Mystères à Twin Peaks

Angelo Badalamenti's sweet theme begins as smokestacks billow, and a robin assures the viewer of the presence of love in a little town located through the pines, just this side of sanity...or reality. Either way you choose to look at it (and the choice is yours), every episode of this groundbreaking television show grabbed the viewer in its seductive and destructive web... and wouldn't let go. "Twin Peaks" began a string of weird television shows in the early 90's, but, unlike those later shows, "Twin Peaks" would be beloved and remembered long after it was off the air. "Twin Peaks" has earned a spot next to "The Twilight Zone", "Night Gallery", and "Star Trek" in terms of pioneering television and in terms of a cult following deserving of conventions and fanzines. I believe that F.B.I. Special Agent Dale Cooper is one of the most enjoyable and inspiring characters in television history. His simple passions and quirky behavior was a welcomed sight in our living rooms every week during the shows very short run in the late 80's and early 90's. "Twin Peaks" started out on fire, gaining exposure during the pilot's multiple airings. The mystery of Laura Palmer's murderer practically invented conversations at the water cooler. However, the shows second season was scheduled to air on Saturday nights at 10:00, an advertiser's no-man's land. And, with the shows fan base out on the late weekend nights, the shows network decided to cancel it. David Lynch, the shows co-creator, directed a theatrically released film prequel to "Twin Peaks", showing all who missed the shows airings what really happened to Laura the week of her death, and, finally, her killer. As a huge fan of "Twin Peaks", I will tell you that the circle of events that occur within the story enable the viewer to relive the events over and over, each time around with more intensity than before. When you view the movie prequel, diving right back into the series becomes the natural path, allowing one to see things again for what they really are... or aren't. I highly recommend owning the entire series. Without a network messing up your viewing time, you can see the mystery unfold at your own pace. Viewing "Twin Peaks-Fire Walk With Me", along with the television pilot and the entire 29 episode series (about 33 hours all together), is the most fascinating and satisfying viewing experience that the entertainment industry has offered me so far. The music, costumes, editing, acting, and direction all received Emmy nominations, leading one to conclude that "Twin Peaks" not only satisfied the public, but the critics as well. An incredible achievement, "Twin Peaks" is my all-time favorite television show.

Nowadays it is commonly accepted that American television is becoming better than movies, with edgier stories and more complex characters, both in mainstream (CSI, 24, Lost) and cable shows (The Sopranos, Six Feet Under, Deadwood). Twenty years ago, on the other hand, such a thing was unthinkable, at least until Twin Peaks aired.

Created by David Lynch and Mark Frost, the series takes its name from a small American town where a grisly murder has been committed. The victim is local beauty Laura Palmer (Sheryl Lee), a girl who seemed to have a perfectly normal life, only it turns out that's not the case: she had a lot of secrets, and in one of them lies the key to finding her killer. That assignment is given to Special FBI Agent Dale Cooper (Lynch regular Kyle MacLachlan), who quickly earns the trust and friendship of Sheriff Truman (Michael Ontkean) and the rest of Twin Peaks'inhabitants thanks to his extraordinary deductive methods and fascination for the calm and peace around him. And he is going to need all the help he can get, as Laura's murder is just one of the many odd things causing trouble in the heavenly surroundings: there's Benjamin Horne (Richard Beymer) and his dangerous connection with a casino/brothel known as One-Eyed Jack's; there's his daughter Audrey (Sherilyn Fenn), whose interest in Agent Cooper might put her in a worse situation than she thinks; there's the dispute over the Packard sawmill between Catherine Martell (Piper Laurie) and Josie Packard (Joan Chen); and there are the bizarre creatures who populate Cooper's dreams, people like The Man From Another Place (a backwards-talking dwarf, played by Michael J. Anderson) or the terrifying Bob (Frank Silva), suggesting that most of the events in Twin Peaks may not have a rational explanation.

Back in 1990, a series like this had never been done before, so its success was a little unexpected (sadly, ratings dropped during the second season, leading to the show's premature cancellation). Now it can be seen as an anticipation of that great TV creation that is HBO: the dead interacting with the living (Six Feet Under), ambiguous characters and even more ambiguous relationships between them (Deadwood), a consistent balance between moving and funny, beautiful and shocking (The Sopranos), the seeds of all those elements can be found in Twin Peaks, a show that didn't hesitate when it came to playing with the format or crossing the line in terms of mature content (death, drug abuse, rape) or on-screen violence (the ending of Episode 8, where one of the villains is shown at the peak of his abilities, is still one of the most audacious scenes ever shown on mainstream television). More than any other series, it represents the seamless merger of big and small screen, a fact that is underlined by Lynch's decision to further explore the story in a feature film after the last episode had aired. Fans of the visionary filmmaker will find plenty of his recurring themes, some a direct reference to his previous works (the ugliness lying underneath the apparent perfection, as seen in Blue Velvet), others a hint of things to come (the duality of Lost Highway and Mulholland Drive, here embodied by Lee, who plays both the deceased Laura and her cousin).

As always with the Eraserhead director, the acting is exceptional: MacLachlan and Lee are the standouts, the former playing his best role to date, a cunning combination of palpable vulnerability and impeccable wit, the latter shining with a double performance that should have been the beginning of a great career (alas, apart from a minor role in John Carpenter's Vampires, she hasn't done much since). The supporting cast (Ontkean, Laurie, Lara Flynn Boyle and Ray Wise in particular) adds depth and emotion, making some episodes the most affecting ever seen on a TV screen. As for the guest stars, not all of them are well known, but every single one brings something special to the series: the most notable cameos include a then unknown Heather Graham, a pre-X-Files David Duchovny (a quite funny and ironic contrast to Fox Mulder) and Lynch himself as a half-deaf FBI Regional Chief (one of the show's best characters).

Those interested in American TV simply have to give Twin Peaks a look: it might be too weird or unsettling for some (but then again, that's always the case with Lynch's work), but it remains a landmark in contemporary television, and played a vital role in making the US small screen what it is today.

Seeing the series as an eleven year old, is probably not the wisest thing to do. I was scared so much by the character BOB, that if I saw him on the street today, I would run the other way screaming. But in amongst all that...it's excellent!

I have to admit when I first watched the pilot episode of Twin Peaks a couple of years ago, I wasn't sure what to think. I knew about David Lynch, having recently seen Blue Velvet, and I knew he was a director that was on the outlandish side. I borrowed the rest of the series from a friend, and after I watched the first 3 or 4 episodes, I was still scratching my head. I thought the murder premise was well done but I kept asking myself "why are these characters so strange?"

However, as I got more into the series, I found myself obsessively hooked. The series, in it's own ominous way, was extremely funny and there were so many great one liners ("that's a damn good cup of coffee") and the characters kept you second guessing. Though some characters were obviously villains, others had intentions that were often indistinguishable.

As I relentlessly watched the show over a three week period, I found myself laughing out loud and being disturbed at the same time. Ben Horne's meltdown is one of the funniest things I have ever seen in any TV series, I chuckle just thinking about it. Only David Lynch could think of something that was so eccentric and funny at the same time.

So in the end, I must say I found this show endlessly amusing. Almost every person on the show has their own idiosyncrasy, appearances by future stars like Heather Graham and David Duchovny injected humor and depth into the show, and heck, there was a sheriff named Harry S Truman, what else do you need?

I am glad to see the first season is on DVD, I can't wait until the rest is released. I wish this show had been on much longer but it is such a bizarre show that I can understand why mainstream America did not understand it. I wouldn't recommend this show to anyone that likes TV shows which are light-hearted or straightforward. Be warned, the final episode is completely bizarre, and not necessarily funny.

As a whole, the show has a very alien feel to it and may chase many people away, but if you understand David Lynch's warped sense of humor and can see the sheer lunacy of the show, you will find it endlessly entertaining.

Possibly one of the best TV dramas ever, "Twin Peaks" managed to be a challenging and unique (not to mention intelligent) piece of television.

Daring and provocative, it shattered the boundaries of most standard soap operas/TV dramas.

Terrified of it by a child (and in particular by BOB) I have since returned to it on DVD, only to find myself just as terrified and intrigued by it as I was when I was twelve years old and crouching behind my late grandmother's couch.

A piece of groundbreaking television history... WATCH IT