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Ajouter une intrigue dans votre langueA free-spirited 15-year-old girl flirts with a dangerous stranger in the Northern California suburbs and must prepare herself for the frightening and traumatic consequences.A free-spirited 15-year-old girl flirts with a dangerous stranger in the Northern California suburbs and must prepare herself for the frightening and traumatic consequences.A free-spirited 15-year-old girl flirts with a dangerous stranger in the Northern California suburbs and must prepare herself for the frightening and traumatic consequences.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 5 nominations au total
Sara Inglis
- Jill
- (as Sarah Inglis)
David Michael O'Neill
- Mall Boy
- (as David O'Neill)
Avis à la une
This film showed the arrival of Laura Dern, one of the most gifted actresses of her generation, to full realization. Under Joyce Chopra's direction, Ms. Dern proved she could carry this picture, as well as any other, just on the strength of her portrayal of Connie, the rebellious California teen ager, who experiences life and cruelty in ways she never expected.
If anything, the film might send some viewers to read some of Joyce Carol Oates novels for she is an original and important voice in American letters. Ms. Joyce is a prolific and generous writer who shows a sensibility toward young women in trouble, as it was the case with her magnificent "We Were the Mulvaneys", among other novels.
When we first meet Connie, she seems to be a careless teen ager from rural California, hanging in the local mall with her best friends Jill and Laura. There is trouble at home. Connie is a rebel and her relationship with her mother, Katherine, is not exactly the best. Connie is seen with Laura experiencing with local boys the rituals of flirting.
Connie gets much more than what she bargains for, when the mysterious Arnold Friend keeps turning at the hamburger joint where she hangs out with Laura. Arnold is a creepy individual who, being older, and more experienced man in matters of sex, shows up one Sunday, while her family is away, to entice the young girl with his "smooth talk". This long sequence shows Connie as the vulnerable young woman she is, accosted by a young man intent in getting what he wants.
To say that Laura Dern is perfect in the film, is not to do her justice. She is the whole movie. Her expressions, her reactions, are nothing short of what one would expect from a young woman in the same situation. Treat Williams makes a great appearance as the menacing Arnold. Mary Kay Place, as the mother is also good, as well as the rest of the ensemble playing cast.
Joyce Chopra shows she is a director who likes to takes risks by creating an original film out of Ms. Oates short story.
If anything, the film might send some viewers to read some of Joyce Carol Oates novels for she is an original and important voice in American letters. Ms. Joyce is a prolific and generous writer who shows a sensibility toward young women in trouble, as it was the case with her magnificent "We Were the Mulvaneys", among other novels.
When we first meet Connie, she seems to be a careless teen ager from rural California, hanging in the local mall with her best friends Jill and Laura. There is trouble at home. Connie is a rebel and her relationship with her mother, Katherine, is not exactly the best. Connie is seen with Laura experiencing with local boys the rituals of flirting.
Connie gets much more than what she bargains for, when the mysterious Arnold Friend keeps turning at the hamburger joint where she hangs out with Laura. Arnold is a creepy individual who, being older, and more experienced man in matters of sex, shows up one Sunday, while her family is away, to entice the young girl with his "smooth talk". This long sequence shows Connie as the vulnerable young woman she is, accosted by a young man intent in getting what he wants.
To say that Laura Dern is perfect in the film, is not to do her justice. She is the whole movie. Her expressions, her reactions, are nothing short of what one would expect from a young woman in the same situation. Treat Williams makes a great appearance as the menacing Arnold. Mary Kay Place, as the mother is also good, as well as the rest of the ensemble playing cast.
Joyce Chopra shows she is a director who likes to takes risks by creating an original film out of Ms. Oates short story.
This was definitely somewhat different to what I had expected. The performances are exquisite, Laura Dern proving she had enormous talent at such a young age. She's fantastic here, infusing her character with the much needed charm and likability it needed, while also proving to be strong-willed and vulnerable in her own way. She certainly had a great year in 1985, with between this and Mask, and it's great to see some of the acting notes she would come to perfect even later on in her career. The supporting cast is nicely balanced and also provides some strong work. The film is contemplative and calm, and the sentiment at the end is very well-earned, such a great final scene to go along with the rest of what the film was actually doing.
I was impressed with Laura's acting and thought she portrayed the difficulty of dealing with coming of age in a touching and realistic manner. Her hormones outpaced her friends noticeably and that put her at odds with her closest friends and also made her the target of males far beyond her abilities to understand and defend herself from. My daughter is now grown and survived her teen years quite well. I thought of this film often during those years and am thankful she did not develop early and that she had sufficient parenting to avoid characters such as Treat played. I have not found this movie available on tape or disc and feel that that is a great loss.
This film is one of the most realistic "coming of age" films I have seen. In fact, parts of it gave me deja vu when I remembered the summer of my 15th year when my best friend and I first discovered we were attractive to men and didn't know quite what to do with that knowledge, as we made the transition from "little girl" to "woman." The main character, Connie, is clearly torn between wanting to bond with and be a part of her family and wanting to exert her independence, and trying to balance all of her roles as she grows up. The best part of the film - which is a small moment actually, but very powerful - is when Connie plays James Taylor's Handy Man and her mother listens to it in another part of the house - that scene shows that mother and daughter are both going through "growing pains." Although the ending was a downer, it is worth seeing the film for Laura Dern's brilliant performance.
Since I read Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?" many years ago as a teenager myself (many Oates' works were translated to Russian - she was and I hope still is very popular there), I've been fascinated by it. I've read many Oates's stories and some of her novels but the 10 pages long story of 15 years old Connie, "shallow, vain, silly, hopeful, doomed but capable nonetheless of an unexpected gesture of heroism at the story's end" has stuck in my memory and I could never forget it. When I found out that the story was adapted to the screen, I tried to find the movie, "Smooth Talk" (1985) directed by Joyce Chopra and I saw it finally last weekend. A disturbing coming of age drama, the winner of The Grand Jury Prize at 1986 features 18 years-old Laura Dern who appears innocent, gawky, and provocative all at once. Laura owns the film as a sultry woman-child who just began to realize the power of her sexual attractiveness during one long summer that would change her life forever. It does not surprise me a bit that Dern's next movie would be David Lynch's "Blue Velvet" where she played sweet and innocent Sandy and in a few years she would play her best role, Lula Fortune in his "Wild at Heart" (1990). The more I think of Laura, the more I see her as one of the most talented actresses of her generation. She is fearless in taking sometimes unflattering roles and she never lost that aura of innocence wrapped in irresistible sexuality that made her Connie in "Smooth Talk" so alive and unforgettable.
The links to the full text of the story and to the Oates' article about adapting it to the film are posted on the movie's message board. I was shocked to find out what the real story behind the fictional was.
The links to the full text of the story and to the Oates' article about adapting it to the film are posted on the movie's message board. I was shocked to find out what the real story behind the fictional was.
Le saviez-vous
- AnecdotesDirector Joyce Chopra knew Laura Dern was right for the role of Connie when she heard "Is That the Way You Look?" from James Taylor playing on Dern's answering machine. Ironically and unknown to Dern, Taylor was the movie's music director and had suggested using that song in particular as one of the soundtrack's featured songs.
- GaffesWhen the girls are looking across the street at Frank's Drive-In, the gold Pontiac is already in the parking lot, conspicuous because the left brake-light is out. Then the gold Pontiac is heard coming down the road and seen turning into the parking lot, sporting the nonworking light.
- Versions alternativesPBS edited two minutes from this movie for its 1987 network television premiere.
- ConnexionsFeatured in At the Movies: Salvador/Smooth Talk/Crossroads/Turtle Diary (1986)
- Bandes originalesLimousine Driver
Performed by James Taylor
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- How long is Smooth Talk?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Bedrohliches Geflüster
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 400 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 16 785 $US
- Week-end de sortie aux États-Unis et au Canada
- 16 785 $US
- 17 nov. 1985
- Montant brut mondial
- 16 785 $US
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