Un étudiant en échec scolaire et une ravissante jeune fille, major de sa promotion tombent amoureux l'été précédant son départ pour l'université.Un étudiant en échec scolaire et une ravissante jeune fille, major de sa promotion tombent amoureux l'été précédant son départ pour l'université.Un étudiant en échec scolaire et une ravissante jeune fille, major de sa promotion tombent amoureux l'été précédant son départ pour l'université.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
- Rebecca
- (as Pamela Segall)
- Luke
- (as John Green Jr.)
Avis à la une
And talk about role reversals! I'm so used to seeing the man take the assertive and mature role while courting a woman of limited financial or intellectual means...but in this film it's the girl that's got her future together and the guy who's more than willing to concentrate his attention on making her happy. And Lloyd Dobler isn't just a shiftless man with no future. He's an eternal optimist who lives in the present and recognizes, admires, and compliments the qualities in Diane that go beyond her amazing intellect. She becomes his dare-to-be-great situation and his absolute love and devotion to her is anything but unmanly. The force of it is palatable and immensely erotic without being reduced to cheap teenage lust. The sight of Lloyd in the shadows defiantly blasting out the truth of their love through the boombox is a scene which would have seemed awkward and goofy in any other movie but this one. It's easy to understand why even the critics of the time gave Say Anything two enthusiastic thumbs up. This is one of the few films that really captures the feeling of love.
I laughed; I was moved; I cheered inside when things went well for the hero, and I even remembered things about my first love. Especially the shaking with happiness moment (Judith). This film has survived 13 years with me, and it's not all down to my own memories.
John Cusack and Ione Skye give such wonderful performances that are so believable there's not a second that you're thinking of them as actors. Everything they feel and do seems so real. John Mahoney portrays the over protective Father very well, and his understated struggle when he realises this is superbly done.
Cameron Crowe has excelled himself in capturing the feelings and moments that you can so easily identify with to make them just right, and seem so natural.
It's a wonderfully written film, with equal acting, to remind us all of falling in love for the first time without all the hurt, mistrust and disbelief in oneself. It even manages to provide one of the best endings I've ever seen.
If you liked the movie PRETTY IN PINK, you will really enjoy this movie. Two people from different walks of life discover each other. Cusak is flawless in his role. Miss Skye is more than just a pretty face. John Mahoney plays the pampering father.
Crowe has a talented flair with the agonizing emotions that are part of approaching adulthood.
Ione Skye was so much more that "Girls in Prison." She really played a great part and was so sweet. She has that Drew Barrymore smile.
I really like Lili Taylor, too. She really played a great part. And, when he went to the guys, I swear I recognized one of them, but I can't place him.
All in all, I have to agree that this was one good movie.
Le saviez-vous
- AnecdotesDirectorial debut of Cameron Crowe.
- GaffesWhen Lloyd first calls Diane, he gives 555-1342 as his phone number. But when Diane reads the message taken by her father, the number is 555-2342. Even though she has the wrong number written down, it still works.
- Citations
Lloyd Dobler: I don't want to sell anything, buy anything, or process anything as a career. I don't want to sell anything bought or processed, or buy anything sold or processed, or process anything sold, bought, or processed, or repair anything sold, bought, or processed. You know, as a career, I don't want to do that.
- Crédits fousThe 20th Century Fox logo plays without the fanfare.
- ConnexionsEdited into Saturday Night Live: Joseph Gordon-Levitt/Dave Matthews Band (2009)
- Bandes originalesAll For Love
Written by John Bettis and Martin Page
Produced by Richie Zito
Performed by Nancy Wilson
Courtesy of Capitol Records
Meilleurs choix
- How long is Say Anything?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 20 781 385 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 058 496 $US
- 16 avr. 1989
- Montant brut mondial
- 21 515 196 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1