Thelonious Monk: Straight, No Chaser

The film I will be reviewing is the documentary Thelonious Monk Straight No Chaser. This film is a documentary of the late Thelonious Monk born on October 10, 1917 in Rocky Mountain, North Carolina, who moved to Manhattan, New York, at the age of four. Thelonious was an American jazz pianist and composer, widely considered one of jazz's biggest figures and the founder of bebop.

The interest in this move for me began the very first time I heard jazz. This was watching the movie Block Party with Dave Chappell. This movie shows a lot of black musicians and a little of what they do back stage. In some of the clips they show Dave Chappell playing with some of the musicians. In one clip in particular Dave is playing a piece from Thelonious Monk. Surprisingly it didn't occur to me that he was playing jazz from years ago because it went with contemporary music of the time. So I looked it up. What I found was a great heritage of music that is timeless which I would have never listened to, and that's what interested me in this documentary

Straight No Chaser starts with Monk's start as a musician and his hand in the start of bebop. This movie shows raw footage as Monk plays a popular song "Rhythm-a-ning." The movie is especially interesting because it is in black and white and give's it that classic fill that monk gives off when he is playing. The movie explains how in the beginning not many knew Monk, even though he helped create the bebop style. They go through how he gained his popularity and showed great behind the scene pictures and clips of Monk. This movie is the perfect film for anyone interested in jazz or just the innovation of music. It is honest and holds nothing back from the life of this great musician. It glorifies his ups just as well as his downs. It also allows us to see in the life of a musician who was mostly private with his affairs and that makes it all the more interesting. The end of this movie is great for anyone who loves not only jazz but music in the creative sense. It shows how music affects the lives of people and how great and eclectic this musician really was.

This is a documentary but almost a straight concert, featuring jazz pianist who performed mainly in the 1950s and 1960s and is a legend in music circles.

I say "concert" because there is as much music, if not more, than dialog. Most of the tunes are excerpts from various much-longer numbers he did. Most of them are performed by Monk but some are done by other musicians. The coverage is in black-and-white and well done. Photography-wise, I particularly enjoyed the closeups of Monk's face as he performed. He wasn't the most articulate man so perhaps that is why this is more concert than documentary. He acted as if he were stoned most of the time. I don't know his history so I can't comment further on that topic.

Not being a jazz fan, I can't appreciate his music as others would, but I'm being honest.....and I still enjoyed watching this even though I own only a half dozen jazz CDs. I imagine those who love jazz would have to own this. It's nice that it's available now on disc.

Clint Eastwood presents: a documentary about jazz genius. Thelonius Monk is portrayed as an artist both blessed and cursed just by his genius. Apart from typical format of 'talking heads' of the genre master (John Coltrane), collaborators, figures from music business and Thelonius, Jr., there is shown small but intense piece of the musician's life: in the studio, on the road, during live concerts. And a note about unusual, long-lasting friendship between Thelonius and Baroness Nica de Koenigswarter. The makers were able to grasp tension coming from creative process (songs being written on the run, then played in front of huge audience without proper rehearsal), routine of life on tour with ever-tendering wife Nellie by his side, biased or just silly questions from journalists, more or less visible symptoms of mental illness (which might have been confused with artist's mannerisms, stage antics or eccentricities at most). And trademark exotic hats (could anyone else in the 20th century look cool in that historic Polish head thingy?). Another memorable thing is Monk's diction and his simple, street-like way of talking, being in contradiction with the kind of a man he was (supposedly extremely complex one) and with undeniably sophisticated music he composed and performed. Luckily, there is plenty here of the latter. Chamber, suggestive film in black and white about an extraordinary man. And a must not just for "jazz purists" but music lovers in general.

Before seeing this movie, I wasn't much into Jazz, focussing most of my musical interest in rock: especially punk, new wave, classic, and industrial.

This movie completely blew me away! I had never seen piano performance before (or since) that was remotely like this. Seeing Thelonius play made me realize that I had been entirely neglecting a musical genre that was at least as cutting edge as the rock I had been subsisting on.

_Straight, No Chaser_ works because Eastwood and the director realized that the best way to present Monk (or perhaps any musician) is to maximize performance footage and minimize commentary. There is copious footage of Monk performing here, and I defy anyone with a sliver of interest in music to watch it and not come away with deeper appreciation of jazz.

His technique must make piano instructors cringe, though!

Jason K.

Clint Eastwood really did well with this film. It portrays the great and legendary playing and composing of Thelonious Monk and also his hard time during his life. One of the best films on Jazz to date. I suggest music lovers of all kind to watch this movie.