Un pilleur vole des artefacts dans une tombe en Égypte pour les vendre à des archéologues Américains. La femme immortelle dont le tombeau a été profané suit les artefacts en Amérique, pour s... Tout lireUn pilleur vole des artefacts dans une tombe en Égypte pour les vendre à des archéologues Américains. La femme immortelle dont le tombeau a été profané suit les artefacts en Amérique, pour se venger.Un pilleur vole des artefacts dans une tombe en Égypte pour les vendre à des archéologues Américains. La femme immortelle dont le tombeau a été profané suit les artefacts en Amérique, pour se venger.
- Réalisation
- Scénario
- Casting principal
Suzy Stokey
- Helen
- (as Susan Stokey)
Richard Hench
- David Manners
- (as Richard Alan Hench)
David O'Hara
- John Banning
- (as David Pearson)
Avis à la une
I remember reading a write up on this film, the standard fare put out by the promotions people. It sounded exciting, horrific, all the things I enjoy about a good mummy movie. Then I got the box home and knew I was in trouble. The cheesy art of the box cover was the first clue. It could just have easily been the cover for "Big Trouble in Little China" which was a much better film, but this was no comedy, at least not intentionally. To begin with the budget on this must have been all of a $1.85 with tax. Then there are the sets. The film was supposed to take place in Egypt, but the sets bore no resemblance whatever. Cameron Mitchell is no actor, no way, never been. I was especially disappointed to see aging horror star John Carradine and Sybil Danning in this as they are both usually in much better quality work. You can safely give this one a miss, unless you are a fan of "Plan 9 From Out Space." This is right down there with it.
I've always been a Cameron Mitchell fan, but he was probably really needing a payday here. As always he puts in a superior performance, even with the material, and it's good to see him. "Death of a Salesman" it is not.
Very attractive "monster" in Michelle Bauer, and a really classic 70s/80s topless dance routine by two time "Miss Nude Universe" (1970 and 1971) winner Francesca Isabel "Kitten" Natividad that has NO connection to the plot in any respect at all.
But, like chicken soup, it can't hurt.
The movie is well lit and the cinematography is actually very good. The special effects are generally cheesy, but fun. I doubt this is going to scare anybody, but although predictable it's a fun film to watch.
If you love the monster/horror/thriller genres you'll enjoy this one.
Very attractive "monster" in Michelle Bauer, and a really classic 70s/80s topless dance routine by two time "Miss Nude Universe" (1970 and 1971) winner Francesca Isabel "Kitten" Natividad that has NO connection to the plot in any respect at all.
But, like chicken soup, it can't hurt.
The movie is well lit and the cinematography is actually very good. The special effects are generally cheesy, but fun. I doubt this is going to scare anybody, but although predictable it's a fun film to watch.
If you love the monster/horror/thriller genres you'll enjoy this one.
This is not the worst film ever made. I can't think of what that one is at the moment. I'll have to wait for my eyes to stop bleeding.
Actually, there are two mildly redeeming factors. John Carradine, whose two minutes on screen probably comprised half the movie's budget, and Kitten Natividad dancing topless for about thirty seconds total. Yeah, that's it.
Another line. Another line. Another line. Another line. Is that enough for that ridiculously arbitrary ten line rule? Apparently not. Let's keep adding pointless text until this so-called comment meets the minimum requirement for mindless bureaucratic self-aggrandizement. Some suit trying to qualify his or her paycheck came up with this rule, undoubtedly.
Actually, there are two mildly redeeming factors. John Carradine, whose two minutes on screen probably comprised half the movie's budget, and Kitten Natividad dancing topless for about thirty seconds total. Yeah, that's it.
Another line. Another line. Another line. Another line. Is that enough for that ridiculously arbitrary ten line rule? Apparently not. Let's keep adding pointless text until this so-called comment meets the minimum requirement for mindless bureaucratic self-aggrandizement. Some suit trying to qualify his or her paycheck came up with this rule, undoubtedly.
This movie was average, but worth checking out! We have a couple of familiar faces like John Carradine and a special appearance by Sybil Danning. But there were alot of virtual unknowns. This marks scream queen Michelle Bauer's first horror film as she portrays a possessed mummy from an ancient Tomb. She's mellodramatic at many times, but she's that way in most films. There's some great music in this movie and it probably did play in theatres in it's time, Unlike the movies you see Bauer in these days that has an awful budget! Someone says that B-movie director Fred Olen Ray's films don't hit theatre's, but what do they know?! This one definetely stood a chance and twice it showed the opening credits saying "The Tomb!" The ending is the best part no doubt about it, even you horror fans will agree! There's also a cameo by cult actress from the film "Surf Nazis Must Die!", Dawn Wildsmith who plays a lesbian and gets eaten alive by Bauer's snakes!
...And I don't really know if that is saying a lot either. The Tomb tells the story of some stupid robber in Egypt disrupting the sacred tomb of an Egyptian sorceress, dead and yet still alive. The guy sells the artifacts found in the tomb, and the mummy(wearing low-cut outfits, breasts popping out here and there, and speaking as though she was picked up off of Hollywood Boulevard) goes to Los Angelos to get them back so she can perform a ritual sacrifice and stay young. Alright, the story is not too good, but the film is entertaining. For one of Ray's films, the acting is better than usual. Some nice performances by horror veterans Cameron Mitchell(he does a real fine job) and John Carradine in his five minutes of film raise the film from being strictly mundane. Throw in some great music and lots of T & A(a Ray specialty it seems...he even has Kitten Nativadad as a stripper in one scene doing some entertaining back-breaking bouncing) for extra measure. Let's not forget Sybil Danning too. Yep, she is in the film in the first five minutes only in what can be described as nothing more than a throw-away cameo. Her presence seems to be totally unnecessary, although I really am not complaining. Sure this film is a cheap B movie, but what the heck. Fred Olen Ray is living a lifetime dream of creating movies. His affection for the horror genre is obvious when he makes a point of giving cameos and roles to the likes of Mitchell, Carradine, and in other movies Robert Quarry, Carroll Borland, Kirk Allyn, and many more. He is not hiring them for their billing potential. It is nonexistent except to people like me who like to remember those fond memories of another time. He hires them for his love of their work. He gives characters in his movie names like Howard Phillips(named for H. P. Lovecraft) and David Manners(the actor who starred in the original Mummy as the heroic lead). It is easy for me and others to denegrate his work, and I have in other reviews, but like them or not...I applaud the fact that he went out and made them. Kudos Mr. Ray!
Le saviez-vous
- AnecdotesThe movie was shot in 13 days.
- Versions alternativesKitten Natividad scene as stripper cut from television print.
- ConnexionsFeatured in Stephen King's World of Horror (1986)
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- How long is The Tomb?Alimenté par Alexa
Détails
Box-office
- Budget
- 185 000 $US (estimé)
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What is the English language plot outline for Le Mystère de la pyramide (1986)?
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