Une jeune esthéticienne, récemment arrivée dans une petite ville de Louisiane, trouve du travail dans un salon de beauté local. Un petit groupe de femmes partage dans ce salon un lien d'amit... Tout lireUne jeune esthéticienne, récemment arrivée dans une petite ville de Louisiane, trouve du travail dans un salon de beauté local. Un petit groupe de femmes partage dans ce salon un lien d'amitié très fort, et accueille chaleureusement la nouvelle arrivante.Une jeune esthéticienne, récemment arrivée dans une petite ville de Louisiane, trouve du travail dans un salon de beauté local. Un petit groupe de femmes partage dans ce salon un lien d'amitié très fort, et accueille chaleureusement la nouvelle arrivante.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 2 victoires et 7 nominations au total
Avis à la une
All the characters and performances in this are excellent, including one such, by Daryl Hannah, who I don't care for, but love in this movie. In fact, her character Anell, is the only role I've ever liked her in, and applaud her work in it.
Among the cast there are very few men, but my favorite is Tom Skerrit, who plays Sally Field's husband, and father to Julia Robert. Shirley MaClain, Olympia Dukakis, and Dolly Parton are the other three co-stars, that follow behind the three previous, and all make their characters unique.
The basis of the film, is a beauty parlor, and although it might sound hokey, it's really not. Some might call it a chick flick, but I have to say that I know men have even gotten teary-eyed from this film. It's wonderfully directed, only in that, it makes you feel apart of the never ending friendship that's between this group of women. The experiences that they have and the trials and tribulations they go through. Although not the whole movie is set in the hair salon, a good portion of the film is, but it is done in just the right amount, and is written very well.
I recommend it for girls of all ages, and men who want to impress their girlfriends with a great flick for a Friday night. It is one of the best films of all time, and if for no other reason, you should watch this merely to see the performance Sally Field gives, because it is amazing.
UPDATE: I watched it again, and I have to say there was far more laughter than tears here, which I appreciate. "Beaches" (1988) actually made me cry more than this one, which surprised me, given the reputation of "Steel Magnolias" (1989) as being one of the ultimate tearjerkers. But, this movie shows that it's not the amount of tears, but the quality of them that makes for a great tearjerker!
The subject of losing a loved one was handled with rage, comic relief, and ultimately grace. It made me cry, without bringing me totally down, which is a kind of miracle, really.
This is a tearjerker, but not a bitter one, like "Miss You Already" is- instead, it was one wherein, as I traveled through life with these women, I felt less resentment, and had fewer regrets, despite the bitter-sweetness of it all. This movie managed to take what could be very depressing subject-matter, and inject dignity and an uplifting quality into it. By the end, I didn't feel like cursing the Almighty for allowing such suffering (as I sort of did with "Miss You Already" and to a lesser degree, "Beaches"), instead, by the end, I just had a line said by Dolly Parton's character lingering in my heart- i.e. "God works in mysterious ways." And somehow, that made it alright and gave me such comfort!
Yes, this is a tearjerker, but like it's tagline says, "It's the funniest film that'll ever make you cry!" As I said, it's far more laughter than tears here, and I mean laugh out loud moments! So, be prepared to laugh til you cry with this one! It is indeed a classic! Do I like it more than "Beaches" (1988) though? No, I don't think so, cause I have a soft spot for Bette Midler and her Easy Listening music and her comedic ways. That said, this one is right up there with it, and definitely one of the best of its kind!
Some of the performances are more successful than others, with Shirley MacLaine, Olympia Dukakis, Julia Roberts, and Darryl Hannah coming out on top (I am greatly surprised that so many other reviewers dislike Hannah's performance, which seems to me considerably less artificial than many others--but perhaps since I'm actually Southern I have a different perspective). Sally Fields and Dolly Parton are less successful, but not in any sense that actually distracts from the fun. Perhaps most surprising in a film which focuses on women are the brief but impressive performances from the male supporting cast, which includes effective performances by Tom Skerrit, Sam Shepherd, and Dylan McDermott, and which serve to ground the film with a sense of the broader community in which the women live.
The script abounds in zinging one-liners ("If you can't say something nice, come sit by me!") and often hilarious situations (imagine Olympia Dukakis surrounded by naked men in the highschool football team's locker room); it also contains some very touching segments sure to choke up all but the most heartless viewer. And although the story is extremely manipulative and rather predictable, those factors don't actually get in the way of its effectiveness. While probably not a "great film" by any serious standard, it is tremendously good-natured, well-intended, and extremely entertaining, and most people will find that it lingers pleasantly in mind and holds up well under repeated viewings.
Gary F. Taylor, aka GFT, Amazon Reviewer
Here are the six magnolias...
M'Lynne (Sally Field)...perhaps the steeliest of all the magnolias, who has a bittersweet relationship with her grown daughter
Shelby (Julia Roberts)...everyone's favorite girl next door, M'Lynne's endearing, diabetic daughter; we see her planning her very pink wedding (wait till you see the groom's cake!) and charting a difficult path, given her medical history
Truvy (Dolly Parton)...the married but lonely hairdresser with the heart of gold, who owns and operates Trudy's Beauty Parlor, center of social life for these ladies, site of gossip, teasing quips, and comfort
Ouisser (Shirley MacLaine)...the sarcastic spinster and cantankerous comic relief who is frequently seen carting her little dog around and exchanging barbs with her Old Nemesis, M'Lynne's husband, Drum
Clairee (Olympia Dukakis)...the charming, gossiping widow and town bigwig
Annelle (Daryl Hannah)...the shy, awkward new girl in town, who has a mysterious past and lands a job at the beauty parlor, under Truvy's mentoring
Through these six, we see the strength that lies behind the legendary Southern lady's charm (well, maybe Ouisser's not that charming!) and supposed flower fragility, their humor, their optimism, their faith, and above all, their banding together and supporting each other in the face of adversity.
I understand that this movie is based on a well known play by a famous Louisiana playwright. The women depicted in the film are by and large good Christian, church going folk, which is laudable. My initial reaction was to blame Hollywood for mocking Annelle's newfound deep faith and having her act as though she hadn't a clue in her dim witted Southern head. The playwright may have intended to cast her as going overboard and being too judgmental. If so, I personally don't consider this a kind or necessary depiction, and find Annelle to be very sincere and kind hearted.
However, otherwise this is simply a "funny tearjerker" and a great movie.
Le saviez-vous
- AnecdotesAfter a poor take, director Herbert Ross reprimanded Dolly Parton and asked her if she could act. She replied "No, but it's your job to make me look like I can!"
- GaffesWhen Sammy makes Annelle a cherry Coke, the glass changes after he pours the Coke, but before he throws the cherry into it. The level of liquid also momentarily drops.
- Citations
Ouiser Boudreaux: I'm not crazy, I've just been in a very bad mood 40 years!
- Bandes originalesI Got Mine
Written and Performed by Ry Cooder
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Special Products
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Magnolias de acero
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 84 614 512 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 425 440 $US
- 19 nov. 1989
- Montant brut mondial
- 96 759 512 $US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1