Le scorpion rouge

STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs

Directed by Missing In Action's Josepth Zito,this has Lundgren as Russian killing machine Nikolai,sent to Africa to take out an anti-communist rebel leader,only to suffer a conscience attack and take sides with his innocent,poverty stricken targets.Sure,there may be a lot of action packed explosions and gunfights between the middle and the end,but frankly,with a plot this slumberous and tackily put together,even the most dedicated action fan is likely to not care.**

It's a fantastic movie and very touching. It may appear 'slow' at times, but bear with it, because it's well worth it. I love the switching. First he's on the soviets side, then pretends to be on the african side, go back to the soviets only to be tortured and then escapes to re-join the african rebels. The theme music for this movie is FANTASTIC. The best scene is after Dolph blows off the Cuban commanders arm; he is outside firing a heavy machine gun (in slow motion with the theme song playing in the background). That part may only be 5 seconds long, but it's the best part in my opinion.

1980ies saw various Cold War related films with titles beginning with Red: Red Dawn and Red Heat are most known, Red Scorpion has got somewhat less attention, but it is not bad at all. Many other action films contain much more clichés and Lundgren is less numb actor than e.g. Seagal, Dudikoff or Norris.

The only thing that really annoys me is letting Americans or Slavic emigrants to communicate in Russian - the result (= accent) is horrible, providing films undue undertones.

But still, both the script and Lundgren's performance have earned my 6 points; M. Emmet Walsh's part is even more catchy. Just forget the past black-and-white East-West collisions and enjoy it as a proper action film with constant (and at times complex) fight between good and evil, friendship and betrayal.

OK now I'm not going to try and say that this film is by any means a true classic, BUT it is a type of classic.

in so much as that it has the man Dolph, mostly half nude, and it has guns, and some really nasty ones at that. so the plot is really weak, nobody is going to buy into the fact that one guy can save a nation but thats not the point, its really just a vehicle for Dolph to do his thing, which is to look tough and sound funny in a monotone kinda way.

i really like the torture scene where the guy is sticking large needles through Dolphs anatomy, actually looks pretty realistic considering its not a big budget film, and also i like the scarification that Dolphs little tribesman friend does for him while he is drugged.

the highlight of the film for me is probably the goofy relationship that is forged between Dolphs character and the little bushman, its really fun. the language barrier is well played out but the writers and actors have enabled this element to flow very well and their means of communication is really very effective at translating the messages of the relationship for the film.

so do yourself a favor and go rent the DVD as it has at long last been released, and sit back and enjoy some cornball action for all its worth.

just don't expect any special features cause their isn't any.

Red Scorpion was filmed and released in the final months of the Cold War when communism was soon to fall. The 1980s saw a whole range of anti-Soviet films (which, in their style, were technically propaganda) as well as films promoting peace between the United States and Soviet Union (the most odd example probably being Red Heat)

This is certainly of the former camp. Portraying Dolph Lundgren as a mindless automaton of Soviet-era Russia, he fights with dedication for his Soviet commanders, until he is thrown in jail for drunken behaviour. There he meets a resistance fighter, who the Soviet command have designated as a terrorist threat, and learns the "truth" about the Soviet presence.

Looking beyond the mindless action scenes (which, despite the countless guns and explosions), there is a good fable about the possibility of manipulating truth, and how appearance is not always truth. It's nothing deep, and won't have film academics breaking out in a sweat, but it does add some interesting twists to the story.

Dolph Lundgren's acting, as always, does leave a lot to be desired, but then this film does seem to be concentrating more on the storyline and action. His education by an African Bushman is particularly funny, even touching at times as you see the relationship between Nikolai and the Bushman develop. It's just a shame that more wasn't made of it.

All in all, the film does try to be what it isn't but doesn't suffer for it - indeed, at times, it even shows signs of succeeding.