Cry-Baby

Don't expect to watch a movie in the style of "Grease" when you watch "Cry-Baby." This is a John Waters musical-comedy, and it's full of his style and humor. John Waters has his own style of directing, and his own style for writing dialogue. The dialogue and acting are usually out of the mainstream norm, and viewers who are not familiar with John Waters may not enjoy his films unless they open their minds to possibilities of silly, ridiculous, vulgar, and campy humor. "Cry-Baby" is set in the 1950's, and it's mainly about two groups of people who don't accept each other: The drapes and the squares. The drapes don't have a lot of money, are more accepting to different types of people, and listen to the hep sounds of rhythm and blues and rockabilly. Some of them get involved with crime, and are juvenile delinquents. The squares are very conservative, have more money, more attitude, and listen to "your hit parade" music. The drapes will hang out with anyone as long as there's a good time to be had, and the squares only socialize with other squares. There is friction and disgust whenever the two types meet. Within this is a love story concerning Cry-Baby and Allison. Cry-Baby is a drape, and Allison is a square tired of being so conservative. Cry-Baby and Allison are attracted to each other, and Allison decides to associate with the drapes. Conflicts emerge, and drapes and squares clash. That sounds clichéd, but the movie has a lot of humor and atmosphere. It's also full of color, spirit, and fun music. The locations and sets create a 1950's atmosphere of small town and rural America. The cars, clothing, and hairstyles are also effective. Sometimes clothes, hairstyles, props, and sets are exaggerated and outrageous, but these are trademarks of John Waters' style and sense of humor. "Cry-Baby" has its charm, and is effective as both a comedy and a musical. The musical numbers are fun and lively, and a lot of care went into making the songs sound authentic to the period. They are also well choreographed. Some of the musical numbers were written for the movie, and a few songs were originally 1950's hits newly recorded for "Cry-Baby" (such as the song that opens the movie, Allison singing "Teenage Prayer," etc.) There are also original vintage recordings throughout the movie (my favorite is "Jungle Drums," by Earl Bostic, which really gives a summer feeling to the Turkey Point location.) The background score is also well done, and professionally orchestrated. This is a John Waters film, and you have to expect unusual characters, and unusual acting and dialogue delivery. The casting of the movie is an interesting mix of performers (another Waters' trademark), and very much a delight. The cast is terrific! Johnny Depp and Amy Locane are wonderful as the teenagers who are attracted to each other, but live in different worlds. Their pairing brings out a believable chemistry, and a sense of fun. Polly Bergen's performance is excellent as the extremely conservative matriarch who finally learns how to have a good time with people who are different. Susan Tyrrell is as offbeat as she can be (see her in the bizarre musical-comedy "Forbidden Zone"), and Iggy Pop is interesting in his role. Ricki Lake returns in her second John Waters movie as Cry-Baby's pregnant sister. Kim McGuire, Darren E. Burrows, and Traci Lords create fun characters who are in Cry-Baby's gang and music group. Kim McGuire has a knack for creating a character who's kookie and bold, and yet deserves sympathy at times. Traci Lords is very good at comedy, and it would be nice to see her in more comedies. She does a great job with her mostly-cranky, tough-girl character. Stephen Mailer does a fine job of creating a character you really learn to loathe. "Cry-Baby" also features small parts played by noted stars such as Troy Donahue, Joe Dallesandro, Joey Heatherton, David Nelson, Willem Dafoe, and John Waters regular Mink Stole. Patricia Hearst Makes her feature film debut, and is very amusing as the naive mother of a drape daughter. "Cry-Baby" was a lot of fun to watch on the big screen, and I'm again enjoying it since it's been released on DVD (with added scenes that were cut for its theatrical release.) "Cry-Baby" is a snazzy and fun musical-comedy that seems to be pleasing people who are not regular John Waters fans! By the way, I was a scrape (part square, part drape) in high school, but that's a different story from a different era.

This is a film that John Waters created as a loving send up of 1950's teen and juvenile delinquent films. It tells the story of Cry-Baby (Depp) a teenage orphan with the ability to make women swoon by shedding a single tear. It's a good natured, never mean musical based in a world where a song can make jail prisoners dance and riot or make someone fall in love with you despite being from different worlds.

A cast that includes Iggy Pop, Traci Lords, Waters regular Rikki Lake and a few other pleasant treats and cameos. The actors appear to be having as much fun with the subject matter as the film is. Borrowing for value from films such as Grease, Jail-house Rock, High School Hellcats, Rebel without a cause and a zillion others from the genre this film is a self-aware campy comedy that is very well crafted.

Clean and ridiculous warmhearted fun with more than a hint of trash. As of the date I re-watched this film (April 2004 10 years later) this film is still out of print. The reason for that is inexplicable to me as it's one of Johnny Depp's funniest performances and one of the better musicals that comes to mind. Oh yeah, don't blink or you'll miss Willem Defoe as the prison guard. "God bless Dwight D. Eisenhower, God bless Roy Cohn..."

Come for the comedy, stay for the great songs.

The movie "Cry Baby" is about a young boy and girl from opposite sides of the track falling in love. Wade "Cry baby" Walker (Johnny Depp) is considered a drape and a juvenile delinquent, and Alison (Amy Locane) is considered a square and a perfect angel. In their time Drapes and Squares were not seen together. Cry Baby fights with all his heart going up against an ex-boyfriend, a concerned grandmother, and even jail to keep his love with Alison.

Baldwin (Stephen Mailer), Alison's ex-boyfriend, does everything in his power to keep Alison to himself and away from Cry Baby. He picks fights and gets his gang together to vandalize the drapes property.

Alison's grandma (Polly Bergen) is like the leader of the squares and in the beginning worries that Cry Baby will be the downfall of her grandchild. Since she is left with Alison's care, she is over protective; but she wants Alison happy more than anything. In the end she comes around and tells Alison to choose the man her heart loves.

I believe director John Waters made a new twist to Shakespeare's Romeo and Juliet, and this provides a happy ending. Through his movie, Waters tells us that love happens when it happens and that no matter what background we come from, we should fight for love with all our hearts.

I love this movie. The first time I saw this movie as a four year old girl, I said I was going to marry Cry Baby. I recommend this movie to everyone. It has action for men and romance for women. I think that it transports us back in time and helps us see the conferences of the two social classes and feeds our belief that love really can conquer it all. I have probably watched this movie a thousand times and will probably watch it a thousand more. It definitely is worth the eighty-five minutes it takes to watch.

There seem to be two types of folks who detest "Cry-Baby;" those who think Waters sold out by making anything that cost more than $500 and didn't include coprophagy, and those who insist that all movies be Art with a capital A.

I was well into my 20's when the movie first came out, not a fan of 21 Jump Street, and no stranger to movies, including masterpieces and early John Waters, but I LOVED it, and have caught the uncut version on USA network quite a few times.

Cry-Baby is no Citizen Kane, and it's no Pink Flamingos, but, at risk of being pretentious, I will say that its full of something that makes art: Truth. Even in incredibly silly scenes, the movie is based in real and true emotions. John Waters' love for the fun parts of the 50's, (and hatred of the status quo that obviously made his teen years a living hell) is all over this film.

Yes, scenes such as the orphanage are silly, but the cynicism of the orphanage workers and the angst of the mother are as real as can be. The silliness works because the John Waters BELIEVES in what he is saying, and makes damn sure that his actors are with him!

All of the actors, from Johnny Depp who (as with all of his roles) *becomes* the character to Joe Dallesandro who barely can get his lines out, believe in their characters.

"Cry-Baby" parodies 50's "Teen Rebel" musicals such as "Rock Around the Clock" and "Don't Knock the Rock", but with obvious affection.

Yes, it's a musical. If you're one of those cynics who says things like "But people DON'T just start singing in real life" don't see it. Movies exist to give us a break from real life while mirroring it enough to be cathartic. Musicals and parodies take it one step further. They're not diaries, they're not reality, they're MOVIES!

"Cry-Baby" is a lot of fun, and the soundtrack is terrific (and "Hairspray"'s is even better!).

If you liked "Cry-Baby", I recommend "Hairspray" (not quite so silly, just as sweet.) and "But I'm A Cheerleader," which is definitely Waters-inspired, from its use of pink to its incredibly true emotions within very silly situations.

If you didn't like Cry-Baby, how sad. You obviously missed something.

I first saw this movie on TV and then just HAD to get it on video. It's a brilliant send-up of the Grease story and Johnny Depp is perfectly cast in the James Dean-type role as a juvinile dilinquent who falls for a square. It's very funny and all the songs are great! Turn up the volume especially on 'Cry Baby'!