The Garden

Some people live, and many others are just jealous vultures.

The pictures and metaphors are made with a edge of a blade. Two kind of life are represented, and the cyclic way of life is very well pictured. I've seen a film on the modern times that have the same intensity is the film by Serge Reggio and Philip Glass (there is no words, pictures speak their selves), it's Koyaanisqatsi. The recurrent anachronisms are well interesting too, because all this theater is eternal. This paradox asks some real questions about the times we are living, and all illusion that suits. The way we lead our life, is the time we give themselves to be free.

This is one of Derek Jarman´s best films. I have followed Derek Jarman´s career as a film maker and the only thing I want to say is that "THE GARDEN" is one of my favourite films.

I can't really disagree with reviewers who dislike this film. It really isn't for everyone. It's kind of chaotic, and some things really don't work very well, and yet... there's something extraordinary about it: the combination of religious motifs and iconography, the elemental meditative character, the bleak Dungeness landscapes, the sense that the director is really engaging on some deep level with important things. The plot is vaguely connected to the Gospel narrative, and so everything has a symbolic connection to that, and has to be interpreted in relation to that. It all adds up to something extraordinary - yes weird and not altogether coherent, but still fabulous and haunting. A cinematic poem.

One gets the impression that other reviewers on IMDb have never seen or appreciated Jarman's other films, or any art film for that matter. This isn't for the intellectually inert. One also wonders whether they've taken the time to watch this one more than once -- its conflicted and dense, drawing on mutually contradictory sources for its symbolism, and attempting a synthesis or nexus.

The main themes are religion, love, oppression, family, and above all, time. Events and elements from every era of recorded human history co-exist together in one time and interact. While much of the film itself is done in the anxious, unsteady, rapid-moving style that Jarman came to be known for, other parts are filmed with graceful panoramic transitions. Throughout all the film, landscapes are replaced with artificial projections, perhaps to give the film an aura of unreality or allegory. It is at once both scripture and pornography, philosophy and nonsense, a gloomy warning and a hopeful swansong. I believe it to be one of Jarman's most un-acknowledged films. Don't let the harsh words of bad reviewers sway you against spending an evening absorbing this film -- its mesmerizing.

I've never seen a better movie in my life , Johnny Mills is stunning !