Bad Influence

Some people have got that influential touch that can bring any one out of their comfort zone. There are risk takers and those you play it safe. It's matter of personal choice. The clinically dark yuppie thriller 'Bad Influence' takes on a psychological power play between an enigmatically bold drifter (a tremendously venomous Rob Lowe) and a pinned-down marketing analyst (suitably acted by James Spader). Watch how the relationship grows and slowly treads dangerous ground, as the dream of being confident and striving to overcome one's fears is manipulated into a tormented nightmare of aggression and punishment for simple, ungraspable fulfilment for one's own gain. It's a game on someone's life and Lowe's icy portrayal of the controlling puppeteer works effectively. Sure the fundamental storyline isn't anything new (an old formula ala noir going contemporary) and some plot avenues seem a little too glossed over and hard to fathom, but Curtis Hanson's daringly sharp and tight direction cements intense empowerment and morbid curiosity in certain visual suspense. Using an almost voyeuristic approach he draws upon unearthing the violence, drug habit and sleaze trying to hide behind a materialistic obsessive society. Fascinatingly slick and stylish, and the cruise-like pace moves along well enough. The soundtrack has that steamy, on edge kick that doesn't show its age. Also for one in this time period, it's strangely underplayed and kept in the background. The support cast play trumps to Lowe and Spader, but Lisa Zane titillates in her all too short of a role. Fashionably entertaining psycho-thriller.

Bad Influence is directed by Curtis Hanson and written by David Koepp. It stars Rob Lowe, James Spader, Lisa Zane and Christian Clemenson. Music is by Trevor Jones and cinematography by Robert Elswit.

Michael Boll (Spader) is the ultimate milquetoast. Alex (Lowe) is something altogether different. When Alex introduces himself into Michael's life, Michael finds from within a boldness he didn't know existed. But Alex's life lessons may just come at a cost...

Tell me what you want more than anything else in the world.

The 90s began in a neo-norish haze for one time brat-packers Spader and Lowe. For Spader it was another chance to show, after 1989's Sex, Lies and Videotape, that he could do drama very well. For Lowe it was a case of dusting off his off screen misdemeanours to self mockingly portray the bad boy playing the bad boy. With future L.A. Confidential helmer Hanson in the chair overseeing things, Bad Influence rounded out as a sneaky bit of grit. It didn't make any great waves back on release, but it's a film that holds up surprisingly well these days, particularly as an 80s noir snapshot.

Thematically picture asks us if everyone has the devil inside them if prompted or manipulated from outside sources? Alex's motives are intentionally left sketchy, we are in no doubt from the opening credits that he's untrustworthy, yet who he is or what he's really about are questions left hanging in the air. A good looking charmer without doubt, and thanks to Spader's uber wimp beginnings, we find ourselves urging Alex on as he slots a spine into Michael's back. There's a decidedly nasty edge to the Koepp screenplay that lets the actors excel in their respective transformations, and with the mood set at simmer, story unfolds and lets the Doppleganger motif kick in. From here on in it's now a question for the viewers of how it's going to resolve itself?

Call me Mick.

Hanson paints it in sweaty metallic strokes, interiors of Michael's condo portray yuppie claustrophobia, exteriors of nighttime L.A. are classic noir; where the bright lights of the city are eyes observing Michael's transformation and the salty whiff of the pier and the sea hover over the telling periods of dialogue. True enough to say that Bad Influence, and its director, owe a huge debt to past masters, notably something like Strangers on a Train, but the update works very well, particularly in the context of maintaining a continued sense of tension. The humour that lives and breathes in the picture is nicely placed, adding a bit of salt to an already spicy broth, and there's even the delicate hint of an old noir favourite, potential man crush.

The build up isn't matched by the pay off, but even then there's enough of a bite to warrant respect. Far better than some internet ratings suggest it is, and certainly undervalued in the neo-noir pantheon, Bad Influence is well worth reevaluating in this new age of cinema. 7.5/10

"Bad Influeince:" Yup, that's a good title for one of the main characters in this movie: "Alex," played by Rob Lowe. His grin alone is pure evil! In fact, Lowe's character is one of the lowest I've encountered in these modern-day thrillers. This also could be called a modern "noir," because it has a lot of that genre's qualities. This also is different from the normal cops-vs.- crooks film.

As bad as "Alex" was, I couldn't root for the other main character, either: "Michael Boll" (James Spader). Spader is one of these actors that seems to play very snotty, unlikeable people. Maybe he's just good at play annoying characters.

An odd character, and one that added to this film, was the guy (Christian Clemenson) who played Spader's older, stoned-out brother "Pismo." What a loser.....but an interesting person.

I really was intrigued by this film the first time I saw it but less so in the next two viewings, finally trading this in for something else. But for one viewing, it's recommended for crime fans, or people who just plain like evil characters.

This is the most textbook demonstration of Nietzsche I've ever seen. Rob Lowe is the gifted liar prepared to go all the way to get whatever he wants and keep himself entertained. Spader is the timid, uptight yuppie who doesn't understand just how much he's in for when Lowe's "will to power" rubs off on him. What ensues would bring anybody back to good old fashioned organized religion. A morality play taken to extremes that nonetheless works as a thriller, too. Worth seeing. 8.

James Spader is typically engaging in the role of Michael, a wimpy yuppie who tends to not stand up for himself. He is about to get obliterated by a jealous boyfriend in a bar, when a stranger (Rob Lowe) steps in to save his ass. He ends up running into Lowe again, and thanks him, and a curious relationship develops. "Alex" (Lowe) introduces the element of risk into Michaels' life, and helps him "grow a pair", so to speak. But Michael soon learns that only dark things will come out of this supposed "friendship", and he realizes that he must eliminate Alex from his life.

"Bad Influence" is a decent thriller set in hip, "modern era" California, with various clubs and parties used as backdrops. Well shot by Robert Elswit, it boasts a screenplay by then relatively fresh screenwriter David Koepp. It may not be on the level of "Strangers on a Train", but it entertains in compelling enough fashion. The give and take between our hero and his nemesis creates sufficient tension, as Alex sets about trying to prove that he was merely exposing the hidden ugly side that Michael wasn't showing the world. As this plays out, you can't help but sympathize with Michael to some degree, as the story turns into this kind of nightmare that seems to have no end in sight. There are some sexy ladies in the cast, and a little dose of gore, so this thriller does deliver in terms of some sex and violence. Director Curtis Hanson, who at this time hadn't yet achieved mainstream recognition, guides it all in style.

Lowe is decent as the shady antagonist with the undetermined motives. He seems to be just plain evil. Spader outshines him, of course, and receives strong support from a cast including Lisa Zane, Kathleen Wilhoite, Marcia Cross, Tony Maggio, Grand L. Bush, and John de Lancie. Keep your eyes peeled for David Duchovny, who appears fleetingly in a club scene. Christian Clemenson delivers a standout performance as Michaels' slightly pathetic brother who tries to redeem himself in his siblings' eyes.

Solid entertainment that picks up considerably in its second half.

Seven out of 10.