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Affaires privées

Titre original : Internal Affairs
  • 1990
  • 12
  • 1h 55min
NOTE IMDb
6,5/10
24 k
MA NOTE
Richard Gere, Andy Garcia, and Nancy Travis in Affaires privées (1990)
CriminalitéDrameThrillerDrame policierProcédure policière

Un agent des affaires internes s'obstine à faire tomber un policier qui a réussi à maintenir une réputation impeccable malgré son implication dans un réseau de corruption.Un agent des affaires internes s'obstine à faire tomber un policier qui a réussi à maintenir une réputation impeccable malgré son implication dans un réseau de corruption.Un agent des affaires internes s'obstine à faire tomber un policier qui a réussi à maintenir une réputation impeccable malgré son implication dans un réseau de corruption.

  • Réalisation
    • Mike Figgis
  • Scénario
    • Henry Bean
  • Casting principal
    • Richard Gere
    • Andy Garcia
    • Nancy Travis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    24 k
    MA NOTE
    • Réalisation
      • Mike Figgis
    • Scénario
      • Henry Bean
    • Casting principal
      • Richard Gere
      • Andy Garcia
      • Nancy Travis
    • 104avis d'utilisateurs
    • 31avis des critiques
    • 63Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos61

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    + 56
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    Rôles principaux56

    Modifier
    Richard Gere
    Richard Gere
    • Dennis Peck
    Andy Garcia
    Andy Garcia
    • Raymond Avilla
    Nancy Travis
    Nancy Travis
    • Kathleen Avilla
    Laurie Metcalf
    Laurie Metcalf
    • Amy Wallace
    Richard Bradford
    Richard Bradford
    • Grieb
    William Baldwin
    William Baldwin
    • Van Stretch
    Michael Beach
    Michael Beach
    • Dorian Fletcher
    Katherine Borowitz
    Katherine Borowitz
    • Tova Arrocas
    Faye Grant
    Faye Grant
    • Penny
    John Kapelos
    John Kapelos
    • Steven Arrocas
    Xander Berkeley
    Xander Berkeley
    • Rudy Mohr
    John Capodice
    John Capodice
    • Chief Healy
    Victoria Dillard
    Victoria Dillard
    • Kee
    Pamella D'Pella
    Pamella D'Pella
    • Cheryl
    Susan Forristal
    • Lolly
    Allan Havey
    Allan Havey
    • Judson
    Lew Hopson
    Lew Hopson
    • Buster
    Tyde Kierney
    • Sgt. Trafficante
    • Réalisation
      • Mike Figgis
    • Scénario
      • Henry Bean
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs104

    6,524.1K
    1
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    10

    Avis à la une

    senortuffy

    Trivia time - these two really didn't like each other

    Atmospheric drama about a good cop (Andy Garcia) going after a bad cop (Richard Gere). What sets it apart is the interplay between the two leads.

    My girlfriend's ex-husband worked on the set during production and she told me that the fight scenes in the film were real. Andy Garcia and Richard Gere really went at it in the elevator. The wounds they had were real, not fake. After filming had been completed, Garcia refused to attend the post-production party.

    Knowing this, watch the film again. The tension between the two is palpable in just about every scene they're in together. Which makes for a pretty decent movie.
    Zim_Babwe

    White-knuckle suspense-thriller!

    This movie is one of the most tightly packed white-knuckle nail-biting suspense-thriller I have ever seen. The script and the background music are excellent. Richard Gere is in his top form as the cool-headed negative-lead in this movie. Andy Garcia always surprises me being such a little man in size but having such a heavy screen-personality (not to mention his penetrating eyes). Think of the difference between his roles in "Ocean's Eleven" and "The Untouchables". I personally admire Nancy Travis not only for her being a stunningly beautiful smart woman (she has the loveliest hair too) but also for her natural gift of acting ability, her throw of words, expression on her face, her movements, the way she carries herself ("Three Men and a Baby", "Three Men and a Little Lady", "Running Mates"). I don't know why she has never been the "most-demanded" actress in Hollywood! Laurie Metcalf was a perfect selection as Amy Wallace in this movie. The movie winds up to become a sharp quadruple in the end with these four people. I rate it 9 and ½ out of 10.
    6bkoganbing

    One Amoral Cop

    In Internal Affairs LAPD cop Andy Garcia finds himself transferred there and finds out despite the snow job given him, it's quite true nobody likes these people in the department. He's going to be even less popular because his first assignment with new partner Laurie Metcalf is to investigate William Baldwin, a guy he went through the Academy with.

    Baldwin's got a load of brutality complaints against him. He suspects his wife Faye Grant of being unfaithful which turns out to be the case. However Garcia's and Metcalf's investigation of Baldwin leads to uncovering a hole host of illegal activities linked to his partner Richard Gere.

    Gere in this film has one of the most amoral characters ever put on celluloid. His corruption goes way beyond just taking a few dollars to fix parking tickets. In fact he's corrupted a whole slew of his fellow officers without a bit of remorse.

    Garcia also has a lot of issues and might not be the best guy in the world to take Gere down. Gere presses a lot of Andy's buttons, one of the things that makes him so dangerous is that he is a master psychologist without a degree.

    Although Internal Affairs gets a bit too melodramatic at times, the cast performs well in their roles and fans of Richard Gere and Andy Garcia should definitely see this.
    7gridoon

    A top-of-the-line Gere performance.

    The subject here (police corruption) is banal, but it gains extra value and weight by Figgis' atmospheric direction and, especially, by Richard Gere's powerful performance in perhaps his most atypical role (and as far as I know, his only truly villainous one). After watching him in this film, I don't know how some people can still doubt that he's a talented actor as well an attractive star. The rest of the cast is also good. The finale, however, is somewhat disappointing. (**1/2)
    ary

    A sexual and psychological battle is set by Figgis.

    This intelligent and well-directed thriller has some brutal, extremely violent scenes, but what makes you really come closer to the tension created by this original and realistic plot is the psychological confrontation among the two main characters, and Mike Figgis works out on it,settling the battle in the sexual and physical aspects,what is evident in the second meeting of Garcia and Gere:Raymond Avila (Andy Garcia, who develops his role in a silent, but extremely lowering form) is a correct, honest Internal Affairs' agent, and he receives the mission to investigate Dennis Peck (Richard Gere, in what can be easily pointed as his best career's performance), a corrupt,charming and cruel cop who has a lot of ex-wives and sons.The moment in which Peck and Avila are together breaks out an explosive hostility: Peck starts to talk about family, and suddenly touches in a sensitive issue, Avila's wife.Avila doesn't like Peck's provocation, and hits him.The battle is set.This scene is very thrilling and memorable.The sound track and the photography contribute to build a hot and agile rhythm. Internal Affairs is an entertaining and interesting movie, and if you liked Q&A and The French Connection, you will enjoy it!

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    Zhong an shi lu: Zhi zui jin mi
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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Richard Gere and Andy Garcia reportedly did not get along during filming. Some of the scenes in which they were required to hit each other, particularly the confrontation in the elevator, were allegedly for real. Garcia subsequently refused to attend the wrap party.
    • Gaffes
      The first time Avila is following Peck, Peck is in his Corvette convertible with the hardtop on. After driving for several miles, the top is gone. Corvette hardtops do not fold down and there is no room to carry them on the car unless they are in place.
    • Citations

      Dennis Peck: [after decking Raymond in an elevator] Hi, Raymond!

      [referring to Raymond's wife]

      Dennis Peck: You know what she really wanted? You know? Yeah, I should have guessed. She liked it in the ass, Raymond. That's right. Right in the fucking ass! Drove her crazy. She came so much, for a second I thought she was going to pass out on me.

      [decks Raymond again]

      Dennis Peck: You know what they say about Latin fighters, Raymond? You know what they say? Too fucking MACHO! That's right. *Too fucking macho!* They don't backpedal when they have to. So they're used up. Young.

      [dangles a pair of panties in front of Raymond, then gives them to him]

      Dennis Peck: Yeah, why don't you clean yourself up with that. That's right. Clean yourself up.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Tremors/Ski Patrol/Internal Affairs/The Plot Against Harry (1990)
    • Bandes originales
      Aquamarine
      Written and performed by Scott Reeder

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    FAQ18

    • How long is Internal Affairs?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 avril 1990 (France)
    • Pays d’origine
      • États-Unis
      • Canada
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Sospecha mortal
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis(Location)
    • Sociétés de production
      • Paramount Pictures
      • Image Organization
      • Malofilm
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 15 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 27 734 391 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 5 043 516 $US
      • 14 janv. 1990
    • Montant brut mondial
      • 27 734 391 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 55min(115 min)
    • Couleur
      • Black and White
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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