Top wo Nerae!

This anime is typical of the style used in many cheesy 80's production due to the upheaval in the economy at the time, but dawns on the hard working, yet peanut paid animators.

With most Space anime, there is only one goal is foccuss-- to engage the enemy in combat noisily, and take 'em down with an outrageously rapid feat of lighting shows. I've forgotten the story, but it revolves around the human race pitted against an alien invasion fleet in some 300 years hence, using the latest and greatest in combat technolodgy to tear then up good.

The story is moderate, and not at all garbage, but at times the fragile,sentimental side of things can really get under your skin...like when the girls are continously sobbing in their cheesy, skimpy spandex costumes. The best bits are the action sequences though.

The character design isn't that hot, but the mecha sequences are something else; with fluent, well drawn, carefully painted cels. The organic alien design is also unique as well, despite they're mostly slowly progressing cardboard cutouts. In the later part of the series, the colour is dropped to black and white for some unknown reason, maiking the 'watchability' of the anime go from strength to strength, but consistantly holding a drab atomsphere.

You have to give the studio credit for the epic, thought-provoking,and highly origional ending though. One solid fact I can hold about this show is that the exeptional quality of the animation is always consistant. A good watch ***6/10***

Viewed on: HiDive (via VRV).

Sci-fi epic that follows a young girl who goes from a bumbling recruit to being a key figure in defending Earth & humanity from an alien threat (one that killed her father, a starship captain, years prior) by piloting the "GunBuster" (an experimental giant robot, naturally).

The animation is absolutely stellar & it seems to have some great character arcs and narrative themes (I like that space travel has the consequence of time flowing differently for those going into deep space, so while only a few months/a year has passed for the main heroine, school friends she left behind on Earth become parents & middle aged during her return trips), but a lot of what are supposed to be powerful moments are absolutely ruined by the pacing. As mentioned in the header I viewed the film version, which was hobbled together by chopping up & condensing the original six episode miniseries, and it absolutely shows in the end product. Unfortunately the film version is the only one currently available in the US on modern platforms/media (as far as I'm aware), and while it's still a pretty cool sci-fi action adventure in that form (hence the 7), I think it'd truly be something great in it's original form.

Almost like a preamble for Neon Genesis Evangelion but without its too philosophical ending and with a bit of silliness. The science fiction in this is extensively researched and mostly works with the existing theories of that time even though certain liberties are taken in including some rejected theories. But it never tries to give much exposition on anything. This highly intelligent side is covered with some sappy and silly stuff too which kind of doesn't make too much sense to me. The time warping is used as the main source for emotional narrative here way before Interstellar. The details of animation and the emotion created by it is the best things about this even with all these other factors.

'Gunbuster'/'Aim for the Top' is rightfully considered a SciFi anime classic. While the epic space opera plot is somewhat reminiscent of Space Battleship Yamato, the show certainly has its unique flavour. Although the first one or two episodes are not all that serious as one may expect, the last few are a masterpiece of suspense and emotional impact. That said, the show is often sappy and even campy, somewhat one-dimensional, and certainly predictable.

Featuring two female leads is something I didn't expect from a Mech-centred anime of the late 80s. However, except for the final episode, one of those characters has an emotional breakdown at least once per episode that may very well be described as overly hysteric. Also, the women's uniforms consist of a cropped T-shirt on top of a high-leg swimsuit. Make of that what you will.

While the show features no graphic violence nor anything sexual, there is a surprising amount of bare breasts in Gunbuster. I couldn't help but laugh out loud when at the series' emotional high point one of the characters dramatically tore at her uniform and one of her boobs flopped out. C'mon, guys.

So, in total, there are more than just a few points where by modern standards you'll have to rub your neck in mild embarrassment. Other than that, Gunbuster is a surprisingly good show.

(This is based on the modern English dub, which is quite good.)

For a six episode miniseries Gunbuster (1988) is somehow able to cover all of the narrative requirements of a full length anime series. As Hideaki Anno's directorial debut some of the concepts and ideas he is well known for are explored here, though not to the same degree and scale of his more well known show "Neon Genesis Evangelion". Most of the focus of the show is placed on the continuation of the overall plot with a fair amount of time focused on the development and inner thoughts of the main character Noriko. The story is mainly focused on the idea of how light-speed travel distorts time, and based on that the show is able to deliver some memorable and emotional moments typically not found in series' of this short length. Some complaints I have with this show is how the first episode is painfully 80's (if that makes sense) and tonally doesn't transition well into the rest of the series. Another thing I didn't like is how the first instance of nudity felt very undeserved and inserted in for the sake of appealing to an older audience. Gunbuster is still however a great anime that should be used as a reference for future miniseries'.