Un monde pour nous

I rented this movie solely based on the excellent reviews that it has gotten everywhere. I missed it during its theatrical release (as so many others did) and had the hardest time finding a copy of it at our local video rental stores. Not because it wasn't popular but b/c, according to the clerks, people kept stealing or "losing" their copies...especially around Valentines Day. When I finally got my hands on a copy I was blown away. I had thought this was going to be just another in a long link of Pretty in Pinkish movies with predictable characters and a bad case of puppy love, but what I got was a surprisingly refreshing, unconventional story with a complicated and well-developed emotional depth flawlessly captured by the actors and Cameron Crowe.

And talk about role reversals! I'm so used to seeing the man take the assertive and mature role while courting a woman of limited financial or intellectual means...but in this film it's the girl that's got her future together and the guy who's more than willing to concentrate his attention on making her happy. And Lloyd Dobler isn't just a shiftless man with no future. He's an eternal optimist who lives in the present and recognizes, admires, and compliments the qualities in Diane that go beyond her amazing intellect. She becomes his dare-to-be-great situation and his absolute love and devotion to her is anything but unmanly. The force of it is palatable and immensely erotic without being reduced to cheap teenage lust. The sight of Lloyd in the shadows defiantly blasting out the truth of their love through the boombox is a scene which would have seemed awkward and goofy in any other movie but this one. It's easy to understand why even the critics of the time gave Say Anything two enthusiastic thumbs up. This is one of the few films that really captures the feeling of love.

A wonderful film which made me laugh, cry and heavily identify with the first time I ever saw it. Then, some 13 years later, after buying it on DVD with faded memories, I watched it again and it all came back.

I laughed; I was moved; I cheered inside when things went well for the hero, and I even remembered things about my first love. Especially the shaking with happiness moment (Judith). This film has survived 13 years with me, and it's not all down to my own memories.

John Cusack and Ione Skye give such wonderful performances that are so believable there's not a second that you're thinking of them as actors. Everything they feel and do seems so real. John Mahoney portrays the over protective Father very well, and his understated struggle when he realises this is superbly done.

Cameron Crowe has excelled himself in capturing the feelings and moments that you can so easily identify with to make them just right, and seem so natural.

It's a wonderfully written film, with equal acting, to remind us all of falling in love for the first time without all the hurt, mistrust and disbelief in oneself. It even manages to provide one of the best endings I've ever seen.

It's graduation day and while Lloyd Dobler has graduated he has yet to speak to the girl of his dreams Diane Court. Meanwhile Diane has a bright future in front of her but yet managed to go through school without really being friends with anyone but her father. When Lloyd finally gets the courage to ask her out she accepts and finds that she enjoys her company and that this is the world she has been missing out on. However will their growing friendship go anywhere with Diane destined for a scholarship in England?

Like many people I knew this film from the famous image of Lloyd holding a ghetto-blaster above his head, but I had never seen the film or known anything about it until recently. The film opens on fairly typical teen territory and I settled in for what I expected (knew?) would bring just what I expected from it. In a way this is what it did do because the basic narrative arch and characters are familiar and it is solid and enjoyable in this regard. However the film is better than the basics would suggest because it has a smart script in Crowe's impressive feature debut. The story has more to it than the romance and in this way it deepens the characters. Of course it is still a teen movie so it is not as deep as all that but it is refreshing different from the majority of the films where the action focuses entirely on the young couple.

With this approach Mahoney works well with a character that has real interest and complexity and his character is much better than I expected as a result. Cusack does equally as well with a gently quirky character with dignity and humour – he contrasts well with his peers, most of who are the clichés associated with the genre but are mocked a bit for it. Skye is good but takes a while to get to the good material – for the majority she does what the genre requires but is better with better material later on. The support cast features mostly solid performances from a cast of actors on their way to fame – Taylor, Piven, Hall and others are surprise finds.

Overall then this is a genre teen romance and is good on that level. However the writing and performances are better than the genre average and make for a much more interesting and engaging film that should be liked by the majority of viewers as long as you don't dislike the genre itself.

Most people I know loved Say anything and I am among the many who thought this was a very good touching, funny movie for teens and young people. It is a bit more wholesome then a lot of what's out there in this genre and although it doesn't rank among my favorite teen movie it definitely earned it's praise.

There are some terrific one liners in Say Anything and the male/female relationship is depicted in a touching and often very accurate-surprisingly accurate way. Plus there are moments of just pure hilarity and unforgettable lines, one of them being what I headed my Quote(my buddy and I still throw this line around to this day.) John Cussack stars here and was very good, it was my introduction to him. I'd recommend this movie to anyone who just wants to see a nice fresh teen movie with both touching and hilarious moments. My vote is 8 out of 10.

SAY ANYTHING is one of those movies from the 1980s that during all these years assumed some sort of cult following, and it's probably Cameron Crowe's most famous movie along with JERRY MAGUIRE. When I saw it few months ago I didn't consider it a classic but still a good movie in its own right.

Lloyd Dobler (John Cusack) is a good-hearted underachiever that falls for valedictorian Diane Court and wants to ask her out despite they belong to different social groups. Lloyd lives with his sister and still hasn't plans for his future: Diane comes from a sheltered academic upbringing, and she is about to take a fellowship in Britain for the summer. Some time pass, they become intimate much to her father's concern, and he is also investigated from the Internal Revenue Service but the real culprit is her dad, and they end up going together in Britain.

There are many good and memorable moments in it (most famous of them, when Lloyd stands under Diane's window playing Peter Gabriel's IN YOUR EYES on a boombox), and has a great 1980s vibe to it and a nice performance by the always good Cusack. The only negative would be the father subplot, but overall, it's just a decent comedy that has achieved some sort of cult status.