Le retour des mousquetaires

Lester's musketeer films were some of the first films I ever saw in the movie theatre, and I was entranced. Disappointingly I also saw "The Fifth Musketeer" with a different set of actors, and a different production team. Fast forward ten to fifteen years after that, and I'm channel surfing one evening when I come across some kind of period piece that happens to looks like a musketeer film on WTBS.

And it is. Complete with Michael York and gang to reprise their roles.

Huh? Wha-? "Return of the Musketeers"? How is it that I never heard of this movie? Particularly when it came out a few years before airing on Ted Turner's Superstation?

Unfortunately I only caught the final twenty minutes or so, but I knew WTBS would reair it at some point, or it'd be available on VHS somewhere. Right?

Nope.

Just like the book upon which the film was based I had to wait twenty years to get a DVD of this film, and from where? France. Fitting, if somewhat ironic given the production team. As part of a three film set I had to repurchase the original 1970's films, but at least I finally have the full set of Richard Lester's renaissance tales.

But, to the film. I like it. It's not quite as extraordinary as the first two films, but it does manage to recapture some of the atmosphere set by the previous two films. We see the decadence of the privileged aristocracy, but we don't quite see the visual juxtaposition of what was filth ridden Europe at that point in history.

I have to admit that the film feels somewhat cobbled together, but I enjoyed it all the same. As you probably already know comedic actor Roy Kinnear's life was tragically cut short working on this production, and the film is appropriately dedicated to him.

I guess the one thing that really stands out in this film is the fact that it's a relatively low budget affair. When the first musketeer films were shot the film makers had the advantage of shooting under Franco's Spain, making the production a cheap affair for en epic scale production. I guess when democracy spreads the wealth it also spreads the demand for wealth, making things more expensive, therefore reducing the scale of the action and truncating any large battle scenes. You can tell that in spite of this being an expensive production that the money just wasn't there to do proper Richard Lester justice for this third installment of the musketeer movies.

All in all I enjoyed it. As I say the production values aren't quite there. Noticeably the one real critique that I had with the second film "The Four Musketeers" was the fact that Michael Legrand's adventurous score was absent. So it is with this film. Which is a shame, because an adventurous film needs an adventurous score. Oh well.

Like I say, it's not the best film in the series, but I'm glad to finally have it in my collection, albeit on Region 2 DVD. Give it a chance if you're new. If you remember the 70's musketeer films, then give this one a spin for a small bit of remembrance.

The third installment in the Lester saga ,the fourth ("Le Vicomte De BRagelonne" feat. the iron mask) was never filmed ,because this one was not very commercially successful.

Roughly based on "Vingt Ans Après" ,"the return" was made sixteen years later ,with the same actors (Faye Dunaway ,Raquel Welch and Charlton Heston are not present ,their characters being all dead).Also Louis the Thirteenth is dead,Jean-Pierre Cassel who played his role,returns as Cyrano De Bergerac who comes at the most awkward moment.

The historical background is thin,although dealing with "La Fronde" ,a noble rebellion,and Mazarin's struggle to maintain the absolute monarchy ;and in spite of the musketeers,he was successful ,for the Sun King's reign only began with his death in 1661 ,when he was already 23.

Unlike in the book,it's a daughter (Justine De Winter) and not a son who wants to avenge her mother Milady.It's first surprising but becomes repetitive in the long run.It lacks some imagination:why not an affair with Raoul for instance?

The first movie of the saga remains the most successful:in this one,time has taken its toll,and what could have been another magnificent "Robin and Marion" ,a journey through the past tinged with nostalgia ,remains here a moderately entertaining swashbuckler.

Spectacular swordplay in lively style in this acceptable version of the classic Dumas novel ¨Twenty years later¨ . Producer Pierre Spengler presents Dumas' exciting story of love and adventure ,¨The four musketeers, Twenty years later¨. For the innumerable times adapted , it's filmed in the greatest splendor , the complete romance , the historical characters, the full novel just as Alexandre Dumas write it . It is packed with comedy , derring-do , intrigue, a love story , action , drama and moving swordplay. An awesome casting and big production shot in Spain make for a fairly amusement swashbuckler . This is the classic version of the Dumas's novel with a handsome Michael York in a brave role as veteran and handsome musketeer , a dashing, audacious lover. This is a slight and acceptable budgeted retelling about the durable Alexandre Dumas's novel with all star cast. This delightful adaptation based on Alexandro Dumas classic novel starts with a mature D'Artagnan who attempts to reunite the remaining Musketeers , the three two-fisted Musketeers , Athos (deliciously performed by Oliver Reed), Porthos(Frank Finlay) and Aramis (Richard Chamberlain) . Athos , the old adventurer , fighting to live and living to love , nowadays he has a rollicking son (C. Thomas Howell), Porthos married a rich woman and Aramis as dreary priest . DÁrtagnan invites to unite them in their objective to struggle against guards of astute Cardinal Mazarin (Philippe Noiret), his deputy Rochefort ( Christopher Lee ), and a devious secret agent , the Milady De Winter's daughter ( Kim Cattrall ) who such as his mother is lovely as a jewel, deadly as a dagger the wickedest woman in all Christendom , she seeks vengeance against the Musketeers. Furthermore , there is developed an intrigue between the kid king Luis XIV, Queen Anna of Austria( Geraldine Chaplin), dazzling as her gilded palace for her, men dared a thousand perils ; and of course the nasty Mazarino . The musketeers join forces for royal vengeance and save the queen Anna from machinations from villain Cardinal Mazarin , all of them with the shout : ¨One for all and all for one¨. The Musketeers entangled in a web of treachery and intrigue become involved into historic events as the Fronda riots with the Duke Beaufort (Eusebio Lazaro) and execution of Charles I (Bill Patterson )as King of England by Oliver Cronwell (Alan Howard).

It's a passable take on from the immortal novel with quite budget and breathtaking scenarios .The picture contains rousing action, intrigue , romantic adventure, mayhem and a lot of fence. Entertaining swashbuckling , glamorous gowns by Ivonne Blake and luxurious sets by Oscar winning Gil Parrondo. Sympathetic performances by main star cast as York , Reed , Finlay , Chamberlain and enjoyable secondary cast . Kim Cattrall makes a stunning Milady De Winter's daughter. Comic relief by Roy Kinnear who unfortunately died in an equestrian accident , falling down horse during the production and the film is dedicated at the same . As the marvelous main actors are completed by stellar cast full of classical and veteran players as Roy Kinnear as unforgettable Planchet ,Philippe Noiret , Christopher Lee , Geraldine Chaplin ,Billy Connolly , Jean Pierre Cassel as Cyrano De Bergerac and several others. Atmospheric cinematography by Bernard Lutic though is necessary a fine remastering .This is an entertaining swashbuckling, full of action, adventures,romance comedy with tongue-in-cheek and broad slapdash and of course , lot of fights . This glamorous film was utterly shot in Spain , on location of Aranjuez , Alcazar of Toledo , Studios Roma and Royal Palace (Madrid) and many other places well photographed . Packs an evocative and atmospheric score by Jean Claude Petit . The motion picture is compelling directed by Richard Lester who twenty years before filmed ¨ The three Musqueteers¨and ¨The four Musketeers¨ that were really made simultaneously and with similar artist and technician team . Lush production design is well reflected on the luxurious interiors and exteriors mostly filmed at Madrid and Toledo .

This classy story about the famous ¨Musketeers ¨ is subsequently remade on several versions , firstly take on about this classic is the following : 1921 silent version by Fred Niblo with Douglas Fairbanks and going on the 1935 adaptation by Rowland V Lee with Walter Abel and Paul Lukas ; 1973 amusing version by Richard Lester with Michael York, Oliver Reed and Raquel Welch ; 1993 modern adaptation by Stephen Herek with Charlie Sheen, Kiefer Sutherland, Oliver Platt and Chris O'Donnell, and 2001 rendition by Peter Hyams with Justin Chambers, Mena Suvari and Tim Roth , among others. ¨The return of Musketeers¨ is an amusing and entertaining adaptation of the classy that will appeal to the costumer genre buffs and it results to be an average adaptation with some flaws based on the classic tale and inferior the two former entries much better directed by Richard Lester . The picture failed in Box office and the USA was released (1991) directly to cable-television Rating : 5,5 .

The Return of the Muketeers marks the reunion of the cast of the best adaptation of Dumas' novel. Here, they take up the story of the sequel, The Twenty Years After. Unfortunately, it would mark the untimely end of the life and wonderful career of actor Roy Kinnear. Ironically, the tragedy is in keeping with the darker tone of the novel.

Spoliers-D'Artagnan is still a lieutenant in the King's Musketeers, his companions having retired to estates and abbeys. D'Artagnan finds himself tasked by Cardinal Mazarin to undermine the rebellion of Beufort and the Frondists. He also finds himself the target of Milady's legacy; her evil daughter.

The film starts out a bit slow, seemingly having trouble finding its footing. It picks up when the other Musketeers enter the picture and as the film progresses. Unfortunately, the tragic accident suffered by Roy Kinnear casts a palor over the ending.

The original cast is as good now as in the original films. Philippe Noiret was a fine addition as Mazarin. Jean-Pierre Cassel returns, this time as Cyrano De Bergerac. Kim Cattrall is a mixed bag; she has some good moments, but her overall performance is lacking. C. Thomas Howell is completely forgettable as Athos' son, Raoul.

Part of the problem with this film is that Mazarin never seems as formidable as Richelieu and Cattrall is a poor caricature of Faye Dunaway. The scheming nature of Aramis is nicely illustrated by Richard Chamberlain, and Frank Finlay provides a wonderful turn as Porthos. Oliver Reed was sliding quickly into the depths of his career at this point, but he has many fine moments.

One wonders if the film would have been better without the tragedy that befell it? Certainly, it affected the actors' performances. Still, the script was a bit lacking and budgetary restraints did hurt as well. It would have been interesting to see the group tackle the final Musketeer installment, The Man in the Iron Mask. They certainly could have improved upon the Randall Wallace version. All-in-all, the film is fine entertainment for a quiet evening or a rainy weekend.

One note of trivia: Philippe Noiret would later play D'Artagnan in Bertrand Tavernier's Revenge of the Musketeers.

It's nice to see many of the original cast members back for this third "Musketeers" movie, even though 15 years has elapsed since the second film. Usually such a long hiatus would have resulted in changes of personnel and style, but here we have a refreshing example of that NOT being the case. They even have the same director (Richard Lester), which helps to explain why the old mix of slapstick, political intrigue, sex and action is still so effective. Before I actually saw The Return Of The Musketeers, I was foolish enough to listen to all the negative critical buzz surrounding the film. As a result I came to it already prejudiced, expecting it to be a tired, listless, unworthy end to the trilogy (as many reviewers had suggested). Not so.... this is a most enjoyable instalment, and those who say otherwise are, frankly, wrong!

The musketeers as we remember them have long since gone their separate ways. D'Artagnan (perenially youthful Michael York) is the only one still employed as a musketeer, but he now works for the King - and rather less money! He is galvanised back into action when entrusted by the Cardinal Mazzarin (Phillipe Noiret) to deal with the rise of Beaufort supporters in the wake of Cromwell's rise to power in England. However, he soon has more to worry about than a mere rebellion when it becomes apparent that a name from the past has returned to exact revenge on each of the musketeers. That name is Justine de Winter, daughter of Milady de Winter (the female villain that Faye Dunaway played in the earlier films, who was eventually captured and beheaded by the musketeers). With Justine out for revenge, D'Artagnan has to track down his old friends - some of whom are Beaufort supporters and therefore the very people he should be fighting against - and together they ride again into various adventures and dangers.

There are certainly some problems with The Return Of The Musketeers, but none of them undermine the film as much as its detractors would have us believe. Firstly, Kim Cattrall plays Justine in too contemporary a style and this jars with the film's period trappings. Secondly, Richard Chamberlain's character, the musketeer Aramis, is not in the story much and the scripters have tried to compensate for his absence by introducing the character of Raoul, son of Athos. Alas, Raoul is both unnecessary to the story (he was mentioned in the book, but not used whatsoever as a key figure) and rather poorly played by C. Thomas Howell - another actor too contemporary for the surroundings. Apart from that, this is a most enjoyable movie with plenty of exciting sequences and good humour. In particular, there are several action sequences which are given a lovely element of slapstick (check out the wonderfully funny opening sequence, for example). The plot is quite complex and hard to keep up with - as, indeed, it was in the two earlier instalments - but the lively pacing and frequent bursts of action keep the audience engrossed. Many reviewers have already commented that this was Roy Kinnear's last film (he died following a horse-riding accident on the set), so I won't add too much to what has already been said. I will, however, say that Kinnear's performance in the film is comedy at its finest and this whole film is a lovely tribute to a lovely man and his considerable comic talents.