The Shell Seekers

This is a very slow paced film about a grandmother (Angela Lansbury) who spends all her time thinking about the past, and beating herself up for how selfish and greedy her children turned out. The writing is stilted and artificial, like little polished speeches rather than dialogue. It feels as if lifted from pop-psychology books. Nothing much actually happens except some soulful hugs and a lot of complaining.

There are scenes involving sea shells which are supposed to be cosmically significant. It reminds me of the kinds of films my friends made as teenagers full of Deep Inner Meaning.

The adult children are like the rude aristocratic brats lifted from an Agatha Christie novel. It has a non-believable too-happy ending.

The book was one of the most evocative and compelling I've ever read. And I was very happy to see it was being made into what I thought would be a quality film. Unfortunately, the WHOLE point of the book was LOST in this TV version. Major plot elements were changed or dropped. There were only 3 good things that I can say about this version:

#1 Angela Lansbury was perfectly cast,

#2 The scenery was fabulous

#3 The acting was very good for a TV movie. But if you think you'll be viewing a faithful retelling of the classic "Shell Seekers"... forget it! Save your eyesight for the book! PLEASE!

I read the book, and saw the movie. The book always has more detail, but I love the movie. I've watched it over and over.

I was surprised at the extraordinary quality of the story and the characters that were strongly depicted in this movie. I thoroughly enjoyed the movie and found it to be very moving. Strongly recommend viewing this for a realistic portrayal of family dynamics. James Welch Henderson, Arkansas 3/28/2021.

Angela Lansbury has raised four unhappy children. The people her age blame her for this, as do they. Seeking answers to questions she has not heard, she returns to Cornwall, where she first met their father, now dead, and the man she might have married, Sam Wanamaker.

This was a Hallmark Hall of Fame presentation, and it shows all the, well, hallmarks of that: pretty as a picture camerawork - the Cornwall setting looks like it was painted by Degas - and deep feelings expressed in long, declaratory statements.Miss Lansbury and Wanamaker do fine. A short turn by Michael Gough is fine. Everyone else seems sullen at best, spiteful at worst. Everyone but these three old timers seem to be aggrieved just for the pleasure of it. The conclusions Miss Lansbury comes to are simple and not particularly healing, but her character seems satisfied with them. Well, at least someone is.