The Garden

Derek Jarmon films are always interesting. People seem to love his work or despise it. "The Garden" takes the persecution that Christ faced and puts it in modern times, or an unknown time for that matter. We have two homosexual martyrs who are persecuted like Christ, by the church. Tilda Swinton plays a modern day Mary who's chased around by ruthless Paparazzis. The film contains many strange visual delights. There is not a whole lot of dialog except for poetic narration. Like Jodorowsky's "the Holy Mountain", it's chock full of bizarre religious images. The set pieces and Costumes are extremely avant-garde and colorful. If you enjoy films that are a trip for the mind, you'll enjoy "the Garden". I felt that Derek Jarmon was inventive with his camera tricks and imagery. If you like bizarre art-house films with hallucinatory imagery, you must see this film.

This is one of Derek Jarman´s best films. I have followed Derek Jarman´s career as a film maker and the only thing I want to say is that "THE GARDEN" is one of my favourite films.

I promised my mom a good movie. she trusted me because I know much about movies. I told her 'it's a movie about the Bible, about gay men, about AIDS, about paparazzi, ...' and she said 'ow that must be a good movie'. she we went to the film museum of Brussels and we watched The Garden. how disappointed we were. how boring it was! what was Derek Jarman thinking?! I wanted to go away, but my Mom said 'no, we've paid for the tickets, so we'll sit it through'. what a mistake that decision turned out to be! now we have both more than 3600 seconds less to live. it wasn't the theme of the movie. I adore experimental movies. I'm one of those idiots that love to see the full 8 hours of Andy Warhol's Empire. but this? no, I will never ever watch a Jarman picture again. I hope you'll never do that too. because it doesn't matter who you are, where you are or what you do. this movie proves only one thing: there are still some crazy people alive that pay money for something like this. it's BEEPing boring! I saw at least one other viewer leave the museum. I saw the others getting frickin' nervous. I saw my mom staring at her watch. and how did I see this?? because the movie was BEEP! I would rather BEEP myself than watching this torment another time. how is it possible producers wanted to invest in such BEEP? it's like BEEPing BEEP! also, the rules of death are not allowed in this one, because just when you think the torture of watching it is over, another 30 sadistic minutes await you. okay, so I wrote down what I think about this movie. but you know what's really BEEPing my brains? I saw a Jarman film already! yes!!! it's true! I'm ashamed, but it's true! and I knew all Jarman films were alike. I knew it! so how the BEEP did I ever think I would do my mom a favor by taking her to The Garden? anyway, don't worry if you do like The Garden. that is possible, because I guess there really are people who'd love to stare 20 minutes at different shots from the same sky, or watching 15 minutes full of pictures of grass in different colors. and if you like it, hey man, that's cool. but it doesn't change my mind at all. I think this movie is a waste of your time.

I've never seen a better movie in my life , Johnny Mills is stunning !

One gets the impression that other reviewers on IMDb have never seen or appreciated Jarman's other films, or any art film for that matter. This isn't for the intellectually inert. One also wonders whether they've taken the time to watch this one more than once -- its conflicted and dense, drawing on mutually contradictory sources for its symbolism, and attempting a synthesis or nexus.

The main themes are religion, love, oppression, family, and above all, time. Events and elements from every era of recorded human history co-exist together in one time and interact. While much of the film itself is done in the anxious, unsteady, rapid-moving style that Jarman came to be known for, other parts are filmed with graceful panoramic transitions. Throughout all the film, landscapes are replaced with artificial projections, perhaps to give the film an aura of unreality or allegory. It is at once both scripture and pornography, philosophy and nonsense, a gloomy warning and a hopeful swansong. I believe it to be one of Jarman's most un-acknowledged films. Don't let the harsh words of bad reviewers sway you against spending an evening absorbing this film -- its mesmerizing.