Ajouter une intrigue dans votre langueMay Yip and Yao are both orphans and have been friends since youth, but they're torn apart when the leader of the 8 Hundred Dragons Kung Fu cult abducts Yao and erases his memory.May Yip and Yao are both orphans and have been friends since youth, but they're torn apart when the leader of the 8 Hundred Dragons Kung Fu cult abducts Yao and erases his memory.May Yip and Yao are both orphans and have been friends since youth, but they're torn apart when the leader of the 8 Hundred Dragons Kung Fu cult abducts Yao and erases his memory.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Loletta Lee
- Pearl
- (as Lee Lai-Chen)
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I saw this ages ago on television during the mid 90's. Recorded it even on VHS. No doubt the western adaption is more faithful in tone and in spirit than this one here. This movie on the other hand is too messy and the tone is all over the place. It's bothersome that the majority of the movie tries to be a comedy, and it certainly doesn't help that the comedy consists only of dirty jokes and innuendos.
What makes this such a messy affair is that the editing is atrocious. It feels like several reels or insert shots went missing during production. There are really important moments, that feel rushed as if parts were not filmed. For example Maggie Cheungs character sees her ex-boyfriend as the killer in front of a hotel for the first time. A close up of her face or reaction is totally absent, the movie does that a lot. It never takes time to ponder those important moments or let them breathe. On the bright side though is that the action choreography is well done. Don't get me wrong it suffers also from chaotic editing and the abrupt ending of things, but it is undoubtedly better than the western version which was more focused on aesthetics. Yes this film does have quite a lot of wire-fu, people forget it was done during the height of wire-fu era. But it's not the main issue here. I wish the movie had invested more time in the heartwarming moments like the new year's eve scene or the bonding of the family in the beginning, it would have cemented some of it's drama. As it is now, it is very light-hearted with a main focus on constant action. Enjoyable for HK action fans, but regular viewers or fans of the manga might get bored because of a missing story to engage with.
What makes this such a messy affair is that the editing is atrocious. It feels like several reels or insert shots went missing during production. There are really important moments, that feel rushed as if parts were not filmed. For example Maggie Cheungs character sees her ex-boyfriend as the killer in front of a hotel for the first time. A close up of her face or reaction is totally absent, the movie does that a lot. It never takes time to ponder those important moments or let them breathe. On the bright side though is that the action choreography is well done. Don't get me wrong it suffers also from chaotic editing and the abrupt ending of things, but it is undoubtedly better than the western version which was more focused on aesthetics. Yes this film does have quite a lot of wire-fu, people forget it was done during the height of wire-fu era. But it's not the main issue here. I wish the movie had invested more time in the heartwarming moments like the new year's eve scene or the bonding of the family in the beginning, it would have cemented some of it's drama. As it is now, it is very light-hearted with a main focus on constant action. Enjoyable for HK action fans, but regular viewers or fans of the manga might get bored because of a missing story to engage with.
It is forgivable for Maggie Cheung for acting in such a crappy action drama, with her excellence performance in the later stage of her acting career life, where Centrestage, Irma Vep, In the Mood for Love and Clean makes up for the crap she acted in her early days.
The plot sounds like any other action thriller, with Yao (veteran HK actor Sam Hui, unfortunately, takes the leading role of Yao), an orphan who grows up with Yip (Cheung) in USSR (before it was named Russia) and falls in love together. However, Yao was captured by a mysterious man who leads a Japanese underground assassination squad named Eight Hundred Dragon. Yao was trained by a weirdo on skills of assassination and eventually, Yao became one of the top assassin. He was stuck in the war between Eight Hundred Dragon and their rival squad, and he must get himself out of the war.
The plot is acceptable, and the first 20 min of the film is good. But after Yao was captured by the mysterious man, the whole film began to fail. It continues like crap and ends like crap. The editing was poorly done, leaving the audience with tonnes of question mark what has happened. Explosion scenes were poorly done, dialogs were laughable and tonnes of bullets were wasted just for the sake of using it.
Crying Freeman is also the film where you see female stars such as Nina Li Chi and Lolita Lee, who are well known in HK for their big boobs in X-rated films, in their pre X-rated film days. Their role given were above average, but the direction leaves them unable to expand their roles further.
In all, this is one of the worst production made in the 90's i've ever seen.
The plot sounds like any other action thriller, with Yao (veteran HK actor Sam Hui, unfortunately, takes the leading role of Yao), an orphan who grows up with Yip (Cheung) in USSR (before it was named Russia) and falls in love together. However, Yao was captured by a mysterious man who leads a Japanese underground assassination squad named Eight Hundred Dragon. Yao was trained by a weirdo on skills of assassination and eventually, Yao became one of the top assassin. He was stuck in the war between Eight Hundred Dragon and their rival squad, and he must get himself out of the war.
The plot is acceptable, and the first 20 min of the film is good. But after Yao was captured by the mysterious man, the whole film began to fail. It continues like crap and ends like crap. The editing was poorly done, leaving the audience with tonnes of question mark what has happened. Explosion scenes were poorly done, dialogs were laughable and tonnes of bullets were wasted just for the sake of using it.
Crying Freeman is also the film where you see female stars such as Nina Li Chi and Lolita Lee, who are well known in HK for their big boobs in X-rated films, in their pre X-rated film days. Their role given were above average, but the direction leaves them unable to expand their roles further.
In all, this is one of the worst production made in the 90's i've ever seen.
Oddly enough, given my nearly 40 years of Maggie Cheung fandom, then I never have seen this 1990 movie titled "Hong Chang Fei Long" (aka "The Dragon from Russia") before now in 2025. Sure, I knew that it existed, but I just never had the opportunity to sit down and watch it before now.
The storyline in the movie was adequate, but far from being outstanding. Writers Ella Bo-wah Chan, Ryoichi Ikegami and Kazuo Koike spent a bit too long time on the training sequences of Yiu Lung (played by Samuel Hui), which made the movie feel dragged out and monotonous at times. There are some similarities to the "Crying Freeman" movie or Manga to be sure, whether it was intentional or not, I have no idea.
The acting performances in the movie were good. There were a couple of familiar faces on the screen, aside from Maggie Cheung, with the likes of Samuel Hui and Loletta Lee.
There is a fair amount of action and fighting sequences throughout the course of the 94 minutes that the movie ran for, and they certainly helped to lift up the movie.
Watchable, sure, but hardly an extraordinary movie, so I hadn't been missing out on a grand cinematic gem here.
My rating of director Clarence Fok's 1990 movie "Hong Chang Fei Long" lands on a five out of ten stars.
The storyline in the movie was adequate, but far from being outstanding. Writers Ella Bo-wah Chan, Ryoichi Ikegami and Kazuo Koike spent a bit too long time on the training sequences of Yiu Lung (played by Samuel Hui), which made the movie feel dragged out and monotonous at times. There are some similarities to the "Crying Freeman" movie or Manga to be sure, whether it was intentional or not, I have no idea.
The acting performances in the movie were good. There were a couple of familiar faces on the screen, aside from Maggie Cheung, with the likes of Samuel Hui and Loletta Lee.
There is a fair amount of action and fighting sequences throughout the course of the 94 minutes that the movie ran for, and they certainly helped to lift up the movie.
Watchable, sure, but hardly an extraordinary movie, so I hadn't been missing out on a grand cinematic gem here.
My rating of director Clarence Fok's 1990 movie "Hong Chang Fei Long" lands on a five out of ten stars.
Mark Dacascos was the actor who played the role of the masked assassin who sheds tears each time he kills a victim in the American version of this story, entitled CRYING FREEMAN and released in 1995. I mildly liked that film when I saw it; sure, it was no classic, it was a little cheesy, but it passed the time in a fairly entertaining fashion. Sad, then, that this earlier, Hong Kong-made outing, based on the same manga, turns out to be a bit of a dud and a lot worse than the Hollywood attempt.
The main problem I have with this movie is that which blights much of the Hong Kong action industry during the 1990s: the overuse of wirework. Why have two characters battling mano-a-mano when you can have them flying and flipping through the air and performing all manner of physically impossible stunts? Er, well realism is a good reason actually, but realism goes out of the window in DRAGON FROM Russia.
For an action-packed movie like this, it's a real shame that most of the fights are so over the top as to be laughable. Don't get me wrong, there are some occasionally solid moments, usually when things calm down a bit or are based on a smaller scale, like a kinetic bout at a train station that progresses into a moving train. In addition, the storyline is extremely muddled, taking about half the running time before things really get moving. These factors combine to make this a difficult watch.
Along the way, there's a lot of laboured comedy relief which sits at odds with the supposedly emotive central plot, a strange, rubber-faced bad guy (played by Yuen Tak, one of the seven Yuens along with Jackie, Yuen Biao, Sammo and Yuen Wah, who also has a non-masked supporting role), an extremely slow spot during the middle section where absolutely nothing happens, some lame romance, an entirely extraneous Maggie Cheung (as per usual) and a few nicely-staged assassinations. Sadly, the ending fizzles rather than goes out with a bang, and the whole thing is so convoluted that it's impossible to take seriously. In this instance, I'll take the American version over the Chinese, I think
The main problem I have with this movie is that which blights much of the Hong Kong action industry during the 1990s: the overuse of wirework. Why have two characters battling mano-a-mano when you can have them flying and flipping through the air and performing all manner of physically impossible stunts? Er, well realism is a good reason actually, but realism goes out of the window in DRAGON FROM Russia.
For an action-packed movie like this, it's a real shame that most of the fights are so over the top as to be laughable. Don't get me wrong, there are some occasionally solid moments, usually when things calm down a bit or are based on a smaller scale, like a kinetic bout at a train station that progresses into a moving train. In addition, the storyline is extremely muddled, taking about half the running time before things really get moving. These factors combine to make this a difficult watch.
Along the way, there's a lot of laboured comedy relief which sits at odds with the supposedly emotive central plot, a strange, rubber-faced bad guy (played by Yuen Tak, one of the seven Yuens along with Jackie, Yuen Biao, Sammo and Yuen Wah, who also has a non-masked supporting role), an extremely slow spot during the middle section where absolutely nothing happens, some lame romance, an entirely extraneous Maggie Cheung (as per usual) and a few nicely-staged assassinations. Sadly, the ending fizzles rather than goes out with a bang, and the whole thing is so convoluted that it's impossible to take seriously. In this instance, I'll take the American version over the Chinese, I think
10Ash-89
Dragon from Russia is sort of a live action of Crying Freeman but very different than the french version!What struck me here was the action: there is a good amount of fights which were awesome, especially the climactic one!! They use wires in the fight scenes but they didn't distract me at all.(The Church scene is an instant classic!) As long as you don't expect action from Maggie Cheung, this movie will satisfy the average action lover!!........................................9/10
Le saviez-vous
- GaffesThe tram that Yiu Lung runs after changes between shots. The first shot it is numbered 2165, route 39, has only 2 doors (front and back) and no markings on the side of it. In the next shot the tram number has changed to 2042, route 3 and has markings on the side of it. Also, while Yiu Lung is running along side of it his white pants are being splattered with mud. In the next shot the tram number has changed again to 5156, route 39, has gained a third door in the middle and the markings on the side have gone. All of the mud splatter on Yiu Lung's pants have also disappeared.
- ConnexionsReferenced in Double Team (1997)
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