Ma belle-mère est une sorcière

One of the most troubled productions in cinema history, resulted in Bette Davis walking off the set after just one week! The film has a young couple shocked to learn that their ailing father has just gotten married to an evil witch (Davis). Lame humor, poor scripting, and cheap production design are just a few of its problems. Feels like more of a TV movie then an actual theatrical release, and a very bad one at that. Sadly Davis' final film.

Rated PG-13; Mild Violence, Sexual Situations and Profanity.

This film wasn't THAT bad. I actually enjoyed it! Sure replacing Bette Davis with Barbara Carrera and THEN having them share the same body was not the smartest decision ever made in Hollywood, but it sure beats Ed Wood's solution to replacing Bela Lugosi in "Plan 9 From Outer Space". Also, it does get rather silly in the scenes toward the end. But there are some very clever scenes too, like the one involving the photograph of Lionel Stander's horrible first wife. The photograph is of Bette's rival, Joan Crawford. Colleen Camp, Tom Bosley, David Rasche, Seymour Cassel, Evelyn Keyes (!), Lionel Stander and even Barbara Carrera did wonderful in their roles. And Richard Moll was very funny in his small, but memorable, role as the inspector. But the true star of this movie is Bette Davis. She is wonderfully evil in the role of Miranda. She is so good at being bad. And even though it was not her best movie, she still is wonderful to watch. I think Larry Cohen did a fine job with this, considering all the trouble it ran into. Overall, Wicked Stepmother is an okay movie.

** 1/2 out of ****

When an annoyingly controlling and stupid woman comes home with her husband from vacation, they discover her father (Lionel Stander) married to a somewhat disagreeable woman (Bette Davis). However, the daughter is so disagreeable and annoying, the viewer will likely tend to enjoy how miserable she is with the new step-mother. However, soon after this the old lady disappears--in the guise of sexy Barbara Carrera. What's next? Who cares?!

"Wicked Stepmother" is a truly god-awful film. Sadly, it was also Bette Davis' last film and I sure would have liked to have seen this great actress go out on a high note...not this turkey!

Whether or not the story is true that Davis walked off the set and refused to return because the script was THAT bad, I am very inclined to believe it because the film is horribly written. Part of this could be because the 'clever filmmakers' decided to use what little footage they had of Davis and then re-write the film around that in order to hide her disappearance from the script. But considering how clumsy and stupid it all is, I think they did a lousy job in hiding it!! Clearly the writers they employed were about 6 to 7 years-old!

The film itself is in many ways reminiscent of a film made for the Disney Channel or Nickelodeon. After all, the script is clearly something little kids might like and adults with at least a 70 IQ would hate. Oddly, however, it's really NOT a great film for kid because there are many, many sexual references and sexual situations you wouldn't want your kids to see. Overall, a terrible film...one of the worst of Davis' otherwise wonderful career.

I should note that late in life, Davis appeared in quite a few questionable roles--roles other famous actresses probably would have refused. She claimed she needed the money...but badly enough to appear in crap like this film, "Murder With Mirrors" and "Bunny O'Hare"?! Ironically, her arch-rival, Joan Crawford, did exactly the same--appearing in tons of terrible movies late in life ("Trog" is the most egregious example).

Wicked Stepmother (1989)

* (out of 4)

Bette Davis, like so many other great actors and actresses, ended her career with a really embarrassing film. Depend on who you believe, Davis walked off the film after a week due to her not liking the screenplay, or, according to director Cohen, she was in such bad health that she had to walk off. Either way the film centers on a witch (Davis) who moves in with a family (Colleen Camp, David Rasche) and soon starts to take over the house. Her daughter (Barbara Carrera) then comes to stay and more trouble follows. The truth behind why Davis left this production will never be known but I seriously doubt the film would have turned out very good either way. Cohen, best known for various horror movies, doesn't have too much to work with his as his screenplay undoubtedly had to be rewritten with the daughter aspect added in. Some would say Davis walking off the film would ruin it all around but even the stuff she's in doesn't appear to be written overly well. We get a few campy moments because it's rather strange seeing someone like Davis doing a movie like this. She is over acting quite a lot but if she was really unhappy with the screenplay, I kept wondering if she was giving a bad performance on purpose. The comedy falls flat on its face but I must admit that there's some weird charm with the way Davis is delivering her lines. The supporting cast are all pretty bland and doesn't bring any energy to the film. Tom Bosley is pretty bad as a detective. Even with Davis walking off the film there's no excuse for all the other issues with the movie. This includes it not really knowing what it's trying to do because on one hand it tries to come off as a kids movie but then we'll have another scene, like the sex scene between the witch and the married father, which seems out of place. I find it shocking that the movie got a theatrical release because it looks like a TV movie at best and that might be an insult to TV movies. Fans of Davis might want to check this out just to see her final film but others should stay far, far away unless you're a fan of bad movies.

I have a feeling there are two groups-- those who rate this a good example of Bette's acting late in her career (and her willingness to still act at all); and those who find the film so abysmal as to be an embarrassment that mars the Davis legacy.

From what I have read, she was quite ill during filming. It probably became too much of a toll for her, but she labored on because she still wanted to act and my guess is she needed the money for her mounting medical bills. Then, there were creative differences over the script and how the project was being filmed. So she walked off.

WICKED STEPMOTHER had a rather small budget of $2.5 million. But it only made $43,000 at the box office. So by all accounts, it was a huge bomb and not the type of movie swan song befitting a legend of Davis' magnitude.