainment for the pre and post-pub audience. I will pick the worst of Hale & Pace over the best of Naked Attraction, which is the late night fare du jour.

Used to love this show and still do. Some hilarious sketches these two did, brilliant.

Amongst all the comical duos, trios and massive groups that British television gave birth to, i think Hale and Pace are the least known abroad. When i saw them as gravediggers in the horror episode from "The Young Ones", all i could say was "Their faces look familiar". In the same episode i recognized Terry Jones as the drunk vicar, so i just took for granted the gravediggers were two more star guests.

"Hale and Pace" has never been broadcast in my country, as far as i know; but there was a Spanish late show, "El Chou", directed by Alfonso Arús, which used to fill the gaps with sketches by H&P (uncredited, i'm afraid). I was 13 by then, i think. I didn't like them, for i found most of their skits tasteless (which is not necessarily a flaw) and very stupid (now that is a flaw). It fitted perfectly in Arús' show. Anyway, Norman's blue eyes and Gareth's mustache (or is it the other way around?! Somebody send pictures!) remain etched in my memory. And if there was a DVD, i'd give it a try.