Mystères à Twin Peaks

Nowadays it is commonly accepted that American television is becoming better than movies, with edgier stories and more complex characters, both in mainstream (CSI, 24, Lost) and cable shows (The Sopranos, Six Feet Under, Deadwood). Twenty years ago, on the other hand, such a thing was unthinkable, at least until Twin Peaks aired.

Created by David Lynch and Mark Frost, the series takes its name from a small American town where a grisly murder has been committed. The victim is local beauty Laura Palmer (Sheryl Lee), a girl who seemed to have a perfectly normal life, only it turns out that's not the case: she had a lot of secrets, and in one of them lies the key to finding her killer. That assignment is given to Special FBI Agent Dale Cooper (Lynch regular Kyle MacLachlan), who quickly earns the trust and friendship of Sheriff Truman (Michael Ontkean) and the rest of Twin Peaks'inhabitants thanks to his extraordinary deductive methods and fascination for the calm and peace around him. And he is going to need all the help he can get, as Laura's murder is just one of the many odd things causing trouble in the heavenly surroundings: there's Benjamin Horne (Richard Beymer) and his dangerous connection with a casino/brothel known as One-Eyed Jack's; there's his daughter Audrey (Sherilyn Fenn), whose interest in Agent Cooper might put her in a worse situation than she thinks; there's the dispute over the Packard sawmill between Catherine Martell (Piper Laurie) and Josie Packard (Joan Chen); and there are the bizarre creatures who populate Cooper's dreams, people like The Man From Another Place (a backwards-talking dwarf, played by Michael J. Anderson) or the terrifying Bob (Frank Silva), suggesting that most of the events in Twin Peaks may not have a rational explanation.

Back in 1990, a series like this had never been done before, so its success was a little unexpected (sadly, ratings dropped during the second season, leading to the show's premature cancellation). Now it can be seen as an anticipation of that great TV creation that is HBO: the dead interacting with the living (Six Feet Under), ambiguous characters and even more ambiguous relationships between them (Deadwood), a consistent balance between moving and funny, beautiful and shocking (The Sopranos), the seeds of all those elements can be found in Twin Peaks, a show that didn't hesitate when it came to playing with the format or crossing the line in terms of mature content (death, drug abuse, rape) or on-screen violence (the ending of Episode 8, where one of the villains is shown at the peak of his abilities, is still one of the most audacious scenes ever shown on mainstream television). More than any other series, it represents the seamless merger of big and small screen, a fact that is underlined by Lynch's decision to further explore the story in a feature film after the last episode had aired. Fans of the visionary filmmaker will find plenty of his recurring themes, some a direct reference to his previous works (the ugliness lying underneath the apparent perfection, as seen in Blue Velvet), others a hint of things to come (the duality of Lost Highway and Mulholland Drive, here embodied by Lee, who plays both the deceased Laura and her cousin).

As always with the Eraserhead director, the acting is exceptional: MacLachlan and Lee are the standouts, the former playing his best role to date, a cunning combination of palpable vulnerability and impeccable wit, the latter shining with a double performance that should have been the beginning of a great career (alas, apart from a minor role in John Carpenter's Vampires, she hasn't done much since). The supporting cast (Ontkean, Laurie, Lara Flynn Boyle and Ray Wise in particular) adds depth and emotion, making some episodes the most affecting ever seen on a TV screen. As for the guest stars, not all of them are well known, but every single one brings something special to the series: the most notable cameos include a then unknown Heather Graham, a pre-X-Files David Duchovny (a quite funny and ironic contrast to Fox Mulder) and Lynch himself as a half-deaf FBI Regional Chief (one of the show's best characters).

Those interested in American TV simply have to give Twin Peaks a look: it might be too weird or unsettling for some (but then again, that's always the case with Lynch's work), but it remains a landmark in contemporary television, and played a vital role in making the US small screen what it is today.

Possibly one of the best TV dramas ever, "Twin Peaks" managed to be a challenging and unique (not to mention intelligent) piece of television.

Daring and provocative, it shattered the boundaries of most standard soap operas/TV dramas.

Terrified of it by a child (and in particular by BOB) I have since returned to it on DVD, only to find myself just as terrified and intrigued by it as I was when I was twelve years old and crouching behind my late grandmother's couch.

A piece of groundbreaking television history... WATCH IT

Just caught up and watched this for the first time. Damn... this is a straight up masterpiece of television!

Angelo Badalamenti's sweet theme begins as smokestacks billow, and a robin assures the viewer of the presence of love in a little town located through the pines, just this side of sanity...or reality. Either way you choose to look at it (and the choice is yours), every episode of this groundbreaking television show grabbed the viewer in its seductive and destructive web... and wouldn't let go. "Twin Peaks" began a string of weird television shows in the early 90's, but, unlike those later shows, "Twin Peaks" would be beloved and remembered long after it was off the air. "Twin Peaks" has earned a spot next to "The Twilight Zone", "Night Gallery", and "Star Trek" in terms of pioneering television and in terms of a cult following deserving of conventions and fanzines. I believe that F.B.I. Special Agent Dale Cooper is one of the most enjoyable and inspiring characters in television history. His simple passions and quirky behavior was a welcomed sight in our living rooms every week during the shows very short run in the late 80's and early 90's. "Twin Peaks" started out on fire, gaining exposure during the pilot's multiple airings. The mystery of Laura Palmer's murderer practically invented conversations at the water cooler. However, the shows second season was scheduled to air on Saturday nights at 10:00, an advertiser's no-man's land. And, with the shows fan base out on the late weekend nights, the shows network decided to cancel it. David Lynch, the shows co-creator, directed a theatrically released film prequel to "Twin Peaks", showing all who missed the shows airings what really happened to Laura the week of her death, and, finally, her killer. As a huge fan of "Twin Peaks", I will tell you that the circle of events that occur within the story enable the viewer to relive the events over and over, each time around with more intensity than before. When you view the movie prequel, diving right back into the series becomes the natural path, allowing one to see things again for what they really are... or aren't. I highly recommend owning the entire series. Without a network messing up your viewing time, you can see the mystery unfold at your own pace. Viewing "Twin Peaks-Fire Walk With Me", along with the television pilot and the entire 29 episode series (about 33 hours all together), is the most fascinating and satisfying viewing experience that the entertainment industry has offered me so far. The music, costumes, editing, acting, and direction all received Emmy nominations, leading one to conclude that "Twin Peaks" not only satisfied the public, but the critics as well. An incredible achievement, "Twin Peaks" is my all-time favorite television show.

This is one of the shows that I started watching because many people, whose opinions I valued, stated, repeatedly, that I "absolutely must see this." Let me say that I was pretty much hooked from the first scene when they discover the body. The one deputy crying at the body was both touching and kind of funny. It perfectly introduced the entire series which is serious and ridiculous all at once. There is so much to talk about this incredible series which burned too bright to burn for very long.

For starters, Agent Cooper is the single greatest character ever captured on film (go ahead, try and think of a better one). He's brilliant, genuinely caring, incredibly funny, exuberant to the nth degree, unbelievably likable, but also with a sordid past which haunts him. Nobody, but nobody, could have delivered the pie and coffee compliments with so much gusto.

However, he is just the brightest star in the sky. There are so many crazy, yet somehow believable characters that grace Lynch's universe. The swift descent of Ben Horn into madness is sad, pathetic, surreal and hilarious. No other series would have dared contain a man believing that he was General Lee commanding the south at Gettysburg (it also provides the funniest line from the show, when Audrey Horn is talking to his psychiatrist and he remarks that "What he (Ben Horn) needs now is our sympathy, understanding and a confederate victory."). All of the characters create a amazing tapestry where one is genuinely anticipating which character is going to lose it somehow (but one never anticipates correctly). In this reviewers opinion, the plot takes a backseat to the characters which are too strange, or too ordinary but never dull, to exist in any other show anywhere (minus James, who gets irritating right when he starts singing and never stops). Fantastic actors all around with more career launching cameos than any show or movie ever.

Sadly, the second season is not as good as the first, plot-wise, but still is as quirky and entertaining with an unbelievable ending to the series. Many have criticized the show for being excessively intellectual, but I never found the show pedantic or hopelessly cryptic. Rather, it seemed as though David Lynch just decided to employ every weird idea that popped into his febrile mind for the sheer joy of it.

To finish, one needs to watch this show. It's not uniformly brilliant and sometimes just plain weird, but always rewarding and truly one of the landmarks of American television. Go get a nice piece of cherry pie, a cup of coffee, take four days off work and start watching it.