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Threads

  • Téléfilm
  • 1984
  • TV-MA
  • 1h 52min
NOTE IMDb
7,9/10
25 k
MA NOTE
POPULARITÉ
2 553
856
Michael Beecroft in Threads (1984)
Trailer
Lire trailer1:19
1 Video
15 photos
Dystopian Sci-FiPolitical DramaPolitical ThrillerTragedyDramaSci-FiThriller

Sheffield, Angleterre, début des années 80. La tension entre les Etats-Unis et la Russie mène à une guerre nucléaire. La ville est ravagée par une explosion. Le film décrit les conséquences ... Tout lireSheffield, Angleterre, début des années 80. La tension entre les Etats-Unis et la Russie mène à une guerre nucléaire. La ville est ravagée par une explosion. Le film décrit les conséquences sur la population dans les années qui suivent.Sheffield, Angleterre, début des années 80. La tension entre les Etats-Unis et la Russie mène à une guerre nucléaire. La ville est ravagée par une explosion. Le film décrit les conséquences sur la population dans les années qui suivent.

  • Réalisation
    • Mick Jackson
  • Scénario
    • Barry Hines
  • Casting principal
    • Karen Meagher
    • Reece Dinsdale
    • David Brierly
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    25 k
    MA NOTE
    POPULARITÉ
    2 553
    856
    • Réalisation
      • Mick Jackson
    • Scénario
      • Barry Hines
    • Casting principal
      • Karen Meagher
      • Reece Dinsdale
      • David Brierly
    • 395avis d'utilisateurs
    • 77avis des critiques
    • 92Métascore
  • Voir les informations de production sur IMDbPro
    • Victoire aux 4 BAFTA Awards
      • 4 victoires et 4 nominations au total

    Vidéos1

    Threads
    Trailer 1:19
    Threads

    Photos14

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    Rôles principaux58

    Modifier
    Karen Meagher
    • Ruth Beckett
    Reece Dinsdale
    Reece Dinsdale
    • Jimmy Kemp
    David Brierly
    David Brierly
    • Mr. Kemp
    • (as David Brierley)
    Rita May
    Rita May
    • Mrs. Kemp
    Nicholas Lane
    • Michael Kemp
    Jane Hazlegrove
    Jane Hazlegrove
    • Alison Kemp
    Henry Moxon
    • Mr. Beckett
    June Broughton
    • Mrs. Beckett
    Sylvia Stoker
    • Granny Beckett
    Harry Beety
    Harry Beety
    • Mr. Sutton
    Ruth Holden
    Ruth Holden
    • Mrs. Sutton
    Ashley Barker
    Ashley Barker
    • Bob
    Michael O'Hagan
    • Chief Supt. Hirst
    Phil Rose
    Phil Rose
    • Medical Officer
    Steve Halliwell
    • Information Officer
    Brian Grellis
    • Accommodation Officer
    Peter Faulkner
    • Transport Officer
    Anthony Collin
    • Food Officer
    • Réalisation
      • Mick Jackson
    • Scénario
      • Barry Hines
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs395

    7,925.2K
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    Avis à la une

    8arthur_tafero

    Who Needs Vampire and Zombie Movies for Horror?-Threads

    Every zombie and vampire movie ever made are Disney cartoons compared to Threads. One begins to realize the complete impotence of Hollywood crap like The Walking Dead and 100 variations of Vampire films. There is absolutely no need to see a horror film after viewing this piece; no horror film ever made could even have a tenth of its impact. The ghastly scenes are too numerous to mention; the horror all too real and unspeakable. The lucky ones are those who were killed instantly. A fable about a nuclear attack in England hits the bullseye for horror. Mr. Hines has created a horror masterpiece. The only thing is that vampires and zombies are fantasies; these survivors of a nuclear holocaust are real-life people. Well, I would not exactly call them people, but lower life forms of animals, as the human race would no longer exist as we know it. Only subhuman animals seeking water, food, shelter and clothing. This is the Rolls Royce of Nuclear Holocaust films. And now we have the US-Russia crisis over Ukraine. How much different is that from the one portrayed in the film? Not much. Might be time to stock up on bottled water, canned foods, a first aid kit, a supply of generic drugs, and a 38 with lots of cartridges and head for that remote cabin at the lake.
    8Java_Joe

    No punches pulled.

    The 80's were a different time. Everybody was making money, everybody was having a great time, things never looked better. Except there was always the threat of nuclear war hanging above our heads. This was more than just an idea. We felt it. It was always there just at the edges of your awareness and you could never really ignore it.

    Enter "The Day After" which was an American made for TV movie showing what would happen. It was scary and it was effective but it showed an undercurrent of hope. That even in such a tragedy we could survive, pull together and win. Threads has no such message. It shows that even in a limited strike we are well and truly boned. No hope. No chance of a better world. The lucky ones would be the ones that died in the initial blast or that died shortly afterwards. The unlucky ones are the ones that would go on living and slowly get sick before dying.

    This movie gave a detailed version of what would happen. From the initial blast to the radiation sickness to the lack of any kind of support or infrastructure afterwards. The worst part showing the long term effects of it. The birth defects, the lack of medicine and aid, the fact that suddenly food and clean water, things we take for granted becoming the most precious resources around.

    This movie is a punch to the gut followed by a slow but deliberate beating until you are left spent on the ground quivering in fear. This needs to be required viewing by anybody in the East or West that might even consider that a nuclear strike is a good idea.

    It's not. It would literally mean the end of life as we know it.
    10world_of_weird

    Saw it again recently and it STILL packs a killer punch.

    I was about eleven or twelve when this harrowing made-for-TV docu-drama was repeated by the BBC, back to back with 'The War Game'. 'The War Game' didn't faze me much, for various reasons, but 'Threads' - that grabbed me instantly and wouldn't let go. It was not only horribly real, seeing a lower-middle class family rather like my own suddenly plunged back into the dark ages by a nuclear holocaust, it was also entirely believable (the cold war was still very much an ongoing concern back in the eighties) and shockingly compelling. I wanted to look away, but couldn't. I wanted to run from the room in fright, but couldn't. For better or worse, this film showed in full, unflinching, uncompromising detail exactly what it would be like if your home town got nuked, and gave us graphic realism in spades. Melting milk-bottles, spontaneous urination, houses reduced to rubble in seconds, burning cats, dead kids, gore, vomit, armed traffic wardens shooting looters, filth, decay, disease...it's certainly not a barrel of laughs, but Mick Jackson's aim was to shut up all the ignorant gung-hos who believed a nuclear war could be "won". He succeeded, unequivocally. The scene that made the deepest impact on me was the ravaged makeshift classroom with a ragged bunch of shell-shocked adults dazedly watching an ancient videotape of a schools programme (Words and Pictures, in fact) in an attempt to regain their numeracy and literacy skills. That was a show we used to watch at school. Work it out for yourself. In short, this is a downbeat, depressing, bleak and utterly horrible film, but I recommend it wholeheartedly to everyone. The cold war may be gone, but the threats portrayed are still very real.
    8claudio_carvalho

    Still Impressive in 2021

    In Sheffield, ordinary people from the working class live their lives while the television news report the escalation of the tension between United States of America and Soviet Union after the invasion of Iran by the soviets. People in general do not pay much attention until the day they realize that a nuclear attack may happen and affect the mankind.

    "Threads" is a realistic film still impressive in 2021. In 1984 it was scarier with the Cold War, but in the present days it is still frightening since unstable Powers that Be may press the feared button. The effects of the nuclear holocaust in the population of Sheffield is dreadful. My vote is eight.

    Title (Brazil): "Catástrofe Nuclear" ("Nuclear Catastrophe")
    Baroque

    It hits you with both fists!

    This is perhaps one of the most masochistic films ever made. You are taken into the personal world of two British families in Sheffield (site of a major NATO installation), who have children that are about to be married. Thousands of miles away, World War 3 slowly starts, and the ultimate horror happens. Thermonuclear war breaks out. The world, literally, grinds to a halt, in one of the most scientifically accurate depictions of nuclear war since "War Game, The" (1965). Unlike the US film "Day After, The" (1983) (TV), the film gives detailed information as to what is happening on a scientific basis. You are shown how a worst-case scenario can happen, and what the effects are, as you follow the surviving members of the two families through the aftermath. The scenes of death, destruction and disease are so realistic, I had to shower after seeing this film for the first time. But what is most disturbing is that the film includes the long-term effects of global thermonuclear war, going into weeks, months, years, even decades. The film ends thirteen years after the nuclear attack, and the final frames of the film will burn into you like no other film ever will. There can be no question that this film MUST be re-released in the USA on DVD, so that it's message will be heard and felt.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      In the aftermath of the nuclear blast, footage of a cat supposedly "suffocating" outside in the extreme heat is shown. This is actually footage of a cat enjoying a hefty dose of catnip, then they just reversed the film to give the impression of the cat suffocating (the way the cat is rolling on the ground is the giveaway).
    • Gaffes
      Toward the end of the film, when Ruth falls over while she and her daughter are working the fields, you can hear the director say "Look up nice and slow" to the actors. It's even included in the current closed captioning, with the speaker attributed as "Man."
    • Citations

      [first lines]

      Narrator: In an urban society, everything connects. Each person's needs are fed by the skills of many others. Our lives are woven together in a fabric. But the connections that make society strong also make it vulnerable.

    • Versions alternatives
      In the original broadcast version, the narration which opens the film is accompanied by a recording of Richard Strauss's "Alpine Symphony"; due to rights issues, the music was removed from most later home video releases. It was restored for Severin's Blu-ray release, as well as the UK Blu-ray release from Simply Media.
    • Connexions
      Featured in Secret Society: In Time of Crisis (1987)
    • Bandes originales
      Johnny B. Goode
      (uncredited)

      Written and Performed by Chuck Berry

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    Détails

    Modifier
    • Date de sortie
      • 23 septembre 1984 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
      • Australie
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Tag Null
    • Lieux de tournage
      • Nottingham House Pub, 164 Whitham Road, Broomhill, Sheffield, S10 2SR, Yorkshire, Angleterre, Royaume-Uni(Jimmy's local pub)
    • Sociétés de production
      • British Broadcasting Corporation (BBC)
      • Nine Network Australia
      • Western-World Television Inc.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 400 000 £GB (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 52 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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    Michael Beecroft in Threads (1984)
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    By what name was Threads (1984) officially released in India in English?
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