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Le bûcher des vanités

Titre original : The Bonfire of the Vanities
  • 1990
  • Tous publics
  • 2h 5min
NOTE IMDb
5,6/10
28 k
MA NOTE
Le bûcher des vanités (1990)
Home Video Trailer from Warner Home Video
Lire trailer2:08
2 Videos
61 photos
Dark ComedySatireComedyDramaRomance

Après que sa maîtresse ait renversé un jeune adolescent, une pointure de Wall Street voit sa vie se dérouler sous les projecteurs et susciter l'intérêt d'un journaliste sans le sou.Après que sa maîtresse ait renversé un jeune adolescent, une pointure de Wall Street voit sa vie se dérouler sous les projecteurs et susciter l'intérêt d'un journaliste sans le sou.Après que sa maîtresse ait renversé un jeune adolescent, une pointure de Wall Street voit sa vie se dérouler sous les projecteurs et susciter l'intérêt d'un journaliste sans le sou.

  • Réalisation
    • Brian De Palma
  • Scénario
    • Michael Cristofer
    • Tom Wolfe
  • Casting principal
    • Tom Hanks
    • Bruce Willis
    • Melanie Griffith
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,6/10
    28 k
    MA NOTE
    • Réalisation
      • Brian De Palma
    • Scénario
      • Michael Cristofer
      • Tom Wolfe
    • Casting principal
      • Tom Hanks
      • Bruce Willis
      • Melanie Griffith
    • 187avis d'utilisateurs
    • 47avis des critiques
    • 27Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 5 nominations au total

    Vidéos2

    Bonfire of the Vanities
    Trailer 2:08
    Bonfire of the Vanities
    What Roles Has Tom Hanks Turned Down?
    Video 3:22
    What Roles Has Tom Hanks Turned Down?
    What Roles Has Tom Hanks Turned Down?
    Video 3:22
    What Roles Has Tom Hanks Turned Down?

    Photos61

    Voir l'affiche
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    + 53
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    Rôles principaux99+

    Modifier
    Tom Hanks
    Tom Hanks
    • Sherman McCoy
    Bruce Willis
    Bruce Willis
    • Peter Fallow
    Melanie Griffith
    Melanie Griffith
    • Maria Ruskin
    Kim Cattrall
    Kim Cattrall
    • Judy McCoy
    Saul Rubinek
    Saul Rubinek
    • Jed Kramer
    Morgan Freeman
    Morgan Freeman
    • Judge Leonard White
    John Hancock
    John Hancock
    • Reverend Bacon
    Kevin Dunn
    Kevin Dunn
    • Tom Killian
    Clifton James
    Clifton James
    • Albert Fox
    Louis Giambalvo
    Louis Giambalvo
    • Ray Andruitti
    Barton Heyman
    Barton Heyman
    • Det. Martin
    Norman Parker
    Norman Parker
    • Det. Goldberg
    Donald Moffat
    Donald Moffat
    • Mr. McCoy
    Alan King
    Alan King
    • Arthur Ruskin
    Beth Broderick
    Beth Broderick
    • Caroline Heftshank
    Kurt Fuller
    Kurt Fuller
    • Pollard Browning
    Adam LeFevre
    Adam LeFevre
    • Rawlie Thorpe
    Richard Libertini
    Richard Libertini
    • Ed Rifkin
    • Réalisation
      • Brian De Palma
    • Scénario
      • Michael Cristofer
      • Tom Wolfe
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs187

    5,627.7K
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    Avis à la une

    4AlsExGal

    The casting is all wrong, the nuances all missed

    It's been a long time since I read the book or saw the movie, but the casting in this film was all wrong. I saw the trailer on TV, saw the disaster the film might be, but I went to see it anyways and I was very disappointed. Tom Hanks, even before Philadelphia or Forrest Gump or Sleepless in Seattle, played the likable every-man. Hanks' character, Sherman McCoy, is a wall street tycoon, aged 38, with a wife two years older, a daughter he adores, and a young mistress that he insists he deserves all because he is a "master of the universe". In the book, Judy McCoy, Sherman's wife, is described as handsome but matronly at aged 40. Sherman remembers his mother telling him a wife two years older would not make a difference when he was 24 and she was 26, but 20 years later it would, and actually it took only ten years.

    But then one night when he is with his mistress, Sherman takes a wrong turn off the freeway into the South Bronx and ends up hitting a black youth with his car because he perceives his life is in danger, and decides to not report the accident to police, to "hit and run". However, he is tracked down and arrested and soon realizes he is not the master of anything compared to the grifters, community leaders, ambulance chasers, and prosecutors who finally have a completely unlikable rich white perp and a poor black victim.

    The novel was wonderful and nuanced. The movie is obvious and almost farcical. Hanks is too likable to play any of the characters in this film, I had Bruce Willis pictured as Sherman McCoy more than the drunken yellow journalist, and Kim Cattrell, who plays Sherman's wife, doesn't look like the matronly 40 year old and barely tolerated wife of anybody in 1990. Only Morgan Freeman as the judge rings remotely true. I'd pass on this one if I were you, but for sure read the book. After the 2008 crash and the banksters walking away without a scratch, Sherman McCoy seems more real than ever.
    ldecola

    captivating start

    I loved this film; rented it and watched it twice in 2 days. I was captivated by the titles (a 24-hour timelapse shot of the New York skyline taken from the top of the Chrysler Building!) and then by the first scene: Bruce Willis's drunken peregrination with sycophantic handlers through the bowels of a hotel, leaving chaos in his wake. It may not have improved from that point, but I never lost interest. What did I miss that led so many people to dislike the film?
    MovieMusings

    splendid cartoon

    Before I talk about the movie itself, I'd like to get ugly for a quick sec..

    I am sick and tired of people whining that a movie isn't as good as a book. First of all, we all already know that 99% of the time a book is not equally rendered in film. How can it? The physiological experience of reading is totally different from that of taking in audio-video. Hello? A book often can't fit into a 90 minute movie anyway, and we all complain when a director tries to stretch our minute-rice attention span more than 2 hours, which would allow the space to capture more of the subtle nuances that we love in a book.

    If you want to read the book, do us all a favour, don't watch a movie, go read the #@%$ book. Does anyone think that a painting could represent each facet of a poem? They are two separate and distinct mediums. Sheesh.

    Now, book aside, this movie is trying to talk about an issue. And it does so quite fine. If you need the book to get the message, that's your business.

    Each character was a caricature, a spoof, hyperbolized to help drive home the message that truth is often irrelevant to the socio-political motives behind people's actions. From the "assistant DA" looking for recognition to the "hymie racist" angling for the office of mayor to the "good reverend" looking for sympathy for his people (and a payday) to Fallow trying to save his career to McCoy's lawyer who has to patiently deal with his naive client who doesn't grasp that his life is insignificant to all those who somehow have generated a vested interest in his demise...

    I got the message, it didn't take me the 6 hours or two days (or however long it would take me to make time to read the book), and I had some fun.
    8lou-84

    Under-rated

    This film will probably be re-discovered in later years and be described as the classic--albeit flawed--that it really is. The script is excellent in places and neatly captures the irreverence and cynicism that this kind of satire needs. People have criticised this film merely on the basis of wanting to shoot down the successful careers of those working on it---but I suspect that Willis, Hanks, De Palma,et al, will be secretly pleased that they have this lost treasure in their back catalogues to be resurrected and discussed long after their more popular films might be.
    PATH309

    Good Movie!

    This was a good movie. I have read many reviews that people thought it was awful but in my opinion it was good. There was great casting. Bruce Willis was great as the almost always drunken reporter, Tom Hanks as the having an affair type husband that gets mixed up in a hit and run accident. Beth Broderick was good too even though this movie allowed her a small role it was a very crucial role. Melanie Griffith was irritating at times but that was the way of her character, so she was great at that role. This is a movie I would recommend for teenagers and adults only considering that there is cussing and the overall moral of the movie.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The 330-second Steadicam shot of Peter Fallow arriving at the Palm Court of the Winter Garden was a tour de force for operator Larry McConkey. He had to track backwards, get on a golf cart, ride it for 380 feet, get off of it, track backwards 234 feet, get into the elevator, get out, and track for another 250 feet.
    • Gaffes
      When McCoy gets off the subway, he is riding the number 1 train and he gets off at 77th Street station. The number 1 train runs on the West Side of Manhattan, nowhere near his Park Avenue residence on the East Side, and there are no 77th Street stops on the number 1 line.
    • Citations

      Judge Leonard White: [to court room] Racist? You dare call me racist? Well I say unto you, what does it matter the color of a man's skin if witnesses perjure themselves. If a prosecutor enlists the perjurers. When a district attorney throws a man to the mob for political gain, and men of the cloth, men of God, take the prime cuts? Is that justice?

      Judge Leonard White: I don't hear you...

      Judge Leonard White: Let me tell you what justice is. Justice is the law, and the law is man's feeble attempt to set down the principles of decency. Decency! And decency is not a deal. It isn't an angle, or a contract, or a hustle! Decency... decency is what your grandmother taught you. It's in your bones! Now you go home. Go home and be decent people. Be decent.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Havana/Mermaids/The Sheltering Sky/Awakenings/The Long Walk Home (1990)
    • Bandes originales
      Pennies From Heaven
      Written by Johnny Burke and Arthur Johnston

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    FAQ21

    • How long is The Bonfire of the Vanities?Alimenté par Alexa
    • What does the title mean?

    Détails

    Modifier
    • Date de sortie
      • 13 mars 1991 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La hoguera de las vanidades
    • Lieux de tournage
      • NBC Building, Rockefeller Center, Manhattan, Ville de New York, New York, États-Unis
    • Société de production
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 47 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 15 691 192 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 4 216 063 $US
      • 25 déc. 1990
    • Montant brut mondial
      • 15 691 192 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 5 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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