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Threads

  • Téléfilm
  • 1984
  • TV-MA
  • 1h 52min
NOTE IMDb
7,9/10
25 k
MA NOTE
POPULARITÉ
2 767
335
Michael Beecroft in Threads (1984)
Trailer
Lire trailer1:19
1 Video
15 photos
DrameScience-fictionThrillerDrame politiqueScience-fiction dystopiqueThriller politiqueTragédie

Sheffield, Angleterre, début des années 80. La tension entre les Etats-Unis et la Russie mène à une guerre nucléaire. La ville est ravagée par une explosion. Le film décrit les conséquences ... Tout lireSheffield, Angleterre, début des années 80. La tension entre les Etats-Unis et la Russie mène à une guerre nucléaire. La ville est ravagée par une explosion. Le film décrit les conséquences sur la population dans les années qui suivent.Sheffield, Angleterre, début des années 80. La tension entre les Etats-Unis et la Russie mène à une guerre nucléaire. La ville est ravagée par une explosion. Le film décrit les conséquences sur la population dans les années qui suivent.

  • Réalisation
    • Mick Jackson
  • Scénario
    • Barry Hines
  • Casting principal
    • Karen Meagher
    • Reece Dinsdale
    • David Brierly
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    25 k
    MA NOTE
    POPULARITÉ
    2 767
    335
    • Réalisation
      • Mick Jackson
    • Scénario
      • Barry Hines
    • Casting principal
      • Karen Meagher
      • Reece Dinsdale
      • David Brierly
    • 396avis d'utilisateurs
    • 77avis des critiques
    • 92Métascore
  • Voir les informations de production sur IMDbPro
    • Victoire aux 4 BAFTA Awards
      • 4 victoires et 4 nominations au total

    Vidéos1

    Threads
    Trailer 1:19
    Threads

    Photos14

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    Rôles principaux58

    Modifier
    Karen Meagher
    • Ruth Beckett
    Reece Dinsdale
    Reece Dinsdale
    • Jimmy Kemp
    David Brierly
    David Brierly
    • Mr. Kemp
    • (as David Brierley)
    Rita May
    Rita May
    • Mrs. Kemp
    Nicholas Lane
    • Michael Kemp
    Jane Hazlegrove
    Jane Hazlegrove
    • Alison Kemp
    Henry Moxon
    • Mr. Beckett
    June Broughton
    • Mrs. Beckett
    Sylvia Stoker
    • Granny Beckett
    Harry Beety
    Harry Beety
    • Mr. Sutton
    Ruth Holden
    Ruth Holden
    • Mrs. Sutton
    Ashley Barker
    Ashley Barker
    • Bob
    Michael O'Hagan
    • Chief Supt. Hirst
    Phil Rose
    Phil Rose
    • Medical Officer
    Steve Halliwell
    • Information Officer
    Brian Grellis
    • Accommodation Officer
    Peter Faulkner
    • Transport Officer
    Anthony Collin
    • Food Officer
    • Réalisation
      • Mick Jackson
    • Scénario
      • Barry Hines
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs396

    7,925.4K
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    Avis à la une

    Scott-8

    Possibly the grimmest movie ever made

    I first saw "Threads" in high school, and saw it again recently as a grown adult. It does make a measure how old you are when viewing this movie; you take the actions on screen more seriously.

    "Threads" plays like BBC documentary about a catastrophic nuclear war, interjecting live scenes with a bland monologue and various statistics, although one wonders what audience would be viewing this documentary.

    Since it does play like a documentary, it feels no need to either overplay events or sugarcoat things for our sensibilities. There's no speeches or heroic actions, everything occurs as it happens, no matter how horrifying.

    The gore is moderate (it was a TV movie after all) but is unsettling because it's taken to be real. Throughout you look for some hopeful thought to intrude, even comic relief, but "Threads" stares you down, making you watch the horror and woe to the bitter end. There is no hope or salvation, only despair.

    It's worth seeing a movie like this as a reminder of the horrors of nuclear war; the threat of a mututal destruction by superpowers seems to be fast fading, but there's always the possibility of terrorists or new enemies.

    "Threads" is to nuclear war what "Saving Private Ryan" is to war movies, a landmark film that delivers a strong political message without ever really mentioning it.
    8claudio_carvalho

    Still Impressive in 2021

    In Sheffield, ordinary people from the working class live their lives while the television news report the escalation of the tension between United States of America and Soviet Union after the invasion of Iran by the soviets. People in general do not pay much attention until the day they realize that a nuclear attack may happen and affect the mankind.

    "Threads" is a realistic film still impressive in 2021. In 1984 it was scarier with the Cold War, but in the present days it is still frightening since unstable Powers that Be may press the feared button. The effects of the nuclear holocaust in the population of Sheffield is dreadful. My vote is eight.

    Title (Brazil): "Catástrofe Nuclear" ("Nuclear Catastrophe")
    BenjAii

    Genuinely horrifying

    I've always said that no film can really scare you as an adult as films scared you when you were a kid. My benchmark for that being watching 'The Omen' on video when i was about 13, nothing has ever quite lived up to it in the effect it had on me.

    Rewatching 'Threads' a while back makes me change my mind.

    I remember first seeing it in Ireland on the BBC when I guess i was about 14. Even in Ireland, a neutral country, anxiety about nuclear war was a big thing when we were kids in the 80's.

    'Threads' does really get to you, its very unsettling and disturbing. Unlike fictional horror films, 'Threads' is hugely different in one respect - it's real. This is what would happen, you can't distance yourself by saying it's make believe. There are still thousands of nuclear weapons armed and primed to be launched within minutes, 24 hours a day, everyday. Now we even have a country, the US, that says it's ready to use them, even if no one else does first.

    Rewatching it, the dated production values don't detract from the film's power. It seems to bring the film even closer to the ordinary and the everyday. It's the film's ordinariness that makes it so viscerally disturbing - Hollywood special effects would at least have allowed you to distance yourself from it somewhat. In fact the film is more realistic for not having them. Someone else mentioned the scene of the woman in the shopping centre urinating where she stood out of pure terror as she sees the bomb go off a mile or two away from her - thats the scene that stayed with me the most too.

    Its depressing to think in 2004 we are living in a world where politicians are again talking about 'winnable' wars using nuclear weapons. In many things in life you get a second chance if you make mistakes, I don't think nuclear weapons use will give us the luxury of finding out afterwards was it all worth it. Watch "Threads' and see if you think 'winnable' nuclear war is something you want to give yourself or your children.
    Baroque

    It hits you with both fists!

    This is perhaps one of the most masochistic films ever made. You are taken into the personal world of two British families in Sheffield (site of a major NATO installation), who have children that are about to be married. Thousands of miles away, World War 3 slowly starts, and the ultimate horror happens. Thermonuclear war breaks out. The world, literally, grinds to a halt, in one of the most scientifically accurate depictions of nuclear war since "War Game, The" (1965). Unlike the US film "Day After, The" (1983) (TV), the film gives detailed information as to what is happening on a scientific basis. You are shown how a worst-case scenario can happen, and what the effects are, as you follow the surviving members of the two families through the aftermath. The scenes of death, destruction and disease are so realistic, I had to shower after seeing this film for the first time. But what is most disturbing is that the film includes the long-term effects of global thermonuclear war, going into weeks, months, years, even decades. The film ends thirteen years after the nuclear attack, and the final frames of the film will burn into you like no other film ever will. There can be no question that this film MUST be re-released in the USA on DVD, so that it's message will be heard and felt.
    8arthur_tafero

    Who Needs Vampire and Zombie Movies for Horror?-Threads

    Every zombie and vampire movie ever made are Disney cartoons compared to Threads. One begins to realize the complete impotence of Hollywood crap like The Walking Dead and 100 variations of Vampire films. There is absolutely no need to see a horror film after viewing this piece; no horror film ever made could even have a tenth of its impact. The ghastly scenes are too numerous to mention; the horror all too real and unspeakable. The lucky ones are those who were killed instantly. A fable about a nuclear attack in England hits the bullseye for horror. Mr. Hines has created a horror masterpiece. The only thing is that vampires and zombies are fantasies; these survivors of a nuclear holocaust are real-life people. Well, I would not exactly call them people, but lower life forms of animals, as the human race would no longer exist as we know it. Only subhuman animals seeking water, food, shelter and clothing. This is the Rolls Royce of Nuclear Holocaust films. And now we have the US-Russia crisis over Ukraine. How much different is that from the one portrayed in the film? Not much. Might be time to stock up on bottled water, canned foods, a first aid kit, a supply of generic drugs, and a 38 with lots of cartridges and head for that remote cabin at the lake.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In the aftermath of the nuclear blast, footage of a cat supposedly "suffocating" outside in the extreme heat is shown. This is actually footage of a cat enjoying a hefty dose of catnip, then they just reversed the film to give the impression of the cat suffocating (the way the cat is rolling on the ground is the giveaway).
    • Gaffes
      Toward the end of the film, when Ruth falls over while she and her daughter are working the fields, you can hear the director say "Look up nice and slow" to the actors. It's even included in the current closed captioning, with the speaker attributed as "Man."
    • Citations

      [first lines]

      Narrator: In an urban society, everything connects. Each person's needs are fed by the skills of many others. Our lives are woven together in a fabric. But the connections that make society strong also make it vulnerable.

    • Versions alternatives
      In the original broadcast version, the narration which opens the film is accompanied by a recording of Richard Strauss's "Alpine Symphony"; due to rights issues, the music was removed from most later home video releases. It was restored for Severin's Blu-ray release, as well as the UK Blu-ray release from Simply Media.
    • Connexions
      Featured in Secret Society: In Time of Crisis (1987)
    • Bandes originales
      Johnny B. Goode
      (uncredited)

      Written and Performed by Chuck Berry

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    Détails

    Modifier
    • Date de sortie
      • 23 septembre 1984 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
      • Australie
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Tag Null
    • Lieux de tournage
      • Nottingham House Pub, 164 Whitham Road, Broomhill, Sheffield, S10 2SR, Yorkshire, Angleterre, Royaume-Uni(Jimmy's local pub)
    • Sociétés de production
      • British Broadcasting Corporation (BBC)
      • Nine Network Australia
      • Western-World Television Inc.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 400 000 £GB (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 52 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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