Folie meurtrière

Great little 80s slacker flick with many nods to Psycho. No cheese so it may get a little dry at times for the standard slasher fanatic, but if you can stand a more serious type of horror, go for it. But make no mistake- this isn't art either.

Tony Lo Bianco (more known for his acting, especially in one of my Larry Cohen favorites 'God Told Me too') directs a mechanically snug and customary stark urban-set murder mystery thriller that throws in a dose of gratuitous nudity and psychotic violence that also has it dipping in to the low-brow exploitative market. Nonetheless it still demonstrates a low-budget made-for-television feel (due to Bianco's plain, but enduring style), even though its brimming with a toughly rough grittiness brought across by its seamy backdrop. After being drowned out by a wretch song through the beginning credits (yep it's rather bad!), it actually gets better to cement an conundrum of mystery led by an convincingly collected, but dreary Ian McShane as the detective's chief suspect the doorman of the apartment building where the viciously random murders are occurring.

The problem here is that the material just paints him too obviously as a red herring to be the one, but the twist (and you know its coming) to who is the actual killer had me fooled (and it's an exaggeratedly ill-advised revelation that comes from nowhere and had me thinking of a late 80s slasher effort), as I had someone else in my sights as the culprit. The busy, pictorial layout has numerous character dramas (with even the police getting involved) and suspicious dabbling that can cause the lumpy pace to lull about at times with distracting details that don't really add anything and go on to undermine its attempts of consolidating tension. Not helping either was the constant use of false jumps and lead ups, which more often lead to the real one. It's the cryptic nature of the story along with the soberly first base performances by the likes of Mike Connors, Anne Archer, Leon Iassc Kennedy, John Heard, Val Avery, Carrie Nye and Phyllis Hyman in a colorful cameo that make-up for its wayward spells. However it opens up with lasting suspense in the dying stages, but the deaths for most part appear off-screen and those we do see are theatrically staged with sudden, but clunky force. The musical score is old-fashioned, but over-cooked which makes it hard to switch-off.

Not perfect, but this old-hat, stone-cold premise manages to truly hold you there for it's outrageous, if tatty final.

'Too Scared to Scream' was fairly interesting to me... worth a one time watch - kept me watching until the end. It's not what I would call a horrible film - but I would not call it a top-notch film either - mediocre.

Most of the people in this film are "odd" or "weird" - not just our prime suspect. The film does have a surprise ending (in it's way). So if you like crime-thrillers then you might like this film.

This is a 'slasher' film - but not in the stereo-typical way (you know, kids in the woods, no cops or terrible cops around, and a killer slashing away sex-crazed young adults - this film is NOT that way). This is a police detective film that is after a 'slasher'.

6/10

Rating: *** out of five

Too Scared to Scream is actually a better slasher movie from the 1980's than many would expect. Mike Connors (from TV's Mannix) plays a police detective with his partner (Anne Archer, in one of her first major screen roles) who try and solve puzzling murders that are happening at a sky rise apartment building in New York. There are a few suspects including the apartment building's gentle, kind doorman (Ian McShane) who lives with his mute, paralyzed mother (Maureen O'Sullivan, who played Jane in the Tarzan films). Other suspects include a fashion designer (Sully Boyer), and countless persons in and around the building. The film has aged poorly, and the script could have used some more originally and maybe a larger budget since it was not picked up by a major distribution studio, but Tony Lo Bianco's solid direction and fine acting and special effects and suspenseful musical score make this film a tense shocker. Supporting actors include John Heard, Ruth Ford, Leon Issac Kennedy, Carrie Nye and even Murray Hamilton, who we remember as Mayor Vaughn in Jaws. Charles Azonvour sings the film's song "I'll Be There" in the opening sequence.

If you are looking for a good horror movie, go away. If you are looking to be scared, again, go away. But if you are looking for a nice way to spend the afternoon with an OK, cliched, but somehow still enjoyable and charming crime story with unusually high amount of nudity, you will like this. It has everything you would expect, from cheesy scenes to genre staple old and experienced detective leading the investigation. I give it 6.5/10! I think it's an OK movie which I could watch again, if I by chance stumble upon it on TV... I recommend it for some casual fun :)