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6,8/10
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Ajouter une intrigue dans votre langueA company president gets framed with a food-poisoning scandal and the only person who can help him is the evening cleaning-woman, who always seems to be at the right place at the right time.A company president gets framed with a food-poisoning scandal and the only person who can help him is the evening cleaning-woman, who always seems to be at the right place at the right time.A company president gets framed with a food-poisoning scandal and the only person who can help him is the evening cleaning-woman, who always seems to be at the right place at the right time.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 1 nomination au total
Tadie Tuene
- Otou
- (as Denis Tadie Tuene)
Avis à la une
I would not compare it to Le Placard, which IMHO had more comic moments, but Romuald & Juliette while being a slow starter certainly kept your attention going throughout the film, nicely paced and reaching a heart warming conclusion :) There were many marvellous comedic moments, some brilliant pathos and realistic situation acting by all actors.
It was a typically French film, in which while confronting prejudices and phobias, which in turn the made the viewer confront his own shortcomings! I am certainly pleased to have this in my library, and will no doubt watch it time and time again, which to me is a mark of a great film.
It was a typically French film, in which while confronting prejudices and phobias, which in turn the made the viewer confront his own shortcomings! I am certainly pleased to have this in my library, and will no doubt watch it time and time again, which to me is a mark of a great film.
i was glad that this movie did without all the supposed depth of all too many pseudo-serious interracial movies. race was one issue, yes, but so was class...and loyalty...and honesty, etc.
i also loved the idea that the love affair wasn't couched solely in the 'decorative' aspects of either character's appearance. aren't our divorce courts (on both sides of the Atlantic, i daresay!) filled now with enough couples who thought 'looking good. together.' is all it takes to make a solid marriage? in any case, the tenderness and sensuality of both characters was thick enough to cut in love scenes that would have brought a rainbow to any dreary day! in other words, a light-hearted movie that's by no means a light-weight!
i also loved the idea that the love affair wasn't couched solely in the 'decorative' aspects of either character's appearance. aren't our divorce courts (on both sides of the Atlantic, i daresay!) filled now with enough couples who thought 'looking good. together.' is all it takes to make a solid marriage? in any case, the tenderness and sensuality of both characters was thick enough to cut in love scenes that would have brought a rainbow to any dreary day! in other words, a light-hearted movie that's by no means a light-weight!
Daniel Auteuil is sad and silly, sweet and take charge as Romuald the hapless yogurt company CEO who loses his comfortable existence, but finds true love and wisdom. The soundtrack includes a terrific instrumental by Stevie Ray Vaughn--this film gives one hope that we may all find that "someone special" and have the perfect theme to accompany that romance. The perfect film for one who enjoys a good love story as well as a comedy of errors.
This is a very sweet film. While it has its humorous moments, I wouldn't really bill it as a comedy, but perhaps it's funnier if you're French. But I really loved the characters and the story. Firmine Richard is a real beauty (I'm going to look up more of her films), and I too fell in love with Juliette. I saw "Le Placard" last week, which was my first exposure to Daniel Auteuil; I didn't know he was in this film until I started watching it. There are a lot of great French actors that Americans are too unaware of. Expand your horizons folks -- watch foreign films. There are some real gems out there. Go to your library and check out a few.
Now, this 10-line-minimum rule is really starting to get annoying. I think my comment above is quite adequate, but the system still won't allow me to submit it. You folks really need to change that.
Now, this 10-line-minimum rule is really starting to get annoying. I think my comment above is quite adequate, but the system still won't allow me to submit it. You folks really need to change that.
A more or less typical form of numbskull Hollywood osmosis was responsible for the change of title for this charming French interracial romance when it crossed the Atlantic, from the perfectly adequate 'Romuald and Juliette' (shades of Shakespeare), which at least identifies the two unlikely lovers. Romuald is an aggressive yogurt tycoon who works in the executive suite of a Paris skyscraper; Juliette is the black cleaning woman who empties his garbage overnight, and when she learns of an insider trading and sabotage scheme the two become allies and (inevitably) lovers. There's nothing deep or significant here, but the script is both sensitive and, at times, even clever, and (surprisingly) never loses sight of the obvious social/racial/economic gaps dividing its two protagonists. But to say it ends happily-ever-after is an understatement: the resolution is too incredibly upbeat. And does it seem odd that a French film should have to justify their affair by showing Romuald's wife also fooling around?
Le saviez-vous
- AnecdotesWas the first movie of Firmine Richard
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Mama, There's a Man in Your Bed
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 495 063 $US
- Durée
- 1h 48min(108 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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