Le triomphe de l'esprit

Others have reviewed the movie very well with those who have praised it. I was very taken with Willem Dafoe's performance and to me, this may be his best role. Superb acting, tragic story. I was reminded of the movie when watching Clive Owen and Lothaire Bluteau in Bent, another view of the tragedies perpetrated by the Nazis against anyone not "pure".

this is by far one of the best movies on the holocaust i've seen. what makes this different from the rest is that it focuses on greek jews, aka "gypsies" in the concentration camps. this story is based on fact. it's about the life of Salamo Arouch, who was a boxer before the war and boxing is part of what helped him survive. a wonderful story of how one man's love for his family and friends, and his own fierce spirit, allowed him to overcome the atrocities at hand and live to tell his story...one that inspires all who see it.

Let us face it, holocaust surrounding second world war and the Nazi torture of Jews have become a thoroughly over-explored topic. Done to death, yes, but this movie came out in 1989! There was no Schindler's List, no Sorstalanság, no Boy in Striped Pyjama or Life is Beautiful... hell, even Europa Europa or the Last Butterfly released after this movie!

So, Triumph of the Spirit could easily have been a reference material for many a modern classic on holocaust. Even when seen as a standalone movie without the predecessors or successors, this is a good movie. The story is based on true incidents, hence it is quite interesting; historically - almost accurate and direction wise - at par with the best. Most of the characters had been explored richly and the cause- effect relationship behind every sub-plot is quite pronounced. The movie never borders on obscurity, yet ends it with a depth that is so often lacking in movies based on real life.

Performance wise Willem Dafoe and Robert Loggia stands out magnificently. Everyone else does their bit to perfection... no hiccups in acting. Sometimes, a bit of production value is missing that we are so used to these days. (Like in the air-raid scene towards the end, any typical Hollywood movie these days would have wonderful SFX showing allied aircrafts and what not... but here it was just the sound Foley and a bit of pyrotechnic... quite old school but very effective).

If you are a true movie buff and looking forward to relive the 80s style of movie production, go for it. You won't be disappointed.

Triumph of the Spirit is a film about people who have made choices in one of the most horrific situations--the Auschwitz death camp. Think of all the choices made by Salamo Arousch and those nearest to him. His sister Julie chooses to stay with her little girl rather than give the child over to her mother and thus get picked for the labour camp (somewhat curious that the SS officer doing the selection gave Julie the option of living). Avram refuses to join the Sonderkommando and is killed by the Nazis. Salamo chooses to box to keep his father alive a little while longer. Allegra chooses to believe her sister Helena who has chosen to make up a story about pregnancy. Jocko Levy has chosen to become a Kapo only to be tossed out by the Nazis when he is no longer healthy.

It was the magnitude of the choices that stunned me when I saw the film when it came out. The film presents us with an unrelenting series of situations and choices to be made. How would any of us have behaved if we had been in the same situation?

Triumph of the Spirit made me squirm because it showed me just how complex the Holocaust experience was for individuals who had to make life and death decisions. This is what lifts Triumph of the Spirit way above most other Holocaust films.

When Greece was invaded, its Jews were sent to Auschwitz. Among them was boxing champ Salamo(Dafoe, determined) and his family. When it is discovered that he can fight, he is put in the ring for the entertainment of the SS officers. This doesn't mean that they're safe, not even with him making a contact with a gypsy(Olmos) who is also granted a temporary "tolerance". Based on a true story.

This is among the most detailed, authentic and gripping pictures about its subject that I know of. The sheer volume of awful events, ways to be singled out and murdered and lies told by Nazis to avoid panic is impressive for being fit into the 1 hour 51 and a half minute running time. Production values are high. Acting is great for all concerned, with numerous subtle performances.

Going to great lengths to avoid being exploitative, this has few on-screen deaths, piles of dead and little naked skin. And yet, so much is communicated. Some recurring images convey far more than gore ever could. A reaction shot of conveys the horror inside the crematorium. And we know exactly what it means when we see the smoke from its chimney, or a train pulling in to, as my father solemnly put it as we watched it together, "the end of the line".

There is a lot of disturbing, and some bloody, content in this. I wholeheartedly recommend this to everyone old enough to handle the material. 7/10