Prison de cristal

I picked this movie out of my library's Spanish video selection and was I surprised while watching this masterpiece! I have never seen anything like it in my life. David Sust is my favorite new actor. What a role! His childhood tormentor- the Nazi- is very convincing as an invalid. I am in awe of the young girl Rena, who plays the daughter. How can these kids be such convincing actors. I tip my hat to them and their acting coaches. The Mother- Marissa Paredes, was great, as well. She is one of my favorite female actresses. I had no lingering questions after watching this film in comparison with watching American movies nor, was there any fancy endings, tying it all together. I could not take my eyes off of the screen; as a matter a fact, I watched it twice! Bravo!

but I hasten to add, what the director aims to achieve is neigh unattainable.

In the DVD interview, the director says he was inspired by Georges Bataille and that author's study of Gilles de Rais, the French lord who helped Joan of Arc's campaigns, apparently with exemplary Christian zeal, and who later in life became the world's most notorious torturer and killer of children.

Bataille examines human passion with surgical precision. And he doesn't just analyse: his writings evoke the power chords of 'love' that draw their separate ways sinner and saint.

Villaronga's film falls into 'horror' genre mode at key moments in the story's development. If the director could have depicted his characters' behaviour with sustained realism, his film would , like Bataille's work, tell us more about the nature of evil and be indeed a masterpiece of cinema.

As it is, 'In a Glass Cage' is most beautifully realised with remarkable actors and isn't, finally, altogether a 'horror' film: there's enough realism to give us cause for thought.

There are few films as utterly repulsive - but nonetheless distinctive and well-made - as Tras el cristal. This Spanish assault on the senses is the terrible tale of a nazi torturer whose cruel desires for murdering and abusing young boys leads him to attempt suicide. His failure leaves him imprisoned in an iron lung - and us viewers in his grotesque and dirty nightmare. Attended by an assortment of ghoulish figures he deliberates his history. A new nurse is employed, however, who has a special interest in "caring" for this impotent nightmare of an individual. From there the film becomes a black vision of the psychological and physical scars which can destroy individuals and the violent force of tainted memories and shredded, wasted lives. Its a graphic film but doesn't dwell or portray the reprehensible acts of the lead character. It does contain some horrific violence and torture though spares the audience representation of the sexual abuse and more extreme details which the script skirts over.

Marisa Paredes - a familiar face from numerous Pedro Almodovar films - is suitably creepy in a small role. This film will get under your skin like a mite and disturb you for quite a while. Its nonetheless memorable and well-constructed but an endurance text for audiences used to much more "clean" treatments of these issues in American films. The film plays like a nightmare and is continuously and utterly bereft of emotion - one of its most disturbing elements amongst many, many others. But this very lack of emotion goes some way to interrogating the consciousness of the terrifyingly blank lead character. It remains banned in Australia and other territories in the early part of the 21st century. While not deserving this fate, it is not a film many will be able to bear I imagine. Its not certain the point and vision of this film goes anywhere but deep inside, rotting the soul's core. In any case, its reputation has assured it will be seen in the wrong context and for the sake of shock. Not that there's anything wrong with that... except this film begs for a more considered approach even if it goes all grand guignol and over the top in its closing 1/3.

A brutally honest commentary on how atroticies can affect a person for life. The film has guilt, revenge, murder, and love all intertwined in a bizarre story. NOT recommend for those easily disturbed, faint of heart, or victims of child molestation.

Talk about a movie that lives up to its reputation -- In a Glass Cage is relentlessly intense from start to finish. The story of a Nazi doctor /pedophile in hiding and the strange young man who comes to work as his "nurse," this film explores taboos with relish. Unfortunately, it devolves into horror movie shtick toward its end (thereby obfuscating the very real horrors it has developed to that point), but In a Glass Cage packs a wallop , earning its reputation as one of the more disturbing movies ever made. It 's very much a European movie, and, given its horrifying subject matter -- pedophilia, the torture and murder of children, the relationship between monsters and their victims -- it could never have been made in the U.S. Strongly recommended for viewers who have strong stomachs and are not otherwise easily offended; all others are urged to avoid it at all costs.