Ajouter une intrigue dans votre langueLos Angeles realtor Kate Wooten's life changes when enigmatic client Vlad hires her to find an isolated castle, leading her into unexpected circumstances revolving around Vlad's true nature ... Tout lireLos Angeles realtor Kate Wooten's life changes when enigmatic client Vlad hires her to find an isolated castle, leading her into unexpected circumstances revolving around Vlad's true nature and desires.Los Angeles realtor Kate Wooten's life changes when enigmatic client Vlad hires her to find an isolated castle, leading her into unexpected circumstances revolving around Vlad's true nature and desires.
- Girl at Party
- (as Eloise Broady)
Avis à la une
To Die For is a 1989 low budget horror film produced by Greg H. Sims who was a fan of horror films including Dracula films and sought to approach the material more in the vein of a love story than a standard horror film. While only a modest performer in its initial release (though successful enough to spawn a direct-to-video/cable sequel) and mostly forgotten today, To Die For is actually a reasonably enjoyable film.
While To Die For doesn't stray too far from the established formula of vampire films trading in 19th century Wallachia for contemporary West Coast United States, the movie still tries to play itself as a straight gothic romance only within a modern day setting. With movies such as The Lost Boys and Fright Night became commercial successes by incorporating both horror and camp (as per the style of the time) while more serious such as The Hunger tended to be ignored by the public, you have to admire Sims for his commitment to making a vampire movie without a single twinge of irony to it despite the pethora of comparatively lighter teen skewing fare that had dominated the decade's depiction (for better or worse). Brendan Hughes and Sydney Walsh have solid chemistry as Vlad and Kate respectively and you do find yourself invested in the outcome of this story. I will say the writing is maybe a touch sloppy with a few too many characters and tangents for an 84 minute runtime with Scott Jacoby feeling somewhat edged out of the movie along with Micah Grant who probably could've been merged into the same character, and parts involving Celia or Steve Bond's Tom feel like they could've used some more breathing room. But minor gripes aside, Sims and his crew set out to create a serious minded vampire love story and they delivered on that front. I'd also be remised in my duty if I didn't mention they impressive effects work of John Carl Buechler (which also earned the film an X rating before an appeal) and we get some solid if sparingly used vampire slaying sequences and transformation effects even if parts like the Vampire's telekinesis are a little eyebrow raising.
I'll be the first to admit I have a soft spot for vampire films and you could argue maybe I'm being a little too generous here, but I like what I like. For a scant $1 million To Die For delivers on what it promises.
Well up there with FRIGHT NIGHT, THE LOST BOYS and NEAR DARK, how such a low-budget movie with a mega-young brit actor, towering barely 5'7" in built-up shoes, standing in as Vlad the Impaler, could work so well, is staggering. It is I suspect a combination of the avant-garde script, outstanding (at times) cinematography and charismatic performance from pretty Sydney Walsh that does it. The brilliance of this film is set right from the opening scenes, whose significance becomes crystal clear later on. Miss Walsh, so reminiscent of a very young Sigourney Weaver here, hits exactly the right note as feisty real estate rep Kate Wooten, who is swept off her feet by cashed-up young client Vlad Tsepsh who for his part, responds to her charms with a rare reluctance.
Just so much to pull out of this wonderful film. The antagonism between Vlad and his brother, the sparkling repartee between Kate and Vlad and the retro ending just so unusual in vampire films. Equally as good as a love story as a horror film. It works a treat on both scores! One cannot pass over the excellent soundtrack either, most notably Rod Stewart's great contribution during the on-board boat party at the very beginning of the film, when Kate is mesmerised by Vlad's intrusion into her life.
Interestingly, Brendan Hughes resurrected the exact same characterisation in HOWLING VI: THE FREAKS which left for dead the previous four sequels!
The film starts off really good with a nasty monster who eats a few people and a party where the 2 main characters first set eyes on each other.
Bendan Hughes plays the eccentric Vlad, a bit of an inkling there to who this character is, who has moved into town and uses the services of a particular real estate agent to find him a house.
Hell, we've all seen vampire movies, we know the format.
The movie is watchable, but the actors' performances are very wooden and they seem as they don't want to be in this film, but may be that's just all part of the decadent ambiance.
Didn't like the ending, but there is a sequel, must track it down.
When I watched the film I thought Brendan Hughes didn't really fit the part. Later on, I couldn't stop thinking about him, he sort of exudes an eerie sensuality, so maybe he was right for the part.
BRENDAN HUGHES Last seen in 'Hitler - the rise of evil' as Lt. Guffman.
Where is he now?
Le saviez-vous
- AnecdotesSome scenes had to be cut in order to avoid an X-Rating from the MPAA.
- Citations
Vlad Tsepsh: Do you know what it is not to feel separate? In one moment, something animalistic takes over. In one furious, exquisite act... you're lost.
- Versions alternativesSome scenes had to be cut in order to avoid an X-Rating from the MPAA.
- ConnexionsFollowed by Le fils des ténèbres (1991)
- Bandes originalesWhere Are You
Written and Produced by Kris Key
Performed by Alexa Anastasia
Meilleurs choix
- How long is To Die For?Alimenté par Alexa
Détails
- Durée1 heure 34 minutes
- Couleur
- Mixage