On a tué mes enfants

Two thumbs up to Farah Fawcett, Ryan O'Neal and the ever talented John Shea.

So much for being a dumb blonde - Farah rocked. She took being "unfit" to a whole new level. I thought I had seen the best in her in "Extremities" but she once again showed the "acting world" that she is a force to be reckoned with. Ryan has still got the good looks and the acting to go with it.

John Shea's portrayal of the Prosecutor was RIGHT ON! He exhibited a determination that wasn't his job . . . . it simply was the right thing to do for the protection of the children.

A must have for a movie collector (it needs to be in DVD form also)!

After playing TV-movie victims for years, Farrah Fawcett is terrifically good (almost surprisingly so) cast as real-life child-killer Diane Downs, who tried to convince the police she and her kids were victims one night of a car-jacker with a gun. One is tempted to go on and on about Fawcett's multi-layered portrayal of a sociopath, yet this is a long movie--four hours with commercials--and Farrah has the burden of it resting on her performance (she carries it off with gusto). Ryan O'Neal is very strong, too, playing the lover who doesn't return her affections. A sad, violent story, but told with an intense, focused energy which makes it completely absorbing and ultimately moving. Farrah does Emmy-worthy work.

Today, we've been true-crimed to death. Yet, this story was one of the firsts of it's kind and not to mention the best. Akin to Burning Bed, Fawcett rings in an absolute superb performance as she realistically and accurately portrays the sociopath known as Diane Downs. The movie carefully plots the turn of events without over dramatizing. The moving portrayal of Christie Downs (known as Karen Downs in the series) is quite haunting. Many true crime dramas leave me with a taste of ratings-desperation in my mouth. The focus of these are not feelings but instead dramatic effects. This series however was much different. What you find here is Diane's self-centeredness and apparent inability to feel sorrow contrasted with a child who, even without speaking, manages to convey a fear of her mother as well as true love for her in a very tender heart wrenching way. While this description may very well sound overly dramatic it truly isn't. This is just such a well made series. I hope you enjoy it as much as I did.

The TV movie format has been used endlessly to depict true crime stories, from parents who kill their children, to children who kill their parents, to rape, to theft, to abuse. I myself saw two or three similar films just last week. So what makes a rather unassuming TV movie from 1989 like "Small Sacrifices" stand out so much? It's hard to say. Certainly the acting has a lot to offer. Farrah Fawcett, Ryan O'Neal, and John Shea - three well-known actors whom I was familiar with but never previously cared for - are the dramatic core of the script. They all perform well beyond expectations. Fawcett, for example, who I would've thought incapable of such depth, is alternately terrifying and emotionally unhinged. It's a breathtaking performance. The real surprise, however, is young Emily Perkins. Or not such a surprise for me, because I'd been familiar with her heartbreaking role in the last four seasons of "Da Vinci's Inquest". But even at the tender age of twelve, she is a fully realized actress of incredible range. Her testimony on the stand is so emotional that it left me in tears. This is a performance without cliché.

"Small Sacrifices" isn't yet another painful exercise in domestic unrest, like it might appear to be on the surface. David Greene seems very aware of what he wants to get out his film here, and he directs the human interaction brilliantly. It's a hard film, sure - really hard - but powerfully dramatic. One of the best of its kind.

... and that's not to say that the rest of the production and cast are not top notch.

The film starts with Diane Downs (Farrah Fawcett) arriving at the hospital with a bullet in her arm and her three children seriously wounded. The fact is that the middle child is already dead, but that is not known at this point. Diane tells a tale of a "bushy haired stranger" who came up to her while she was parked on a lonely road, said he wanted to steal her car, and then just shot her and her children. The police are called in to begin investigating as well as one ADA Frank Joziak (John Shea). But as the investigation continues there are inconsistencies in Diane's story and suspicion begins to fall more on her. Her two surviving children, have injuries that will last a lifetime. Robby, 3, will be permanently paralyzed from the waist down. The oldest daughter, Karen, 8, is old enough to say what happened, but she has had a stroke from blood loss and cannot speak. This may or may not resolve with time. When Diane comes to her bedside and speaks to the unconscious sedated girl, her pulse and blood pressure rise dramatically, indicating she is fearful. Why?

All of the performances were good here, especially the child actress playing Karen, whose account of what happened that night is of key importance. But Farrah Fawcett is extraordinary portraying the complex sociopath Diane Downs who wants what she wants when she wants it. She is clingy, rather scary when told No, and lies like a carpet to the point I think that she believed her lies. For example, she says she gave up medical school for her married ex-lover when she is in fact a high school dropout who couldn't concentrate long enough to get through night school.

The earliest thing I remember seeing Farrah Fawcett doing was "Murder on Flight 502" in 1975, and she wasn't very good in it. Or more precisely, she just had no presence. 14 years later her performance makes this film.