Bad Influence
- 1990
- Tous publics
- 1h 39min
NOTE IMDb
6,2/10
12 k
MA NOTE
Doux et peu sûr de lui, un jeune homme se met en danger lorsqu'il tente de rompre sa relation toxique avec un mystérieux inconnu qui prétend être son ami.Doux et peu sûr de lui, un jeune homme se met en danger lorsqu'il tente de rompre sa relation toxique avec un mystérieux inconnu qui prétend être son ami.Doux et peu sûr de lui, un jeune homme se met en danger lorsqu'il tente de rompre sa relation toxique avec un mystérieux inconnu qui prétend être son ami.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Jet Freedom
- Band in Club
- (as jet freedom)
Avis à la une
To me this movie was about a lifestyle. The music in this movie was very underground and featured Skinny Puppy tracks ('Who's Laughing Now?')along with a host of other interesting songs. The main dance-floor scene was very well done and gave a glimpse into the underworld of recreation drugs. Rob Lowe and James Spader delivered convincing roles and were a perfect fit for this cult classic. I'm still looking for the song featured on this movie with the lyrics "I wanna take you down"... It was cool. The movie was cool. Guess you have to appreciate the music at one point in your life to appreciate this type of movie...
regards...
regards...
Some people have got that influential touch that can bring any one out of their comfort zone. There are risk takers and those you play it safe. It's matter of personal choice. The clinically dark yuppie thriller 'Bad Influence' takes on a psychological power play between an enigmatically bold drifter (a tremendously venomous Rob Lowe) and a pinned-down marketing analyst (suitably acted by James Spader). Watch how the relationship grows and slowly treads dangerous ground, as the dream of being confident and striving to overcome one's fears is manipulated into a tormented nightmare of aggression and punishment for simple, ungraspable fulfilment for one's own gain. It's a game on someone's life and Lowe's icy portrayal of the controlling puppeteer works effectively. Sure the fundamental storyline isn't anything new (an old formula ala noir going contemporary) and some plot avenues seem a little too glossed over and hard to fathom, but Curtis Hanson's daringly sharp and tight direction cements intense empowerment and morbid curiosity in certain visual suspense. Using an almost voyeuristic approach he draws upon unearthing the violence, drug habit and sleaze trying to hide behind a materialistic obsessive society. Fascinatingly slick and stylish, and the cruise-like pace moves along well enough. The soundtrack has that steamy, on edge kick that doesn't show its age. Also for one in this time period, it's strangely underplayed and kept in the background. The support cast play trumps to Lowe and Spader, but Lisa Zane titillates in her all too short of a role. Fashionably entertaining psycho-thriller.
"Bad Influeince:" Yup, that's a good title for one of the main characters in this movie: "Alex," played by Rob Lowe. His grin alone is pure evil! In fact, Lowe's character is one of the lowest I've encountered in these modern-day thrillers. This also could be called a modern "noir," because it has a lot of that genre's qualities. This also is different from the normal cops-vs.- crooks film.
As bad as "Alex" was, I couldn't root for the other main character, either: "Michael Boll" (James Spader). Spader is one of these actors that seems to play very snotty, unlikeable people. Maybe he's just good at play annoying characters.
An odd character, and one that added to this film, was the guy (Christian Clemenson) who played Spader's older, stoned-out brother "Pismo." What a loser.....but an interesting person.
I really was intrigued by this film the first time I saw it but less so in the next two viewings, finally trading this in for something else. But for one viewing, it's recommended for crime fans, or people who just plain like evil characters.
As bad as "Alex" was, I couldn't root for the other main character, either: "Michael Boll" (James Spader). Spader is one of these actors that seems to play very snotty, unlikeable people. Maybe he's just good at play annoying characters.
An odd character, and one that added to this film, was the guy (Christian Clemenson) who played Spader's older, stoned-out brother "Pismo." What a loser.....but an interesting person.
I really was intrigued by this film the first time I saw it but less so in the next two viewings, finally trading this in for something else. But for one viewing, it's recommended for crime fans, or people who just plain like evil characters.
When you encounter a bad movie, the tendency is to just blow it off. After all, most folks are largely incompetent at what they do. But if you check the credentials of the people involved, you have to think again.
The writer has written successful movies as well as fine ones. "Snake Eyes" is great until the end, a fine examination or watching for us to watch. And "Panic Room" is an experiment in making a building a character.
The director has written and directed films that show he understands the mechanics of noir, the very thing being tinkered with here. Spader has been involved in several noir-bending adventures, always as a contributor.
What went wrong? The pitch certainly would have been "noir personified," specifically by mixing in the "visitor that changes lives" genre. Noir is when a man or couple get accidentally caught up in mischievous fate, fate that seems to actively play with their lives.
A well established derivative is the "omniscient serial killer" genre, which to some extent puts a face on fate. "Funny Games" is a similar experiment in building calmly human dervishes. But it is an entirely different matter to make fate a friend. That's what's attempted here. It may be possible, but not the simple way that's tried.
The minor fold here is that fate uses film (video) in the two events around which the story turns.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
The writer has written successful movies as well as fine ones. "Snake Eyes" is great until the end, a fine examination or watching for us to watch. And "Panic Room" is an experiment in making a building a character.
The director has written and directed films that show he understands the mechanics of noir, the very thing being tinkered with here. Spader has been involved in several noir-bending adventures, always as a contributor.
What went wrong? The pitch certainly would have been "noir personified," specifically by mixing in the "visitor that changes lives" genre. Noir is when a man or couple get accidentally caught up in mischievous fate, fate that seems to actively play with their lives.
A well established derivative is the "omniscient serial killer" genre, which to some extent puts a face on fate. "Funny Games" is a similar experiment in building calmly human dervishes. But it is an entirely different matter to make fate a friend. That's what's attempted here. It may be possible, but not the simple way that's tried.
The minor fold here is that fate uses film (video) in the two events around which the story turns.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
Rob Lowe stars as a drifter who takes yuppie James Spader under his wing and starts to turn Spader's life inside out. The acting is pretty good, but the writting and the direction will knock you out. Clever, and very stylish plus it is filled with exciting moments that will have you on the edge of your seat. One of my favorite films of all time. Rating: 9.5 / 10
Le saviez-vous
- AnecdotesJames Spader and Christian Clemenson play brothers in this film. They would star together again in Boston Justice (2004), this time playing colleagues who become good friends.
- GaffesEarly in the movie when Michael is in the bar drinking a beer the glass is nearly empty. When it cuts to Michael getting his head slammed against the table the glass is suddenly almost full.
- Citations
Pismo Boll: It's only a matter of time... get in bed with the devil... sooner or later you have to fuck!
- Versions alternativesUK version is cut by 28 sec. to remove "dangerous imitable technique" during the scene where Alex attempts to kill Michael by connecting the car lights to the petrol tank.
- Bandes originalesSpiritual Healing
Written by Toots Hibbert (as F. Hibbert)
Performed by Toots Hibbert (as Toots)
Produced by Chris Blackwell and Lowell 'Sly' Dunbar (as Sly Dunbar)
Courtesy of Mango Records, an Island Records company
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Todfreunde - Bad Influence
- Lieux de tournage
- La Brea Tar Pits - 5801 Wilshire Blvd, Los Angeles, Californie, États-Unis(Multiple scenes: Alex and Michael meet at tar pits. Body is found in pits.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 12 626 043 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 822 019 $US
- 11 mars 1990
- Montant brut mondial
- 12 626 043 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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