Turner & Hooch
- 1989
- Tous publics
- 1h 37min
Un détective doit adopter un chien turbulent pour l'aider à trouver un tueur.Un détective doit adopter un chien turbulent pour l'aider à trouver un tueur.Un détective doit adopter un chien turbulent pour l'aider à trouver un tueur.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Reginald VelJohnson
- David Sutton
- (as Reginald Veljohnson)
Elden Henson
- Eric Boyett
- (as Elden Ratliff)
Avis à la une
I remember watching this movie when I was a little kid and what a great time I had at doing so! Because, when you're this young you just don't care about plots or film-making. So, if you sit back and analyze this flick you won't find many Oscar winning angles, but that is not what this movie is trying to achieve. We just may call this another typically silly Tom Hank's early age's movie that many have come to love at first sight.
Simply put, this movie is all about funny situations and the comical performances of Tom Hanks and the dog (that dog was a great actor!). Nowadays, I continue to enjoy it because the "chemistry" between Hanks and the dog is very good!
Simply put, this movie is all about funny situations and the comical performances of Tom Hanks and the dog (that dog was a great actor!). Nowadays, I continue to enjoy it because the "chemistry" between Hanks and the dog is very good!
Hanks and Beasley make for an odd couple but they are clearly the best thing about the film. In terms of storyline of 'Turner & Hooch' is not developed from a novel concept, the humorous treatment and the hilarious and endearing interaction between the lead pair is what makes it a charming little film. Tom Hanks is totally great in one of his early roles as a policeman who suffers from perfectionism and is challenged by the entrance of a pooch into his life. The guy shows a flair for comedy that has hardly been noticed by many filmmakers. Beasley is fantastic and absolutely adorable (once you get passed the drooling). Mare Winningham is good as Hanks's love interest. They are quite convincing enough as a romantic pair. There are plenty of wonderful moments in the film and it is hard to pick a favourite but the first scenes that come to mind are the stakeout scene where Turner is chatting with a bored Hooch and the scene where he comforts a grieving Hooch. I love the film for its simplicity and heart along Hanks and Beasley. An awesome fun little flick!
It's not a great film but it ain't no dog, either.
"Turner and Hooch" does its own take on the cop-buddy genre of films. In few others, though, did one of the buddies ever have as severe a drooling problem as Hooch.
Hanks, in one of his last few comedy roles before aiming strictly for Oscar-calibre movies, is perfection as a neat freak cop teamed with a pooch that would be a calamity no matter whom he was with. When this dog marks his territory, the whole neighborhood notices.
If there's only one problem I had, it was the ending. I won't say anything about it, for the uninitiated, but all I will say is I wish it would have ended differently.
But besides Hanks and hound, there are other good parts, such as the observances of the unique characters in the town, the extent of damage a mastiff can do, and what kind of a cop carries a Dustbuster in his car. Oh, and the Lancelot Link discussion.
Seven stars. And if you ever own a mastiff, get thick doors.
"Turner and Hooch" does its own take on the cop-buddy genre of films. In few others, though, did one of the buddies ever have as severe a drooling problem as Hooch.
Hanks, in one of his last few comedy roles before aiming strictly for Oscar-calibre movies, is perfection as a neat freak cop teamed with a pooch that would be a calamity no matter whom he was with. When this dog marks his territory, the whole neighborhood notices.
If there's only one problem I had, it was the ending. I won't say anything about it, for the uninitiated, but all I will say is I wish it would have ended differently.
But besides Hanks and hound, there are other good parts, such as the observances of the unique characters in the town, the extent of damage a mastiff can do, and what kind of a cop carries a Dustbuster in his car. Oh, and the Lancelot Link discussion.
Seven stars. And if you ever own a mastiff, get thick doors.
I remember loving this movie as a kid, and watching it recently, I must admit it aged pretty well (except for the music and the hairdo of the leading actress). I laughed several times at the antics on display, mostly because of the interactions between Tom Hanks (Turner) and Hooch. Hooch, the dog, is a special effect in itself. He's initially so ugly, I thought he was some kind of unique bastard dog, but it turns out there's an actual breed. Who would have thought? So initially ugly, so big, yet turning out so lovable and actually handsome with his sad face and droopy expressions, once he cleaned up and didn't slobber too much.
We have Tom Hanks at the height of his comedy career (before he turned too serious) giving a very energetic and enthusiastic performance despite playing a serious, by-the-book, neat freak. For me, there was actual chemistry between him and the dog. That scene where they "talked" in the car was hilarious. The other actors weren't bad but weren't notable.
Other scenes where the dog made a mess or was particularly disgusting were to be expected, but they were enjoyable nevertheless, mostly due to us expecting Hank's reactions and him actually delivering. Sure, he was a bit over the top sometimes, but it worked. The actual police action stuff was less interesting and pretty standard for the times. The movie was also a bit sad a few times, but I think that made the movie more memorable. For me, this film remains a reference, even today, in terms of dog-comedy movies.
Rating: 7 out of 10 (Very good)
We have Tom Hanks at the height of his comedy career (before he turned too serious) giving a very energetic and enthusiastic performance despite playing a serious, by-the-book, neat freak. For me, there was actual chemistry between him and the dog. That scene where they "talked" in the car was hilarious. The other actors weren't bad but weren't notable.
Other scenes where the dog made a mess or was particularly disgusting were to be expected, but they were enjoyable nevertheless, mostly due to us expecting Hank's reactions and him actually delivering. Sure, he was a bit over the top sometimes, but it worked. The actual police action stuff was less interesting and pretty standard for the times. The movie was also a bit sad a few times, but I think that made the movie more memorable. For me, this film remains a reference, even today, in terms of dog-comedy movies.
Rating: 7 out of 10 (Very good)
Tom Hanks stars in this comedy about an obssesively neat small town detective who teams up with the only witness to a friend's murder - the victim's slobber-happy dog. This is a cute film with many gags between Hanks and the dog. The entire sequence trying to get Hooch to take a bath is quite funny. The film moves at a quick pace and is better written than a similar film such as K-9, with Jim Belushi. Craig T. Nelson co-stars.
Le saviez-vous
- AnecdotesHooch is a Dogue de Bordeaux, one of the most ancient French breeds.
- GaffesWhen Turner and Hooch are on the way to the motel, Turner already has the facial wounds from the car crash he will get into after he is taken hostage at the hotel.
- Citations
Scott Turner: These are the simple rules. No barking, now growling, you will not lift your leg to anything in this house. This is not your room. No slobbering, no chewing, you will wear a flea collar. This is not your room. No begging for food, no sniffing of crotches, and you will not drink from my toilet. This is not your room.
- Crédits fousThe credits roll over various clips depicting the friendship between the title characters.
- Versions alternativesA scene in the USA Network version, shows Scott finding drool in one of his shoes after he gives Hooch the bath. This version also deletes the scene where Mrs. Remington gives Scott the muffins.
- ConnexionsEdited into Doggiewoggiez! Poochiewoochiez! (2012)
- Bandes originalesALSO SPRACH ZARATHUSTRA
Written by Richard Strauss
Performed by Koninklijk Concertgebouworkest, Amsterdam
Herman Krebbers, violin
Conducted by Bernard Haitink
Courtesy of Philips Records, a division of PolyGram Classics
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Turner et Hooch
- Lieux de tournage
- Pacific Grove, Californie, États-Unis(Cypress Beach, California)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 71 079 915 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 211 042 $US
- 30 juil. 1989
- Montant brut mondial
- 71 079 915 $US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Turner & Hooch (1989) officially released in India in English?
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