En essayant de légitimer ses relations d'affaires à New York et en Italie en 1979, le vieillissant Don Michael Corleone cherche à se faire pardonner de ses péchés, tout en prenant son neveu ... Tout lireEn essayant de légitimer ses relations d'affaires à New York et en Italie en 1979, le vieillissant Don Michael Corleone cherche à se faire pardonner de ses péchés, tout en prenant son neveu Vincent Mancini sous son aile.En essayant de légitimer ses relations d'affaires à New York et en Italie en 1979, le vieillissant Don Michael Corleone cherche à se faire pardonner de ses péchés, tout en prenant son neveu Vincent Mancini sous son aile.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 7 Oscars
- 6 victoires et 23 nominations au total
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Definitely not my favorite of the 3 but it's hard when the first 2 were just that good. It still portrays well, from my historical knowledge, much of the struggle of the mob families to legitimize their business dealings and try to enjoy life in the later age of the mafia in America. Al Pacino performs brilliantly and I enjoyed Joe Mantegna in his roll. Definitely worth the watch if you were a fan of the previous 2 films.
¿Why there is not The Godfather CODA as an standalone tittle in this platform?
Such as Justice League and Zack Snyder's Justice League. There is no big difference between the two, but Coda was generally received better.
Personally, I prefer Coda and I think it gives a more proper ending to one of the best movie trilogies of all time. Giving emphasis on the metaphorical dead of Michael Corleone, instead of his physical one.
While I still prefer the original ending, this version is better overall and make us wonder what would've been of it if they gave Coppola the time he demanded to make a better film...
Such as Justice League and Zack Snyder's Justice League. There is no big difference between the two, but Coda was generally received better.
Personally, I prefer Coda and I think it gives a more proper ending to one of the best movie trilogies of all time. Giving emphasis on the metaphorical dead of Michael Corleone, instead of his physical one.
While I still prefer the original ending, this version is better overall and make us wonder what would've been of it if they gave Coppola the time he demanded to make a better film...
Having heard the endless amount of critique and insults that the last part of the Godfather saga carries.. I have to disagree. Although people seem to love to hate Sophie Coppola and say she ruined the film, I think her part alone wasn't that frail it'd ruin the entire cinematic experience. Saying that is just humorous. Also, the absence of Tom Hagen played by Robert Duvall is really a loss and even I think this film would've been a lot better if there was him in it.. but he got too greedy and couldn't make it into the movie, and that's that. I'm not going to judge a movie by what it could have been, but what it is and how good it ends up being.
Despite some shortcomings, Godfather Part 3 is a decent ending to the trilogy. While it may have been an attempt to cash off the audience, they still have Coppola bring us his finest directing. I found Al Pacino's performance extremely satisfying and even terrifyingly so. He embodies the mistakes and losses of his life with excellent skill, showing us a don that has lost his health, the loved ones of his life and even the respect for himself. While I never found Diane Keaton's performances in the saga that good, she still fills the spot required, same goes for Talia Shire, whose role in the ending finale of the film really came as a surprise to me - which was a good thing. I didn't find her role in Part 2 too appealing but in this one she has more character, more importance. Sophie Coppola was OK, like I said a lot of people have complained about her acting skills and I gotta admit she was a little "stiff" or sorts in some scenes but it's not notable all the time and it didn't spoil any moods for me. Andy Carcia was just excellent, my favorite add to the saga cast, playing the son of his father with excellence.
So, umm.. this film is perfectly fine. The ending finale was tremendously well shot and very climatic, filled with a lot of excitement. I'm telling you this movie is a great ending to the saga even because of that one particular scene so just go see it, despite what a lot of people have said about, badmouthing it for faulty reasons.. it brought a tear into my eye. It did.
Despite some shortcomings, Godfather Part 3 is a decent ending to the trilogy. While it may have been an attempt to cash off the audience, they still have Coppola bring us his finest directing. I found Al Pacino's performance extremely satisfying and even terrifyingly so. He embodies the mistakes and losses of his life with excellent skill, showing us a don that has lost his health, the loved ones of his life and even the respect for himself. While I never found Diane Keaton's performances in the saga that good, she still fills the spot required, same goes for Talia Shire, whose role in the ending finale of the film really came as a surprise to me - which was a good thing. I didn't find her role in Part 2 too appealing but in this one she has more character, more importance. Sophie Coppola was OK, like I said a lot of people have complained about her acting skills and I gotta admit she was a little "stiff" or sorts in some scenes but it's not notable all the time and it didn't spoil any moods for me. Andy Carcia was just excellent, my favorite add to the saga cast, playing the son of his father with excellence.
So, umm.. this film is perfectly fine. The ending finale was tremendously well shot and very climatic, filled with a lot of excitement. I'm telling you this movie is a great ending to the saga even because of that one particular scene so just go see it, despite what a lot of people have said about, badmouthing it for faulty reasons.. it brought a tear into my eye. It did.
I stayed away from this film for a long time, doing a dumb thing: listening to the well-known film critics.
When I finally got around to it, I was very surprised. It was a good film. Not great, not intense as the first two Godfather flicks, but definitely a lot better than advertised.
Many people said this was filled with anti-Roman Catholic propaganda, but I didn't it find that way. Yes, the "Vatican bank," whatever that is, was portrayed as not on the up-and-up, but it was a little confusing to follow, maybe too confusing to get offended! Actually, there were some positive things, religious-wise, with Al Pacino's character, who sought forgiveness for his past sins and made a few very profound statements such as, "What good is confession if it isn't followed by repentance?"
Anyway, Pacino's acting talents are the main attraction in the lower-key, more cerebral Godfather film. There isn't that much action but when it occurs, it's pretty violent. As with the other two films in the series, it's nicely photographed with a lot of nice brown tints.
Finally, director-writer Francis Ford Coppola took a lot of flak for putting his daughter in such an important role but I thought she (Sofia Coppola) was fine and - like this film - unfairly criticized.
When I finally got around to it, I was very surprised. It was a good film. Not great, not intense as the first two Godfather flicks, but definitely a lot better than advertised.
Many people said this was filled with anti-Roman Catholic propaganda, but I didn't it find that way. Yes, the "Vatican bank," whatever that is, was portrayed as not on the up-and-up, but it was a little confusing to follow, maybe too confusing to get offended! Actually, there were some positive things, religious-wise, with Al Pacino's character, who sought forgiveness for his past sins and made a few very profound statements such as, "What good is confession if it isn't followed by repentance?"
Anyway, Pacino's acting talents are the main attraction in the lower-key, more cerebral Godfather film. There isn't that much action but when it occurs, it's pretty violent. As with the other two films in the series, it's nicely photographed with a lot of nice brown tints.
Finally, director-writer Francis Ford Coppola took a lot of flak for putting his daughter in such an important role but I thought she (Sofia Coppola) was fine and - like this film - unfairly criticized.
This film came out about the same time as Goodfellas, and pales in comparison with the Martin Scorsese effort. I know the two shouldn't be compared, but the fact that they are both gangster films begs some sort of comparison.
Does Godfather III "complete" Coppola's Godfather series? Only in the sense that we see what happens to Michael when he is an old man. In my opinion, we didn't really need to know that. To me, the Godfather films ended with Michael Corleone as a shell of a man after losing his wife and murdering his brother.
Besides, I'm of the view that the best American films of the 20th century were made in the 1970s.
Does Godfather III "complete" Coppola's Godfather series? Only in the sense that we see what happens to Michael when he is an old man. In my opinion, we didn't really need to know that. To me, the Godfather films ended with Michael Corleone as a shell of a man after losing his wife and murdering his brother.
Besides, I'm of the view that the best American films of the 20th century were made in the 1970s.
Le saviez-vous
- AnecdotesAl Pacino was offered $5 million to reprise his role as Michael. But Pacino wanted $7 million plus a percentage of the gross. Francis Ford Coppola refused. He threatened to rewrite the script by starting the story with Michael's funeral sequence instead of the film's introduction. Pacino agreed to the $5 million offer.
- GaffesWhen Cardinal Lamberto hears Michael Corleone's confession, he is not wearing the purple stole all priests wear during the sacrament. There is no reason why he wouldn't have one, since all priests carry one on their person at all times in case of emergency (such as giving absolution during last rites).
- Citations
Michael Corleone: Never hate your enemies. It affects your judgment.
- Crédits fousThe original theatrical and home entertainment releases had the 1987 Paramount Pictures logo with the 1989 Paramount Communications byline, the pre-2020 Blu-Ray releases meanwhile had the 2002 Paramount logo with the 1995 Viacom byline tinted in sepia, and the post-2020 home entertainment releases and current streaming releases had the current Paramount logo with 2020 ViacomCBS byline.
- Versions alternativesThe VHS release is called "Final Director's Cut", features 8 minutes of additional and alternate footage not included in theatrical version and has been the version released on all subsequent home media and television releases, until the 2020 "Coda" version. The theatricals version was released in certain non USA countries on VHS and DVD, but never on Blu Ray or 4K until the 2022 Godfather 50th anniversary box set. The changes mostly consist of additional footage, but some alternate footage and dialogue in select scenes. Full set of changes are as follows:
- New scene of Don Altabello giving to the Vito Andolini foundation (1.5m).
- There is an added scene in Michael's party of the Arch Bishop and Bj talking (30s).
- New scene of Michael and George Hamilton at breakfast; then Andrew Hagen enters and speaks with Michael (1m 18s).
- New establishing shot of the church before Michael and the Arch Bishops meeting (7s, this is the opening shot of the 'Coda version')
- New scene of Mary questioning Michael's motives on the rooftop (1m 30s).
- Alternate take of Altabello leaving the Chinese restaurant before entering Michael's car (-3s)
- Two medium close-ups shots of Mary and Vincent added to the scene where they make gnocchi (8s).
- New dialogue is added to Michael reprimanding Vincent, Connie, and Neri (30s).
- Alternate dialogue in the scene where Mary is being told to not date Vincent, by Mary. Then additional dialogue is given to Michael and Anthony (10s).
- New scene of Michael giving Anthony the drawing form part II (32s).
- New scene of a shot of Michael and Kay's car driving through the hills, which dissolves into the next new scene (16s).
- New scene of Michael and Kay standing outside the door of Vito's old house, which references a deleted scene from the first film (30s).
- Deleted dialogue after Kay comments about the puppet show (No time difference).
- New scene of a cycling priest with flowers, who then gives them to Kay (28s).
- Alternate dialogue between Michael and Kay at lunch. The 1991 cut is far more emotional, where as the the article cut is far less emotional, having the characters find a much more blatant peace.
- Two superimposed shots were cut from the Restoration (making no change in the timing.) When the new Pope is elected, the Restoration at around 2:05:04 shows three superimposed shots of newspaper front pages. But the Theatrical Version included two extra front pages not included in the Restoration: a German newspaper 15 seconds later, and then an Italian newspaper another 15 seconds after that.
- ConnexionsEdited into The Godfather Trilogy: 1901-1980 (1992)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Le Parrain, 3ème partie
- Lieux de tournage
- Mare Chiaro bar "Toni's nut house" - 179 Mulberry Street, Little Italy, Manhattan, Ville de New York, New York, États-Unis(Actual owner Toni sat in background smoking cigar as always..)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 54 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 66 761 392 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 387 271 $US
- 25 déc. 1990
- Montant brut mondial
- 136 861 392 $US
- Durée
- 2h 42min(162 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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