La vie d'un écrivain alcoolique coureur de jupons semble s'effondrer comme un château de cartes. À plusieurs reprises, il doit se démêler d'une manière ou d'une autre avec la justice, des ex... Tout lireLa vie d'un écrivain alcoolique coureur de jupons semble s'effondrer comme un château de cartes. À plusieurs reprises, il doit se démêler d'une manière ou d'une autre avec la justice, des ex-petites amies et leurs petits amis jaloux.La vie d'un écrivain alcoolique coureur de jupons semble s'effondrer comme un château de cartes. À plusieurs reprises, il doit se démêler d'une manière ou d'une autre avec la justice, des ex-petites amies et leurs petits amis jaloux.
- Réalisation
- Scénario
- Casting principal
- Bernice
- (as Dee Dee Rescher)
Avis à la une
Kevin
This is a comedy that has an exaggerated sense of being true to life. It is somewhat serious, Zach is a tortured soul, but he's mostly casually tortured and takes his abuse with humour, which makes it okay for us to laugh. He's a washed up writer, his wife has left him with a settlement that was not exactly fair to his side, and he can't get over his obsession with picking up women. He's addicted. This is one pathetic man. He endures some of the most hilarious situations ever committed to film (I won't even bother mentioning the glow-in-the-ark condom sequence, but yes, it is hysterical). He also endures genuine sadness in his life, and that makes him more human than just a simple comic sketch, and makes this such a great movie.
The ending wraps things up a little too easily, but what the hell? Comedies usually have happy endings. The ending was satisfactory, but the movie in general was above average. John Ritter was a master at perfecting both drama and comedy, which is what was needed for this role. He did an amazing job, and I feel it's his finest performance, displaying his genuine charm as a comedic actor, as well as the possibly even more intriguing serious side of a conflicted, lost man. I love this movie.
My rating: 10/10
there were glowing condoms for goodness sake. but most of all, John Ritter is phenomenal. The sequence after the shock therapy, is the funniest physical comedy scene I have ever seen on film.
The post-spa sequence with a spastic John Ritter never fails to put me in grave danger of a major asthmatic attack. It is brilliant physical comedy. See it for that alone or for the pruriently curious, to see what the Amazonian "Zap" from that strange syndicated physical challenges show of several years back, looks like with her clothes off!
It may not be Edwards' best effort, but it's no where near as dreadful as others here have suggested.
Le saviez-vous
- Anecdotes'Nina Foch', who played John Ritter's mother-in-law in the film, was originally Ritter's acting coach when he was a student at Hollywood High School and he was really nervous when he met up with her again on the set of the movie.
- GaffesDuring the latter half of the movie Zach's beard alternates between real and obviously fake.
- Citations
Zach: I've never felt this way before. I'm seriously unhappy. This is just not the bush-league blues. We're talking major-league depression here. I can't sleep. I take pills. But they only last a couple of hours and then I'm up at 4:00 in the morning pacing the fucking house or walking on the cold fucking beach. I'm so miserable, I wanna fucking shoot myself. But, I can't because I'm afraid to die. How's that for fucked-up?
[Zach hits the wall and starts sobbing]
Zach: So what's the answer? Oh, I forgot. You don't have answers. You're not the burning bush. You just give suggestions. Well, I need help. I'm in the fucking dumper. Give me a suggestion because I know you've got one. I can see it in those beady little Freudian eyes.
Dr. Westford: If an alcoholic wants me to cure him, you know what I say?
[sighs]
Zach: That's a question. That's not a suggestion.
[sighs again]
Zach: Okay. What do you say?
Dr. Westford: First, stop drinking.
Zach: I don't get it.
Dr. Westford: Go home and think about it. That's my suggestion.
- Bandes originalesFalling Out Of Love
Performed by Ivan Neville
Written by Ivan Neville
Produced by Danny Kortchmar
Available on PolyGram Records, Cassettes, and Compact Discs
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Détails
Box-office
- Budget
- 9 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 674 852 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 460 262 $US
- 5 mars 1989
- Montant brut mondial
- 19 674 852 $US
- Durée
- 1h 41min(101 min)
- Mixage
- Rapport de forme
- 2.35 : 1