NOTE IMDb
6,4/10
2,7 k
MA NOTE
Les vies d'un ex-escroc, d'un propriétaire de café et d''un jeune couple cherchant à s'enrichir se croisent dans la ville de la pluie fictive et hypnotique.Les vies d'un ex-escroc, d'un propriétaire de café et d''un jeune couple cherchant à s'enrichir se croisent dans la ville de la pluie fictive et hypnotique.Les vies d'un ex-escroc, d'un propriétaire de café et d''un jeune couple cherchant à s'enrichir se croisent dans la ville de la pluie fictive et hypnotique.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 3 nominations au total
Campbell De Silva
- Elmo
- (as Billy Silva)
Allan F. Nicholls
- Sector Representative Pete Regis
- (as Allan Nicholls)
Avis à la une
Very fine moody film, made after, 'Choose Me' and good as that is I have always preferred this. In many ways (until the end) a fairly quite film with people drifting in and out of each others lives. Laid back they may be but there are great performances from Keith Carradine, Genevieve Bujold, Kris Kristofferson and even the lovely Lori Singer, who has probably never bettered this performance. Despite the strange neo noirish look of the rain drenched, neon light streets and signs of decay there are also hints at some future setting and the ambiguity coupled with Kristoffersen's model making constantly create a dreamlike quality to proceedings. The soundtrack is immaculate and the use of the crackling elder Marianne Faithful inspired. Divine is brilliant as the chief baddie and should the uncultured out there drop off for lack of constant action be assured you will awake at the end.
This is a great piece of atmospheric mid-budget film-making. Alan Rudolph and his production team successfully utilize the architecture of Seattle and its rain-slicked streets to bring to life the funky Neo-noir metropolis known as Rain City, inhabited by a set of off-beat characters, my favorite of which is a gangster played by the one and only DIVINE, in his only male-gendered role. He even gets to say the films best line: "Everyone wants to go to Heaven but no one wants to die!"
This is a film that is just begging for a DVD release. As others have mentioned, the audience for this film is definitely out there.
This is a film that is just begging for a DVD release. As others have mentioned, the audience for this film is definitely out there.
A terrific, quirky film by Alan Rudolph. As an earlier reviewer wrote, he has weird things going on that are never explained. They are just features of his "alternative future". Remember that so much of the world we live in goes by, unexplained. It helps break this film away from the Hollywood-spoonfed blandness.
A real treat not commented on is Keith Carradine. A veteran of Alan Rudolph films, he has a wonderful transformation. Without any commentary, he goes from a rural-type (flannel shirt & jeans) to a denizen of the city (wild clothing, make-up, boufant hairdo). And his behavior gets more bizarre with his change in locale.
Also, watch for one of cinemas most unique murders. Let's just say it involves water, a major feature of the movie, but it takes place in a location you would never fathom.
This is one film I would love to see get the deluxe DVD treatment. Widescreen, director commentary, deleted scenes. It is an overlooked wonder.
A real treat not commented on is Keith Carradine. A veteran of Alan Rudolph films, he has a wonderful transformation. Without any commentary, he goes from a rural-type (flannel shirt & jeans) to a denizen of the city (wild clothing, make-up, boufant hairdo). And his behavior gets more bizarre with his change in locale.
Also, watch for one of cinemas most unique murders. Let's just say it involves water, a major feature of the movie, but it takes place in a location you would never fathom.
This is one film I would love to see get the deluxe DVD treatment. Widescreen, director commentary, deleted scenes. It is an overlooked wonder.
10praxis22
The person who compared this film to Bladerunner is not only doing this film a disservice, but is so far from the mark as to be untrue. The chief protagonist is a cop true, and though initially spurned, he does get the girl in the end, but that's about where it ends...
From the opening strains of the muted trumpet, and Marianne Faithfull's beautifuly broken voice, this film is a masterpiece, it's moody, quirky, low key and not without a little menace, especially when Hilly Blue "puts the anchor" on Solo, "they should all blow each other's balls off, make my life easier..." to quote Lt. Gunther.
It's everything that Bladerunner isn't, if anything it's set in some alternate vision of a disfunctional 50's & 80's combined, down at heel low life's, trashy outfits, too much drab neon & hairspray, allied with a little mob glamour and modern art.
I guess I just feel for the characters, Hawk's hunger for a life he never had, the Zen stillness of Wanda, the wild eyed innocence of Georgia and the weirdness that is Coop, Solo freaking out as a Bhudhist, and last but not least, Divine in a suit... "let everybody get what they deserve..."
It's not a fast movie, or an ensemble piece, but at some deep level it resonates.
"what are you looking at?" "you a cop?" "you know damn well I'm not a cop" "that's what I'm looking at then, a woman who isn't a cop..."
It's the film I watch when I get down, I've lost track of the number of times I've watched it, I caught it first at the ICA West Bank in London, on it's last showing before they started a series of Mexican masked wrestling bario movies :) I bought it recently on DVD in a shop in Schipol airport after being delayed in Amsterdam for two hours, I'd been looking for it for years at that point... Even Amazon had it on back order.
It's really a wonderful movie, from icy lake to mountain road, I always come away from it happy, I guess you can ask no more from a movie than that.
From the opening strains of the muted trumpet, and Marianne Faithfull's beautifuly broken voice, this film is a masterpiece, it's moody, quirky, low key and not without a little menace, especially when Hilly Blue "puts the anchor" on Solo, "they should all blow each other's balls off, make my life easier..." to quote Lt. Gunther.
It's everything that Bladerunner isn't, if anything it's set in some alternate vision of a disfunctional 50's & 80's combined, down at heel low life's, trashy outfits, too much drab neon & hairspray, allied with a little mob glamour and modern art.
I guess I just feel for the characters, Hawk's hunger for a life he never had, the Zen stillness of Wanda, the wild eyed innocence of Georgia and the weirdness that is Coop, Solo freaking out as a Bhudhist, and last but not least, Divine in a suit... "let everybody get what they deserve..."
It's not a fast movie, or an ensemble piece, but at some deep level it resonates.
"what are you looking at?" "you a cop?" "you know damn well I'm not a cop" "that's what I'm looking at then, a woman who isn't a cop..."
It's the film I watch when I get down, I've lost track of the number of times I've watched it, I caught it first at the ICA West Bank in London, on it's last showing before they started a series of Mexican masked wrestling bario movies :) I bought it recently on DVD in a shop in Schipol airport after being delayed in Amsterdam for two hours, I'd been looking for it for years at that point... Even Amazon had it on back order.
It's really a wonderful movie, from icy lake to mountain road, I always come away from it happy, I guess you can ask no more from a movie than that.
"Trouble in Mind" is one of those movies that only reveals its greatness about the third time you see it; a wealth of details which, on first viewing, strike the perceptive viewer as scatterbrained or irrelevant, unfold on closer inspection into a rich, lushly imagined fantasy world, and dialogue which at first sounds precious or forced becomes endlessly quotable. It's hard to be an Alan Rudolph "fan," as his work is decidedly uneven; but on this picture, which followed the critical and commercial success of "Choose Me," he is at the peak of his powers. And, if none of this convinces you, you should check this one out for the performances, not least among which is Divine's startling turn as coldblooded (male) gangster Hilly Blue (worthy of awards, in a better world than this).
Le saviez-vous
- AnecdotesHilly Blue's mansion was really the Seattle Art Museum (now the Seattle Asian Art Museum) in Seattle's Volunteer Park.
- Bandes originalesTrouble in Mind
Written by Richard M. Jones
Arranged by Herschel Dwellingham
Performed by Marianne Faithfull
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- How long is Trouble in Mind?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Trouble in Mind
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 800 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 632 $US
- Week-end de sortie aux États-Unis et au Canada
- 16 029 $US
- 15 déc. 1985
- Montant brut mondial
- 19 632 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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