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IMDbPro

La mort sera si douce

Titre original : After Dark, My Sweet
  • 1990
  • Tous publics
  • 1h 54min
NOTE IMDb
6,5/10
4,6 k
MA NOTE
La mort sera si douce (1990)
Home Video Extra (Clip) from Artisan
Lire trailer1:13
1 Video
30 photos
CriminalitéDrameMystèreThriller

Collie, ancien boxeur à la dérive, semble être l'homme parfait à qui faire porter le chapeau pour un enlèvement manigancé par une belle veuve et un ex-policier pourri.Collie, ancien boxeur à la dérive, semble être l'homme parfait à qui faire porter le chapeau pour un enlèvement manigancé par une belle veuve et un ex-policier pourri.Collie, ancien boxeur à la dérive, semble être l'homme parfait à qui faire porter le chapeau pour un enlèvement manigancé par une belle veuve et un ex-policier pourri.

  • Réalisation
    • James Foley
  • Scénario
    • Jim Thompson
    • Robert Redlin
    • James Foley
  • Casting principal
    • Jason Patric
    • Rachel Ward
    • Bruce Dern
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    4,6 k
    MA NOTE
    • Réalisation
      • James Foley
    • Scénario
      • Jim Thompson
      • Robert Redlin
      • James Foley
    • Casting principal
      • Jason Patric
      • Rachel Ward
      • Bruce Dern
    • 54avis d'utilisateurs
    • 37avis des critiques
    • 78Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    After Dark, My Sweet
    Trailer 1:13
    After Dark, My Sweet

    Photos30

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 25
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    Rôles principaux16

    Modifier
    Jason Patric
    Jason Patric
    • Collie
    Rachel Ward
    Rachel Ward
    • Fay
    Bruce Dern
    Bruce Dern
    • Uncle Bud
    Rocky Giordani
    Rocky Giordani
    • Bert
    Tom Wagner
    • Counterman
    Mike Hagerty
    Mike Hagerty
    • Truck Driver
    • (as Michael G. Hagerty)
    James E. Bowen Jr.
    • Second Driver
    George Dickerson
    • Doc Goldman
    Vincent Mazella Jr.
    • Flashback Fighter
    • (as Vince Mazzella Jr.)
    Napoleon Walls
    • Boxing Referee
    Corey Carrier
    Corey Carrier
    • Jack
    Jeanie Moore
    Jeanie Moore
    • Nanny
    James Cotton
    • Charlie
    Burke Byrnes
    • Cop
    Glen Steele
    Glen Steele
    • Boxer
    • (non crédité)
    Thomas Wagner
    Thomas Wagner
      • Réalisation
        • James Foley
      • Scénario
        • Jim Thompson
        • Robert Redlin
        • James Foley
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs54

      6,54.5K
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      Avis à la une

      8ccthemovieman-1

      An Underrated, Relatively-Unknown Noir

      Intense actors like Bruce Dern, Jason Patrick and Rachel Ward combine to make this modern-day film noir a winner. Of the three, I don't know who was most interesting as all offer good performances and intriguing characters.

      Patric does the narration in this noir, playing an ex-boxer and mental patient. Wow, that alone makes for an interesting guy! He looks dumb, but he isn't. Ward is the slinky, attractive, cynical, intelligent and compassionate co- conspirator of a kidnapping plan that goes bad. Bruce Dern also is in the mix and Dern never fails to fascinate in about any film.

      The movie could be considered kind of downer to the average viewer, but I found it fascinating....and I don't like depressing movies normally. What I found was a kind of quirky crime film. Take a look and see if you agree. This is pretty unknown film that shouldn't have that status because it's simply a good story and well-done.
      film-critic

      Boxer takes it out of the ring.

      Ex-boxer turned drifter, Kid Collins (Patric), wafts his way into the life of a con-man and a drunk. Wanting to stay below the radar, Collins takes refuge with a woman that trades shelter for work. The death of her husband has plummeted her into a world of alcohol and rage. As Collins begins to build a relationship with her, she shares with him details of a kidnapping plan that her and her 'Uncle' have been working on. Thinking that Collins is nothing more than a mental lackey, they persuade him to help with the diabolical plan. Little do they know that the monsters struggling inside Collins' mind are about to be unleashed onto the world. As the plan begins to disintegrate before their eyes, loyalties are lost, and nobody can be trusted.

      What an amazing find! When I began watching this film I was not expecting to be so surprised. Jason Patric is spectacular in this film and demonstrates powerfully his ability to control and maintain a troubled character. I never once felt that he had stepped out of character during this performance. This is due in part to the exceptional direction by James Foley that creates a story so imaginative and real that you begin to feel as if this could be a town next to yours. Foley gives us flawed characters that take away that image of perfection and helps build deeper emotional ties. Foley also never gives anything away. Throughout this entire film, I never knew what was going to happen next. This is surprising for a Hollywood notorious for 'jumping the gun'.

      Patric's performance with Foley's direction coupled with a completely terrifying secondary characters (like Bruce Dern and Rachel Ward), After Dark My Sweet is a true diamond in the rough.

      Grade: ***** out of *****
      TheVid

      Jim Thompson pulp played to perfection.

      This is a moody, oblique, adult thriller that seems to bore most of the reviewers so far, making me think that they're all mostly adolescent-type viewers. While not a perfect film noir, AFTER DARK, MY SWEET is a particularly unusual one in that it uses bright atmospherics as opposed to the standard dark ones used to enhance the downward decadence of the material. This picture was made at a time when pulp novelist Thompson was getting a bit of a revival on screen, with a remake of THE GETAWAY and a nifty film version of THE GRIFTERS. The remarkable French film COUP DE TORCHON, also based on a Thompson novel (entitled POP. 1280) uses the same bright noir approach. AFTER DARK, MY SWEET stands admirably along side all these films as a relevant tribute to a writer who often exposed people's dark anxieties with tough, stylish precision! Check out the widescreen Artisan DVD for some nicely done and highly-recommended, adult moviemaking.
      count210

      As with anything, be in the mood

      I see After Dark, My Sweet every couple of years and it is only slightly less stunning now compared to 10 years ago. 3 key points... Jason Patric's performance, or rather character. I haven't seen his performance in anything else that has been close, I thought at the time it was perfection. The mood. If you're familiar with the area it was shot in, the desolation and decay is conveyed with alarming accuracy. And an ending that has impact. Again, if you're in the mood.
      10soytown

      One of the best adaptations I've ever seen!

      If you're as huge of a fan of an author as I am of Jim Thompson, it can be pretty dodgy when their works are converted to film. This is not the case with Scott Foley's rendition of AFTER DARK MY SWEET. A suspenseful, sexually charged noir classic that closely follows and does great justice to the original text. Jason Patrick and Rachel Ward give possibly the best performances of their careers. And the always phenomenal Bruce Dern might have even toped him self with this one. Like Thompson's book this movie creates a dark and surreal world where passion overcomes logic and the double cross is never far at hand. A must see for all fans of great noir film. ****!!!

      Histoire

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      Le saviez-vous

      Modifier
      • Anecdotes
        According to Roger Ebert, After Dark, My Sweet "is the movie that eluded audiences; it grossed less than $3 million, has been almost forgotten, and remains one of the purest and most uncompromising of modern films noir. It captures above all the lonely, exhausted lives of its characters."
      • Gaffes
        Early in the film, the person in the emergency room's heart flatlines; asystole or absence of any electrical activity. Shocking or defibrillating will do no good in the absence of cardiac activity. The proper treatment would be to give intracardiac epinephrine, followed appropriately as necessary.
      • Citations

        Kevin 'kid' Collins: [voiceover] When a man stops caring what happens, all the strain is lifted from him. Suspicion and worry and fear, all things that twist his thinking out of focus are brushed aside, and he can see people exactly as they are at last - as I saw Fay then: weak and frightened but basically as good as a person could be and hating herself for not being better. Suddenly, the only thing that mattered was that she live, it was the only way my having lived would make any sense. It was why I had been made like I was - to do something for her that she could not do for herself, and then to protect her so that she could go on, so that she could have the reason for living that I'd never had.

      • Connexions
        Featured in Siskel & Ebert & the Movies: Postcards from the Edge/Saving Grace/White Hunter, Black Heart/After Dark, My Sweet (1990)

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      FAQ19

      • How long is After Dark, My Sweet?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • 24 août 1990 (États-Unis)
      • Pays d’origine
        • États-Unis
      • Langue
        • Anglais
      • Aussi connu sous le nom de
        • After Dark, My Sweet
      • Lieux de tournage
        • Palm Desert, Californie, États-Unis
      • Société de production
        • Avenue Pictures
      • Voir plus de crédits d'entreprise sur IMDbPro

      Box-office

      Modifier
      • Budget
        • 7 000 000 $US (estimé)
      • Montant brut aux États-Unis et au Canada
        • 2 678 414 $US
      • Week-end de sortie aux États-Unis et au Canada
        • 244 919 $US
        • 26 août 1990
      • Montant brut mondial
        • 2 678 414 $US
      Voir les infos détaillées du box-office sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 54min(114 min)
      • Couleur
        • Color
      • Rapport de forme
        • 2.35 : 1

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