Dans une société dystopique et totalitaire au très bas taux de natalité, une jeune femme est mise en esclavage sexuel à cause de sa fertilité.Dans une société dystopique et totalitaire au très bas taux de natalité, une jeune femme est mise en esclavage sexuel à cause de sa fertilité.Dans une société dystopique et totalitaire au très bas taux de natalité, une jeune femme est mise en esclavage sexuel à cause de sa fertilité.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Reiner Schöne
- Luke
- (as Rainer Schoene)
Robert D. Raiford
- Dick
- (as Robert Raiford)
Avis à la une
Margaret Atwood, a Canadian novelist (and poet) wrote the dark fantasy novel on which this film is based. It is set in The Republic of Gilead, formerly the United States, or at least the parts of it that are not radioactive. The radioactive parts are called the colonies, where bad girls are sent to die of radiation poisoning. The time is the near future, after the inevitable nuclear war, and the breakdown of government as we know it.
The society depicted in The Handmaid's Tale is a nightmare: everyone is watched by the Eyes, unknowable, unseen government spies. Women are forbidden to have jobs. They are irrevocably assigned to classes. At the top are the chaste, but morally superior, Wives, almost all of whom have been rendered infertile by the inevitable unclear war. At the bottom are the housekeepers, or Marthas, who are non-entities. In the middle are the Handmaids of the title, who are fertile, but tightly controlled. The term Handmaid is a Biblical term that is used in the Old Testament stories of Abraham, Sarah, Jacob and Rachel. In the Bible, the wives gave their handmaids to their husbands in order to produce heirs.
Handmaids, in the film and the book, are forced to have sex with the Commanders, the husbands of the Wives. During this sex, the Wives are intimately present to take in any "love" their Commanders have to give.
The Handmaids are trained to remain unattached to the Commanders. They are prohibited from using makeup or doing anything to make themselves attractive. Handmaids are forced to turn their offspring over to the morally "fit" Wives.
Robert Duvall, a Commander in whose home Offred is placed, gives a family Bible reading performance that will curdle the blood of true people of faith. It is a breathtaking, heart-stopping performance.
The government is totalitarian and monotheistic. The one god is very strict, and has His Eyes everywhere.
Offred, who was once known as Kate, is a Handmaid who, despite her training (read brainwashing), recalls her past, her loving husband, and her adored daughter. She tells with sparkling, and terrifying clarity, how the society came to be the way it is.
This governmental aspect of the story is instructive, however, they are almost totally absent in the film.
Offred's/Kate's personal story is heartrending. It reminds one of the miseries of, say, the women of Darfur. When the government breaks down, she and her husband and daughter attempt to flee to Canada. Unfortunately, they are caught. Her daughter is "confiscated." Her husband is taken away. She never sees her husband again.
Offred's training is not as extensively portrayed in the film as it is in the book, but her feeling of terror and helplessness are palpable, in an exquisite performance by Natasha Richardson. Warning, blood is shown.
As we ride down the slippery slope toward the overturning of Roe v. Wade, this film is a must see for those who still care about women's rights.
The society depicted in The Handmaid's Tale is a nightmare: everyone is watched by the Eyes, unknowable, unseen government spies. Women are forbidden to have jobs. They are irrevocably assigned to classes. At the top are the chaste, but morally superior, Wives, almost all of whom have been rendered infertile by the inevitable unclear war. At the bottom are the housekeepers, or Marthas, who are non-entities. In the middle are the Handmaids of the title, who are fertile, but tightly controlled. The term Handmaid is a Biblical term that is used in the Old Testament stories of Abraham, Sarah, Jacob and Rachel. In the Bible, the wives gave their handmaids to their husbands in order to produce heirs.
Handmaids, in the film and the book, are forced to have sex with the Commanders, the husbands of the Wives. During this sex, the Wives are intimately present to take in any "love" their Commanders have to give.
The Handmaids are trained to remain unattached to the Commanders. They are prohibited from using makeup or doing anything to make themselves attractive. Handmaids are forced to turn their offspring over to the morally "fit" Wives.
Robert Duvall, a Commander in whose home Offred is placed, gives a family Bible reading performance that will curdle the blood of true people of faith. It is a breathtaking, heart-stopping performance.
The government is totalitarian and monotheistic. The one god is very strict, and has His Eyes everywhere.
Offred, who was once known as Kate, is a Handmaid who, despite her training (read brainwashing), recalls her past, her loving husband, and her adored daughter. She tells with sparkling, and terrifying clarity, how the society came to be the way it is.
This governmental aspect of the story is instructive, however, they are almost totally absent in the film.
Offred's/Kate's personal story is heartrending. It reminds one of the miseries of, say, the women of Darfur. When the government breaks down, she and her husband and daughter attempt to flee to Canada. Unfortunately, they are caught. Her daughter is "confiscated." Her husband is taken away. She never sees her husband again.
Offred's training is not as extensively portrayed in the film as it is in the book, but her feeling of terror and helplessness are palpable, in an exquisite performance by Natasha Richardson. Warning, blood is shown.
As we ride down the slippery slope toward the overturning of Roe v. Wade, this film is a must see for those who still care about women's rights.
An unfortunate movie which is definitely more like Harold Pinter's earlier plays than anything Margaret Atwood ever produced. No attempt is made to bring out Atwood's clever social message, and we're all supposed to be shocked at the sexual content. A shame, because Atwood's version might have made a good film.
This movie is about what can happen when religious nuts take over the country's government. People who are different are either killed or enslaved in one way or another. Let's see...we have murder and public display of anyone who isn't of the religion that took over....women who are fertile enslaved for religious higher-up's in the government...anyone who's different, and ISN'T killed enslaved in radioactive areas...makes you realize why people fight so hard against religion intruding into politics. Like the scholars from the future of this story who have a hard time believing it actually happened, despite hearing the story with their own ears, people nowadays don't believe that "people of God" in government would be so bad. Watch this movie and think on it. This is why there's a separation of church and state.
I have just one point to make about this film, and that is why on earth did the director decided to name Offred kate. In the book, which I hope to god the producers etc actually read, there is no mention of the name kate what so ever, the only name that we could possibly guess would be June which is supplied to us in the first chapter but even then we never learn her real name. And this is of great significant importance, the fact that we as readers or viewers never learn her name means something and to simply choose a name out of a hat is destroying a piece of the character created for us by Margaret Attwood. Also reading the plot outline makes me wonder whether whoever wrote that even saw the film, especially where it says "Kate is a criminal, guilty of the crime of trying to escape from the US, and is sentenced to become a Handmaid." when really "KATE" becomes a handmaid as her husband was married once before and their marriage never really existed in the eyes of the law. Also i read on to see that "After ruthless group training by Serena Joy in the proper way to behave, Kate is assigned as Handmaid to the Commander." Well that is not at all true as anyone who has seen this film will notice that Serena Joy is the commanders wife and not one of the Aunts and the Red Centre. Please in the future get your facts right and also thanks to director Volker Schlöndorff for ruining a perfectly enjoyable book. My advice stick to the book and not the watered down version for the small minded.
Margaret Atwood's acclaimed novel, adapted for the screen and turned into a high-minded but posed, uncomfortable human drama, despite an expert cast. Taking place in the soulless distant future, all young women have been turned into child-breeders for wealthy, infertile couples, with Natasha Richardson assigned to nightmarish twosome Robert Duvall and Faye Dunaway. Elizabeth McGovern plays a lesbian who hopes to make a break for it (every totalitarian society should have one). Certainly watchable, though an icy cold presentation which promises to be much more than it is. Richardson doesn't flash a hint of her feisty personality, though McGovern is very good and Duvall does what he can with a terrible role. ** from ****
Le saviez-vous
- AnecdotesWhile working on the film, Robert Duvall became so fascinated with evangelism that it inspired him to write Le prédicateur (1997).
- GaffesWhen Moira ties up Aunt Lydia and escapes the Red Center, it is late at night, but moments later, when she exits, it is clearly daytime.
- Bandes originalesWhispering Hope
Written by Septimus Winner as Alice Hawthorne
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- How long is The Handmaid's Tale?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- El cuento de la doncella
- Lieux de tournage
- James Adams Buchanan House, 1810 Cedar St, Durham, Caroline du Nord, États-Unis(Commander Fred's house)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 4 960 385 $US
- Week-end de sortie aux États-Unis et au Canada
- 738 578 $US
- 11 mars 1990
- Montant brut mondial
- 4 960 385 $US
- Durée1 heure 49 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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