Affaires privées

This movie is one of the most tightly packed white-knuckle nail-biting suspense-thriller I have ever seen. The script and the background music are excellent. Richard Gere is in his top form as the cool-headed negative-lead in this movie. Andy Garcia always surprises me being such a little man in size but having such a heavy screen-personality (not to mention his penetrating eyes). Think of the difference between his roles in "Ocean's Eleven" and "The Untouchables". I personally admire Nancy Travis not only for her being a stunningly beautiful smart woman (she has the loveliest hair too) but also for her natural gift of acting ability, her throw of words, expression on her face, her movements, the way she carries herself ("Three Men and a Baby", "Three Men and a Little Lady", "Running Mates"). I don't know why she has never been the "most-demanded" actress in Hollywood! Laurie Metcalf was a perfect selection as Amy Wallace in this movie. The movie winds up to become a sharp quadruple in the end with these four people. I rate it 9 and ½ out of 10.

I have never quite seen a movie like this before. In it, Richard Gere plays his most sinister role and I think his best character in years. There are many disturbing elements in this film and most of them are perpetrated by Richard Gere's Dennis Peck. He knows how to manipulate people to get what he wants and if that doesn't work he uses other measures.

The story goes like this: Richard Gere plays a cop that everyone owes a favour to. He is everyone's friend and everyone's silent worst enemy. He also lives a little above his income should allow him too and this is why he is being investigated by internal affairs. Enter Andy Garcia as Raymond, in a mesmerizing performance. These two know they are going to square off in the film and Peck has fun tormenting him.

Peck is a charismatic, good looking, wealthy play boy. He knows how to use what he has to his advantage, and that eventually means playing with Raymond's head to make him think that he is sleeping with his wife. Did I mention that he is intuitive? And this is established so brilliantly in one of their first meetings together that it makes you cringe.

Peck introduces himself to Raymond and at first he seems very co-operative assuring Raymond that he realizes Ray has a job to do just like he does. But the conversation takes an abrupt turn when Peck begins to hit too close to home when he begins to question how good Raymond's love life is right now. He knows he spends too much time at the office and that he has a beautiful, young wife that may be neglected. The scene works beautifully and sets up the psychological battle that takes place between the two as the film goes on. The next scene they have with each other is enough to make every man cringe at the cruelty of it.

Internal Affairs is a character study at it's finest. There are few films out there that can compare to this one and that can be attributed to the director, Mike Figgis. He hits every note perfectly and the performances he gets from his cast is such a joy to watch. I am surprised that Andy Garcia hasn't gone on to be bigger than he is because he was outstanding here.

This is an absolute must see for anyone that hasn't had the pleasure of doing so yet. But beware, there are some scenes that will get under your skin, especially if you spend too much time at the office and you have a beautiful woman waiting for you at home. What is she doing right now? Who is she with? Are you paranoid or are your concerns real? This film has fun with that paranoia.

Dennis Peck is a street cop who seems happy to stay at that level, and yet he spends significantly more money than he makes on his cops' pay. When IA officers investigate Peck's partner Van Stretch for planting drugs on a suspect and using unnecessary force, they decide to look into Peck more. However Peck knows how to exploit weakness in those around him and begins to clear up the loose links around him while pushing all Raymond Avila's buttons.

This was Figgis' first American film and he made an excellent start. The dark plot is pretty simple in terms of beginning, middle, start. What makes it so much more than that is the characters are so well drawn. Peck and Avila both become like each other the more we know about them, their methods, their thoughts and their weaknesses are all similar. It makes it harder to fit everyone into the mould of good guys and bad guys and keeps everything more interesting. The various twists don't always make sense but the film is forceful enough to keep everything moving.

Gere is on best form here, playing a character against type he is the embodiment of corruption, deceit and murder. Garcia is also excellent as Raymond, who blends his actions well from good into bad. Metcalfe is excellent as Garcia's partner who may or may not be motivated by the hatred of Gere's macho personae. It's also good to see Baldwin, Travis and Xander Berkley have good roles.

Overall this is a dark thriller that blends characters into one mess of corruption in the police. It is an excellent film with great characters.

In Internal Affairs LAPD cop Andy Garcia finds himself transferred there and finds out despite the snow job given him, it's quite true nobody likes these people in the department. He's going to be even less popular because his first assignment with new partner Laurie Metcalf is to investigate William Baldwin, a guy he went through the Academy with.

Baldwin's got a load of brutality complaints against him. He suspects his wife Faye Grant of being unfaithful which turns out to be the case. However Garcia's and Metcalf's investigation of Baldwin leads to uncovering a hole host of illegal activities linked to his partner Richard Gere.

Gere in this film has one of the most amoral characters ever put on celluloid. His corruption goes way beyond just taking a few dollars to fix parking tickets. In fact he's corrupted a whole slew of his fellow officers without a bit of remorse.

Garcia also has a lot of issues and might not be the best guy in the world to take Gere down. Gere presses a lot of Andy's buttons, one of the things that makes him so dangerous is that he is a master psychologist without a degree.

Although Internal Affairs gets a bit too melodramatic at times, the cast performs well in their roles and fans of Richard Gere and Andy Garcia should definitely see this.

The subject here (police corruption) is banal, but it gains extra value and weight by Figgis' atmospheric direction and, especially, by Richard Gere's powerful performance in perhaps his most atypical role (and as far as I know, his only truly villainous one). After watching him in this film, I don't know how some people can still doubt that he's a talented actor as well an attractive star. The rest of the cast is also good. The finale, however, is somewhat disappointing. (**1/2)