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6,5/10
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MA NOTE
Ajouter une intrigue dans votre langueA free-spirited 15-year-old girl flirts with a dangerous stranger in the Northern California suburbs and must prepare herself for the frightening and traumatic consequences.A free-spirited 15-year-old girl flirts with a dangerous stranger in the Northern California suburbs and must prepare herself for the frightening and traumatic consequences.A free-spirited 15-year-old girl flirts with a dangerous stranger in the Northern California suburbs and must prepare herself for the frightening and traumatic consequences.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 5 nominations au total
Sara Inglis
- Jill
- (as Sarah Inglis)
David Michael O'Neill
- Mall Boy
- (as David O'Neill)
Avis à la une
I was impressed with Laura's acting and thought she portrayed the difficulty of dealing with coming of age in a touching and realistic manner. Her hormones outpaced her friends noticeably and that put her at odds with her closest friends and also made her the target of males far beyond her abilities to understand and defend herself from. My daughter is now grown and survived her teen years quite well. I thought of this film often during those years and am thankful she did not develop early and that she had sufficient parenting to avoid characters such as Treat played. I have not found this movie available on tape or disc and feel that that is a great loss.
The really remarkable thing about Smooth Talk is just how true to life it is. Whilst I haven't been a teenage girls in the 1980s, I am currently a teenager. And let me just say that this is EXACTLY how it feels to be one. I can't count all the times that I've seen movies like High School Musical or Sixteen Candles, where the insights into teenage life are about as deep as a kiddie pool. Smooth Talk, on the other hand, paints a realistic portrait of how it feels to chase after people because it feels like the most important thing to have a partner. It gives insight into teenager's troubled relationships with their parents, and (very intelligently) doesn't entirely put the blame on either party. Everything from the acting to the writing to the directing just screams "this is what it's like to be a teenager." And frankly, it earns the right to do so.
That's how the first two thirds of the film are, with stakes about as high as any other teen movie. But then the last act changes things up a bit. It sneaks up on you, and without realizing it you were lured into a false sense of security. But Smooth Talk's goal isn't to be a fun teen film: it's to show you what it's really like to be a teenage girl. So the dark side of reality sets in during the last half hour, and you are left with more empathy for women than you came in with. This is the power of films: they can put you in the shoes of someone like no other medium. And Smooth Talk takes full advantage of that.
Overall, Smooth Talk is smarter than most teen movies, but no less interesting. I'd recommend it to anyone: kids wanting to see what it's like to be a teenager, adults wanting to revisit the past, and teens who just want to see themselves on screen.
Final Score: 84/100.
That's how the first two thirds of the film are, with stakes about as high as any other teen movie. But then the last act changes things up a bit. It sneaks up on you, and without realizing it you were lured into a false sense of security. But Smooth Talk's goal isn't to be a fun teen film: it's to show you what it's really like to be a teenage girl. So the dark side of reality sets in during the last half hour, and you are left with more empathy for women than you came in with. This is the power of films: they can put you in the shoes of someone like no other medium. And Smooth Talk takes full advantage of that.
Overall, Smooth Talk is smarter than most teen movies, but no less interesting. I'd recommend it to anyone: kids wanting to see what it's like to be a teenager, adults wanting to revisit the past, and teens who just want to see themselves on screen.
Final Score: 84/100.
Laura Dern is perfect as lanky lass in a small town sparring with her parents, estranged from her older sister, desperate to be liked and to be with boys. Opening moments of this adaptation of Joyce Carol Oates' story "Where Are You Going, Where Have You Been"--with Dern and friends doing the mall--are realistic but nothing too original; second portion of the film, with Laura meeting smooth talking Treat Williams (who comes dressed like the James Dean poster on Dern's wall) is elongated and dry (you can almost feel the director's confidence slipping away). It's an encounter I didn't particularly care for, nor did I buy the rosy ending either. However, there are fine moments in "Smooth Talk", the most devastating of which lies in a conversation between Dern and indifferent sis Elizabeth Berridge (in a terrific performance): Dern recalls a vivid, lovely childhood memory between the two, but after listening and thinking it over, Berridge tells her, "I don't remember..." **1/2 from ****
The movie is for the most part was good. I recommend reading the short story which it is based on before you see the movie. The movie sticks to the plot for the most part, but there are a few differences that shouldn't have been added in. The roles of the parents were good and accurately got across the ideas that Connie disliked in them. Laura Dern as Connie did an average job of portraying Connie, the shallow 15 year old. Treat Williams was excellent as the disturbing Arnold Friend. The biggest problem with this film is they gave it a Hollywood "happily ever after" which is completely different from the dark ending of the story. "Where you are going, where have you been" is a very good story and is much darker than "Smooth Talk" but if you are a fan of the story, check this out to compare.
This was definitely somewhat different to what I had expected. The performances are exquisite, Laura Dern proving she had enormous talent at such a young age. She's fantastic here, infusing her character with the much needed charm and likability it needed, while also proving to be strong-willed and vulnerable in her own way. She certainly had a great year in 1985, with between this and Mask, and it's great to see some of the acting notes she would come to perfect even later on in her career. The supporting cast is nicely balanced and also provides some strong work. The film is contemplative and calm, and the sentiment at the end is very well-earned, such a great final scene to go along with the rest of what the film was actually doing.
Le saviez-vous
- AnecdotesDirector Joyce Chopra knew Laura Dern was right for the role of Connie when she heard "Is That the Way You Look?" from James Taylor playing on Dern's answering machine. Ironically and unknown to Dern, Taylor was the movie's music director and had suggested using that song in particular as one of the soundtrack's featured songs.
- GaffesWhen the girls are looking across the street at Frank's Drive-In, the gold Pontiac is already in the parking lot, conspicuous because the left brake-light is out. Then the gold Pontiac is heard coming down the road and seen turning into the parking lot, sporting the nonworking light.
- Versions alternativesPBS edited two minutes from this movie for its 1987 network television premiere.
- ConnexionsFeatured in At the Movies: Salvador/Smooth Talk/Crossroads/Turtle Diary (1986)
- Bandes originalesLimousine Driver
Performed by James Taylor
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- How long is Smooth Talk?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Bedrohliches Geflüster
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 400 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 16 785 $US
- Week-end de sortie aux États-Unis et au Canada
- 16 785 $US
- 17 nov. 1985
- Montant brut mondial
- 16 785 $US
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