Hardware

The 21st century world is a radioactive wasteland as a result of a nuclear war. A traveling scavenger comes across the remains of a cyborg named Mark 13 in the desert; He salvages pieces of it. The cyborg head ends up with a metal sculptress, who is unaware of the cyborg's infamy as a governmental killing machine project that was scrapped due to its defects. Mark 13 reconstructs itself utilizing household appliances and metal parts, and goes amok.

Hardware is a movie that relies on its post-modernistic stylings to bring out its flavor but most of the time it falls flat. It's full of oddly placed music, I heard somewhere that the director Richard Stanley used to direct music videos, so maybe that explains a few reasons as to why this movie is the way it is. The red filter used through at least 50% of the movie can become highly annoying and get in the way of viewing some potentially good, violent scenes. Also the scenes which slowly push the plots progression could have done without the distraction.

Luckily enough, when the movie really gets going (it takes almost an hour!) its quite a fun ride of just extremely painful death scenes as the clunky robot Mark-13 chases down all humans in his way.

If ever you want an example of a very 1980s movie, with soaring Pink Floyd imitation guitars, then make a note of Hardware. Hardware is actually, even at this early age, part of a robot tradition. Star Wars had been around for a while, and then there was The Black Hole (1979), Saturn 3 (1980), and Short Circuit (1986). I'm giving this movie a 7 because it entertained, but if I were a real movie critic I'd give it less. Almost all the camerawork is in a close-up range, and the robots field of vision was way too spludgey, a sort of amateur Predator vision. We needed wider shots to really see the robot, and we needed to see more of the city itself, not just the crazy lady's crazy artist's loft. Anyway, that's my take. I liked the soundtrack and the human characters, they were all really suitably post-apocalypse, and the general story made sense in a sci-fi fashion, and the ravages of the droid were suitably outrageous. I'd love to see it remade with a more modern take. This is definitely one for the archives.

Those judging Hardware using the same criteria for judging major Hollywood sci-fi films are missing the point entirely.

Hardware is much more an art film than it is science fiction; it merely happens to have a sci-fi theme.

Given, the plot is a little cheesy. Given, the situation fairly unbelievable. And given, there are a few holes in the story.

Almost no film has all of these elements, but Hardware has something even more important. The way the story is told is nothing short of genius. Perhaps not in the way the happenings actually unfold, but in how they are presented. Hardware is an astounding achievement in lighting, cinematography, and audio engineering. As a professional video editor myself, I can assure you that this movie benefits from an A+ editing job.

I completely agree that there are only 2 types of people: those who love Hardware, and those who simply do not get it.

From the first frame of video, this movie is a constant barrage on the eyes, ears, and mind. If nothing else, you must admire the bleak vision of a post-nuclear holocaust America presented in Hardware. Images ranging from billowing smoke stacks and butchers in apartment lobbies to toddlers physically tied to their dead parents, Stanley paints a haunting vision of the future that will not be forgotten after you press stop.

Hardware is not what you would expect to come out of Hollywood. It is what you would expect a pure artist to create. Perhaps it is better suited to fans of independent film than just sci-fi fans. Films like Terminator and Aliens might be regarded as much better sci-fi work, but I assure you that they can't touch the riskiness and edginess of Hardware in how they are presented. That is why you hear casual moviegoers complaining about this movie. For pure fans of the art behind film making, sci-fi just doesn't get any better than Hardware.

It should be noted that the excellent score does much to augment the visuals in this film. It's criminal that nobody has seen it necessary to print Hardware on DVD as I would love to experience it in Dolby 5.1.

As a final note, Hardware may not be a film everyone will enjoy. Even if you don't like it, you will become a more enlightened viewer if you can at least identify why this is such a courageous film and how it differs from the Hollywood fodder you are probably used to.

I must admit I am a huge fan of this under-estimated, enigmatic South African director.

Like his magnificent masterpiece, Dust Devil, Hardware deals with similar themes - the desert, the Old Testament, and sexual violence.

I first saw this movie many years ago when still basically a kid before I went to film school and certain sequences have stayed with me forever.

Watching it again in 2005 the movie seems a little dated or rather post-rock video in places, but when it was made in 1990, this was all cutting-edge stuff. I am not giving anything away by saying that the plot is in many ways a re-working of The Terminator or Alien, when Dylan McDermott gives his girlfriend Jill (played by Stacey Travis)what he thinks is a load of unusual scrap metal salvaged from the desert. She is an artist and welds these robot parts to a sculpture she is making...

This is an extremely visceral movie, laced with religious iconography (mark-13 often adopts crucifixion poses and in the shower scene at the end, appears to be in a prayer position) and boosted by an extremely eclectic and unusual cast. Motorhead singer Lemmy crops up playing a sort of ferryman, Iggy Pop plays DJ Angry Bob, and John Lynch is excellent as my favourite character from this film, Shades.

The narrative is essentially straight-forward but what makes this movie different and memorable is Stanley's vision. The mise-en-scene is bleached red (post-appocalypse), the use of montage is often extremely effective and nightmarish and I was frequently reminded when watching it of Renaissence paintings, just in glimpses here and there (hell, maybe that's just me..!) There is also some American comment in this movie; mark-13 is adorned with a stars-and-stripes, and the deadly toxin it employs is described as 'smelling like apple pie'. This of course is akin to Dust Devil, where the demon is simply called 'Texas' by Wendy.

So, to conclude, if you haven't seen this movie or heard of this director before I urge you to seek him out. Anyone with a love for avant-garde and challenging cinema (like me) should have heard of this guy (proper auteur by the way) and his thematically-consistent visions.

This is still a fine film but probably hasn't aged as well as it might have done - it's strength is that it is far more complex than it first appears to be.

After all the horrible things I heard about this movie, I wasn't expecting much when I found it for $3 in a pawn shop... and, after watching it a couple of times, I don't know what the hell people who say this is "the worst movie in the world" were smoking... because this is one of the best low-budget sci-fi flicks I have ever come across.

Though it is by no means a sublime piece of art, I find the fact that the plot concerns one woman and her boyfriend fighting off this robot in her apartment, with the collapsing world as a backdrop around them to be somewhat refreshing in an age of sci-fi films trying to be epic and ending up trite. Though clumsily written at times and with the robot looking almost ridiculous at points, we get a nicely shot, stylishly lit sci-fi thriller that takes place on a human scale and whose premise has enough depth, symbolism and irony to make it all worthwhile. Best film I have ever seen? Hardly. But the best deal I've had for $3 in a very, very long time.