En essayant de légitimer ses relations d'affaires à New York et en Italie en 1979, le vieillissant Don Michael Corleone cherche à se faire pardonner de ses péchés, tout en prenant son neveu ... Tout lireEn essayant de légitimer ses relations d'affaires à New York et en Italie en 1979, le vieillissant Don Michael Corleone cherche à se faire pardonner de ses péchés, tout en prenant son neveu Vincent Mancini sous son aile.En essayant de légitimer ses relations d'affaires à New York et en Italie en 1979, le vieillissant Don Michael Corleone cherche à se faire pardonner de ses péchés, tout en prenant son neveu Vincent Mancini sous son aile.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 7 Oscars
- 6 victoires et 23 nominations au total
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¿Why there is not The Godfather CODA as an standalone tittle in this platform?
Such as Justice League and Zack Snyder's Justice League. There is no big difference between the two, but Coda was generally received better.
Personally, I prefer Coda and I think it gives a more proper ending to one of the best movie trilogies of all time. Giving emphasis on the metaphorical dead of Michael Corleone, instead of his physical one.
While I still prefer the original ending, this version is better overall and make us wonder what would've been of it if they gave Coppola the time he demanded to make a better film...
Such as Justice League and Zack Snyder's Justice League. There is no big difference between the two, but Coda was generally received better.
Personally, I prefer Coda and I think it gives a more proper ending to one of the best movie trilogies of all time. Giving emphasis on the metaphorical dead of Michael Corleone, instead of his physical one.
While I still prefer the original ending, this version is better overall and make us wonder what would've been of it if they gave Coppola the time he demanded to make a better film...
I recently watched all three Godfather films again in sequence and was surprised at how bad GF III is when closely compared to the other two fims. There are characters in the film whose presence is never made clear (i.e. George Hamilton, Brigette Fonda and Don Novello - Father Guido Sarducci??) The major characters bear little resemblance to themselves from the previous films. Connie Corleone is now a major supporter of Michael even though she knows he had her husband killed? Michael now has a change of heart and tries to go "legit" even though he so eagerly immersed himself into the power and control of the Corleone family. And Kay continues to "hang around" even though she dreads Michael and all that he stands for. Why?? The movie drags on in parts and never really gains it's true identity untill the end of the film during the opera scene. Not even Winona Ryder who was scheduled to be cast in the part of Mary could have helped. It only serves to give us an appetite for the earlier two films. Both of which I consider masterpieces.
I was extremely excited to see the new cut of The Godfather Part III. I bought a digital copy. As I was seeing the movie, I could barely notice any changes.
By the trailer of this movies, I was led to believe that Sofia Coppola's role was going to be drastically cut; that was not the case. As you probably now, her acting has been the biggest point of contention against Part III.
After the movie ended, I felt that I was cheated. The differences in The Godfather Part III and The Godfather Coda are just too small to make a big deal out of them. I was expecting to see a big improvement that take this movie closer to the level of the first two parts, but was very disappointed.
By the trailer of this movies, I was led to believe that Sofia Coppola's role was going to be drastically cut; that was not the case. As you probably now, her acting has been the biggest point of contention against Part III.
After the movie ended, I felt that I was cheated. The differences in The Godfather Part III and The Godfather Coda are just too small to make a big deal out of them. I was expecting to see a big improvement that take this movie closer to the level of the first two parts, but was very disappointed.
I stayed away from this film for a long time, doing a dumb thing: listening to the well-known film critics.
When I finally got around to it, I was very surprised. It was a good film. Not great, not intense as the first two Godfather flicks, but definitely a lot better than advertised.
Many people said this was filled with anti-Roman Catholic propaganda, but I didn't it find that way. Yes, the "Vatican bank," whatever that is, was portrayed as not on the up-and-up, but it was a little confusing to follow, maybe too confusing to get offended! Actually, there were some positive things, religious-wise, with Al Pacino's character, who sought forgiveness for his past sins and made a few very profound statements such as, "What good is confession if it isn't followed by repentance?"
Anyway, Pacino's acting talents are the main attraction in the lower-key, more cerebral Godfather film. There isn't that much action but when it occurs, it's pretty violent. As with the other two films in the series, it's nicely photographed with a lot of nice brown tints.
Finally, director-writer Francis Ford Coppola took a lot of flak for putting his daughter in such an important role but I thought she (Sofia Coppola) was fine and - like this film - unfairly criticized.
When I finally got around to it, I was very surprised. It was a good film. Not great, not intense as the first two Godfather flicks, but definitely a lot better than advertised.
Many people said this was filled with anti-Roman Catholic propaganda, but I didn't it find that way. Yes, the "Vatican bank," whatever that is, was portrayed as not on the up-and-up, but it was a little confusing to follow, maybe too confusing to get offended! Actually, there were some positive things, religious-wise, with Al Pacino's character, who sought forgiveness for his past sins and made a few very profound statements such as, "What good is confession if it isn't followed by repentance?"
Anyway, Pacino's acting talents are the main attraction in the lower-key, more cerebral Godfather film. There isn't that much action but when it occurs, it's pretty violent. As with the other two films in the series, it's nicely photographed with a lot of nice brown tints.
Finally, director-writer Francis Ford Coppola took a lot of flak for putting his daughter in such an important role but I thought she (Sofia Coppola) was fine and - like this film - unfairly criticized.
The Godfather: Part III is a good movie with a reasonably well developed plot and a terrific cast. It certainly stands out on its own, Al Pacino shines as Michael Corleone here, being his first time playing the character in 16 years, it is as if he never left the role. Francis Ford Coppola's direction is still on point, though the writing may not feel as passionate, he still manages to bring the world to life in s splendid manner, the only way he knows how.
The dialogue and overall story is far less inspired than the previous two, it never manages to make much of an impact. Having no Vito Corleone in this one was a big loss, I understand that his story came to a close in the second film, but he was the heart and soul, as well as the highlight, of these movies, there was a gaping whole without him. I was not a fan of Andy Garcia's character, merely a repeat of the same type of role Pacino had in the first Godfather, but never as effective. While its flawed and certainly not a pleasing finale to the trilogy, The Godfather: Part III is still a must watch for fans of the first two, you might as well form your own opinion of it.
Michael Corleone confesses his sins while trying to legitimize his business to keep his family safe as he ages.
Best Performance: Al Pacino / Worst Performance: Sofia Coppola
The dialogue and overall story is far less inspired than the previous two, it never manages to make much of an impact. Having no Vito Corleone in this one was a big loss, I understand that his story came to a close in the second film, but he was the heart and soul, as well as the highlight, of these movies, there was a gaping whole without him. I was not a fan of Andy Garcia's character, merely a repeat of the same type of role Pacino had in the first Godfather, but never as effective. While its flawed and certainly not a pleasing finale to the trilogy, The Godfather: Part III is still a must watch for fans of the first two, you might as well form your own opinion of it.
Michael Corleone confesses his sins while trying to legitimize his business to keep his family safe as he ages.
Best Performance: Al Pacino / Worst Performance: Sofia Coppola
Le saviez-vous
- AnecdotesAl Pacino was offered $5 million to reprise his role as Michael. But Pacino wanted $7 million plus a percentage of the gross. Francis Ford Coppola refused. He threatened to rewrite the script by starting the story with Michael's funeral sequence instead of the film's introduction. Pacino agreed to the $5 million offer.
- GaffesWhen Cardinal Lamberto hears Michael Corleone's confession, he is not wearing the purple stole all priests wear during the sacrament. There is no reason why he wouldn't have one, since all priests carry one on their person at all times in case of emergency (such as giving absolution during last rites).
- Citations
Michael Corleone: Never hate your enemies. It affects your judgment.
- Crédits fousThe original theatrical and home entertainment releases had the 1987 Paramount Pictures logo with the 1989 Paramount Communications byline, the pre-2020 Blu-Ray releases meanwhile had the 2002 Paramount logo with the 1995 Viacom byline tinted in sepia, and the post-2020 home entertainment releases and current streaming releases had the current Paramount logo with 2020 ViacomCBS byline.
- Versions alternativesThe VHS release is called "Final Director's Cut", features 8 minutes of additional and alternate footage not included in theatrical version and has been the version released on all subsequent home media and television releases, until the 2020 "Coda" version. The theatricals version was released in certain non USA countries on VHS and DVD, but never on Blu Ray or 4K until the 2022 Godfather 50th anniversary box set. The changes mostly consist of additional footage, but some alternate footage and dialogue in select scenes. Full set of changes are as follows:
- New scene of Don Altabello giving to the Vito Andolini foundation (1.5m).
- There is an added scene in Michael's party of the Arch Bishop and Bj talking (30s).
- New scene of Michael and George Hamilton at breakfast; then Andrew Hagen enters and speaks with Michael (1m 18s).
- New establishing shot of the church before Michael and the Arch Bishops meeting (7s, this is the opening shot of the 'Coda version')
- New scene of Mary questioning Michael's motives on the rooftop (1m 30s).
- Alternate take of Altabello leaving the Chinese restaurant before entering Michael's car (-3s)
- Two medium close-ups shots of Mary and Vincent added to the scene where they make gnocchi (8s).
- New dialogue is added to Michael reprimanding Vincent, Connie, and Neri (30s).
- Alternate dialogue in the scene where Mary is being told to not date Vincent, by Mary. Then additional dialogue is given to Michael and Anthony (10s).
- New scene of Michael giving Anthony the drawing form part II (32s).
- New scene of a shot of Michael and Kay's car driving through the hills, which dissolves into the next new scene (16s).
- New scene of Michael and Kay standing outside the door of Vito's old house, which references a deleted scene from the first film (30s).
- Deleted dialogue after Kay comments about the puppet show (No time difference).
- New scene of a cycling priest with flowers, who then gives them to Kay (28s).
- Alternate dialogue between Michael and Kay at lunch. The 1991 cut is far more emotional, where as the the article cut is far less emotional, having the characters find a much more blatant peace.
- Two superimposed shots were cut from the Restoration (making no change in the timing.) When the new Pope is elected, the Restoration at around 2:05:04 shows three superimposed shots of newspaper front pages. But the Theatrical Version included two extra front pages not included in the Restoration: a German newspaper 15 seconds later, and then an Italian newspaper another 15 seconds after that.
- ConnexionsEdited into The Godfather Trilogy: 1901-1980 (1992)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Le Parrain, 3ème partie
- Lieux de tournage
- Mare Chiaro bar "Toni's nut house" - 179 Mulberry Street, Little Italy, Manhattan, Ville de New York, New York, États-Unis(Actual owner Toni sat in background smoking cigar as always..)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 54 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 66 761 392 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 387 271 $US
- 25 déc. 1990
- Montant brut mondial
- 136 861 392 $US
- Durée2 heures 42 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of Le Parrain, 3e partie (1990) in Canada?
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