L'avion d'un danseur de ballet russe américain est contraint d'atterrir en URSS, où il se voit « rapatrié ». Il est alors placé chez un Américain marié à une Russe. Mais l'Américain l'aidera... Tout lireL'avion d'un danseur de ballet russe américain est contraint d'atterrir en URSS, où il se voit « rapatrié ». Il est alors placé chez un Américain marié à une Russe. Mais l'Américain l'aidera-t-il à fuir l'URSS?L'avion d'un danseur de ballet russe américain est contraint d'atterrir en URSS, où il se voit « rapatrié ». Il est alors placé chez un Américain marié à une Russe. Mais l'Américain l'aidera-t-il à fuir l'URSS?
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 3 victoires et 2 nominations au total
Avis à la une
White Nights is from the mid 80's and except for some cheesy music stands up well. Baryshnikov plays a touring ballet dancer who, after defecting to America years earlier finds himself back in Russia when the plane he's travelling on is forced to make a crash landing in Siberia. Trapped in the country he'd once escaped, 'Nicolai' is taken to stay with American (Gregory Hines) who himself defected during the Vietnam war. Together they dance and plot an escape.
This role must have been written exclusively for Baryshnikov because I can't think that anyone else could have done it.
Isabella Rossellini plays Hines' Russian wife. Her character is well acted but a bit of a twit. If I was making a run for the American embassy and my life was on the line I would not be wearing a bright red sweater, especially during white nights when the sun doesn't set. We also get an appearance from a very young Helen Mirren as Nicolai's former love that he left behind when he defected.
Worth checking out for views of the old soviet union, fantastic dance sequences.
A couple songs from Phil Collins on the soundtrack and some other bad 80s music is used
Gregory Hines is a good second-lead (and has been much underused in films since), providing a sparring partner for Baryshnikov both in dance - as jazz/tap dancer vs ballet dancer - and to the benefit of the script. Isabella Rosselini plays a damsel in distress, complementing the duo and providing the romantic angle, balancing the story-line.
Overall it is a well-made film, though not the best ever, and if your interest lies about as far afield from dance as the local football field it is unlikely to appeal. But for anyone wanting to see a romantic 'weepie' it can provide a good slice of entertainment for a Sunday afternoon. And as for the dancing ... well, Baryshnikov was 37 then and I have never seen such athleticism and agility in a dancer of that age. Such expressive emotions come through his steps that he needs no words.
Without the dancing the film would undoubtedly have lost its true winning power, but with it may well have provided the motivation to dance for both children and adults ... I hope you enjoy it as much as I have
9 years later it is remains one of my top 20 best films.
Surprising performances by all: Baryshnikov is excellent to watch and listen to, and Hines and Rossellini are convincing as an inter-racial husband and wife struggling to survive in Russia. I was surprised in how well it was acted, and you may be surprised in how you will react to it. This is one of my favorite dramas/love stories.
This movie also gives us a dark glimpse into the life of those who are poverty stricken (lower class and outcasts) in Russia as well as giving you an idea of how well the rich and famous live. Remember, this film was made before the wall came down.
If exploding aliens is your type of movie, you may think this is a sappy film. But if you let yourself get lost in this movie (as all movie lovers should) you will really like this one.
Le saviez-vous
- AnecdotesMikhail Baryshnikov reportedly was insistent with the producers that gramatically-correct Russian be spoken in this movie instead of the often nonsensical hybrid often used in American movies. Baryshinkov also did a scene where he spoke French. In real life, it was his second language.
- GaffesContrary to the title of the film, White Nights describes the continuous daylight in regions along the Arctic Circle, the moments at the end of the film show the characters engulfed in complete darkness outside the consulate. This would not have happened in Leningrad (now Saint Petersburg) between May and August.
- Citations
Pilot: [over the P.A] Ladies and gentlemen, may I have your attention, please? This is the Captain speaking. We have developed electrical problems, and we have to land immediately. There is a Soviet military airfield about 75 miles from here...
Anne Wyatt: [half asleep] Where are we? Are we landing?
[Kolya runs to the lavatory to destroy his identity papers]
Anne Wyatt: Where are you going?
Nikolai 'Kolya' Rodchenko: What do you mean? We're landing in Russia!
- Versions alternativesThe UK cinema release was cut by 16s to remove two uses of 'fuck' to earn a PG rating. Subsequent video versions restore the strong language and raise the certificate to 15.
- ConnexionsFeatured in At the Movies: The Holcroft Covenant/Bring on the Night/Target (1985)
- Bandes originalesSeparate Lives
(Love Theme)
Written by Stephen Bishop
Produced by Arif Mardin, Phil Collins, and Hugh Padgham
Performed by Phil Collins and Marilyn Martin
Courtesy of Atlantic Records and Virgin Records
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- White Nights
- Lieux de tournage
- Parainen, Finlande(Exterior)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 160 849 $US
- Week-end de sortie aux États-Unis et au Canada
- 477 539 $US
- 24 nov. 1985
- Montant brut mondial
- 42 160 849 $US
- Durée
- 2h 16min(136 min)
- Couleur
- Rapport de forme
- 1.85 : 1