Ajouter une intrigue dans votre langueLawrence and Feisal go to argue for Arab independence at the 1919 Paris Peace Conference.Lawrence and Feisal go to argue for Arab independence at the 1919 Paris Peace Conference.Lawrence and Feisal go to argue for Arab independence at the 1919 Paris Peace Conference.
- Réalisation
- Scénario
- Casting principal
Alexander Siddig
- Feisal
- (as Siddig El Fadil)
Avis à la une
Interesting, but also uninteresting.
The key plotlines of 'A Dangerous Man: Lawrence After Arabia', an "unofficial sequel" to that 1962 movie, are actually fairly intriguing, though it's all kinda presented via quite underwhelming means. My personal interest in events onscreen dipped and piqued fairly often. A trimmed run time would've helped, I'd imagine.
On the cast, a debuting Ralph Fiennes makes for a solid Lawrence, though that is not a surprise given he is an excellent actor. Alexander Siddig (aka Siddig El Fadil, also basically debuting) is another noteworthy name, though I feel like he would've made a better Sherif Ali (not that he appears here) rather than Prince Faisal - Siddig is good, all the same.
The key plotlines of 'A Dangerous Man: Lawrence After Arabia', an "unofficial sequel" to that 1962 movie, are actually fairly intriguing, though it's all kinda presented via quite underwhelming means. My personal interest in events onscreen dipped and piqued fairly often. A trimmed run time would've helped, I'd imagine.
On the cast, a debuting Ralph Fiennes makes for a solid Lawrence, though that is not a surprise given he is an excellent actor. Alexander Siddig (aka Siddig El Fadil, also basically debuting) is another noteworthy name, though I feel like he would've made a better Sherif Ali (not that he appears here) rather than Prince Faisal - Siddig is good, all the same.
Ralph Fiennes makes a very convincing impersonation of the enigmatical T.E.Lawrence with all the complications of his case, especially concerning his integrity and political departure from the public scene, Ever since he made his career that brought him world fame and interest, it has been wondered who he really was, he became an enigma from the start, and that enigma has never been solved, while the main result of this film is to add to the enigma. Alexander Siddig makes as memorable a figure of Prince Feisal as Omar Sharif did of Sherif Auda, while the characters of Curzon, Clemenceau, Churchill, Wilson and the others enrich the film with political interest. The main story of the film is the account of how everything went wrong in the peace conference of Paris as Lawrence and the Arabs got practically nothing as a result of their efforts but mainly only were driven over and Lawrence even practically driven into exile, at least forced into disappearing anonymity, The film is therefore most like a documentary and extremely interesting as such, since it is impartial, tells the truth and is meticulous about it. Nothing can vie with or excel the splendour of David Lean's great epic, but one almost feels inclined to regard Ralph Fiennes' characterisation of Lawrence as more real and convincing than Peter O'Toole's.
If you're like me, the film LAWRENCE OF ARABIA always leaves you hungering for more viewing material about T.E. Lawrence. Since documentaries sadly don't seem to appeal to all tastes this outstanding telefilm may satisfy your apetite. The movie deals with Lawrence's activities at the Paris Peace Conference following World War One and the cast is wonderful. Appropriate for material based on real events the film avoids hype and melodrama, keeping the viewer riveted with it's mature, intelligent approach. No matter what your politics it's intriguing to watch this movie and reflect on "what might have been" regarding relations between the Western Democracies and the nations being formed from the remains of the Ottoman Empire. The closing scene between Lawrence and Feisal nicely summarizes the sense of a monumental lost opportunity.
Program this film as a second feature the next time you watch LAWRENCE OF ARABIA for a wonderful marathon viewing experience.
Program this film as a second feature the next time you watch LAWRENCE OF ARABIA for a wonderful marathon viewing experience.
I have seen the film again, read the other reviews and I too consider this movie excellent in its own right, the stars are spot on and the acting very believable. It is a definite companion piece to Lean's "Lawrence of Arabia", I have the 2 DVDs side by side in my collection at home. It might not have the trainwrecks and the battles with the Turks, but the politics of the time are very important, also very interesting, emphasised more strongly in this film than "Lawrence of Arabia". History buffs will lean toward this film I feel, as I have done. You will not even notice it was made for TV, the story is so gripping. Ralph Fiennes is remarkable in the role of T.E.Lawrence, working as translator and for the Arab cause, King Feisal perfectly portrayed by the young actor Alexander Siddiq, the others the politicians including Michael Cochrane as Winston Churchill are first rate, Nicholas Jones as Lord Dyson is chilling. To sum up, extremely good, an important and interesting film (not dry as someone said, the translation scenes, the speeches for world leaders had me on the edge of my seat) One has to look back at history to understand what is going on today. In the main, all the historical facts are in place here, and therefore one can at least, partially understand the complex situation in the region in our present age as we tune in to the News. Comment from Malcolm in Toronto, May 27th 2007
Call me an elitist if you like, but this film is not for the general public; it is for the erudite, educated and well-informed only. All others will be hopelessly lost in an ocean of Western and Eastern stereotypes and suppositions. I enjoyed this triumphant tragedy more than most; of that I have no doubt. I have my own copy of "The Seven Pillars of Wisdom", the masterpiece of T. E. Lawrence's life's work. I found the age differential between the original film masterpiece character of Prince Feisal (played by a middle-aged Alec Guinness) and the young Prince Feisal of this film to be slightly disconcerting, but something that, ultimately, the viewer can overlook. Ralph Fiennes is, of course, superb; as is all of the supporting cast. I did not care much for the ending, which I will not reveal, but that too did not affect the overall tenor of the film. If you enjoyed the prequel, you will most likely enjoy the sequel; despite the absence of special effects, a cast of thousands, and an epic budget. This is a thinking man's film, and not one to be enjoyed by someone looking for eye candy. Anyone who does not appreciate the content of this film would be, in my opinion, be ignorant and ill-informed. So to all those romantics out there who love T. E. Lawrence; enjoy every minute.
Le saviez-vous
- AnecdotesJoseph Fiennes, in his uncredited debut, plays brother Ralph Fiennes' character Lawrence's younger brother. He had to sneak out of school during a lunch break to play the bit-part.
- Citations
T. E. Lawrence: All men dream; but not equally. Those who dream by night in the dusty recesses of their minds Awake to find that it was vanity; But the dreamers of day are dangerous men. That they may act their dreams with open eyes to make it possible.
- ConnexionsEdited into Great Performances: A Dangerous Man: Lawrence After Arabia (1992)
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By what name was A Dangerous Man: Lawrence After Arabia (1992) officially released in Canada in English?
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