Le scorpion rouge

Once Mr. Dolph Lundgren began pursuing an acting career, it wasn't until he played He-Man in The Masters of the Universe (1987) that he began approximately putting out a movie per year. Next in that line up was this action film. It's also probably the last time Dolph Lundgren ever played a Russian character. Good thing too because being typecast as a certain character frequently doesn't give the viewer something more to look forward too. Here, he plays a devoted Russian soldier who is trained and highly skilled in the art of killing. But as the story continues, he realizes maybe he's not seeing the whole picture.

With a screenplay written by first timer Arne Olsen, it isn't great nor is it terrible. The story does contain some meaningful moments, but most of them are frequently overshadowed by scenes that are predictable enough that regular viewers could see it coming a mile away. There are also some points in the film that would make the viewer question "How does this pertain to the development of the character?". It can be far fetched at times. Like how is learning the way of a hunter open one's eyes to reality? Is it really that powerful of a activity?

That's not to say the actors perform badly though. Dolph Lundgren portraying a Russian is accurate. He's a blonde, large, hulking mass of muscle and can speak with the basic accent. Al White plays an African rebel leader who is also legitimate in his role. M. Emmet Walsh plays a an American reporter who accompanies Al White's character. My question is though, how did an American reporter get caught in the middle of this? Lastly, Brion James makes an appearance too, who would play the British character, Requin in Tango & Cash (1989) a year later. It's an alright cast for this movie.

However, the way the action is executed reminds me of Arnold Schwarzenegger's Commando (1985). There's lots of explosions and plenty of shootings. Just like Schwarzenegger, Lundgren runs around in war paint firing his machine gun without getting a scratch. But perhaps what helped this movie to excel further than Commando (1985) was the human aspect of it. Al White's character leads a bunch of poor followers who seek freedom from the Russian oppression. And when the audience sees them fall, it's hard to watch. Assisting those particular segments was Jay Chattaway's music to the film. In some places it worked but the rest didn't. It was an average listening experience.

At least, the film was directed by a competent person. Joseph Zito, the man behind Chuck Norris' Missing in Action (1984), Friday the 13th: The Final Chapter (1984) and The Prowler (1981) knew what he was doing. Also accompanying him is cinematographer João Fernandes who has also worked with Zito in the past. Fernandes was able to get nice shots of the arid terrain, which at least allows the audience to believe the place Lundgren was set in wasn't forgiving. In the end, it's not great or terrible. It's just average film making.

As Dolph Lundgren's last film to play a Russian character, it comes off as a better rip-off of Commando (1985) but doesn't take the story in any direction that hasn't been explored. Just average on the whole.

OK now I'm not going to try and say that this film is by any means a true classic, BUT it is a type of classic.

in so much as that it has the man Dolph, mostly half nude, and it has guns, and some really nasty ones at that. so the plot is really weak, nobody is going to buy into the fact that one guy can save a nation but thats not the point, its really just a vehicle for Dolph to do his thing, which is to look tough and sound funny in a monotone kinda way.

i really like the torture scene where the guy is sticking large needles through Dolphs anatomy, actually looks pretty realistic considering its not a big budget film, and also i like the scarification that Dolphs little tribesman friend does for him while he is drugged.

the highlight of the film for me is probably the goofy relationship that is forged between Dolphs character and the little bushman, its really fun. the language barrier is well played out but the writers and actors have enabled this element to flow very well and their means of communication is really very effective at translating the messages of the relationship for the film.

so do yourself a favor and go rent the DVD as it has at long last been released, and sit back and enjoy some cornball action for all its worth.

just don't expect any special features cause their isn't any.

The most distinguishing feature of this is where it was filmed, and, linked to that, the fact that there are actual bush-men in it. Lundgren makes a good enough Rambo-type, one-man-army action flick protagonist, though one has to wonder why this passes on every single opportunity for a one-liner. I do not know enough about Russian to judge his accent or pronunciation, but going by the message boards, it's terrible. The acting is OK. I'm certain I'm not the only who wanted to strangle Walsh every time he opened his mouth; that's not his fault, it's how his role was written. The plot is sufficiently simple. Pacing is acceptable. The explosions, chases, shootouts and fights are reasonably done and entertaining enough, if nothing special. There's a lot of attempts at humor in this... however, only a select few are funny. More typically, it comes off as forced and trying too hard. This is by no means a great piece of work, and if was truly funded by pro-Apartheid military, it basically redefines the term "guilty pleasure". There is frequent strong language and a moderate amount of bloody, and occasionally gory, violence. The DVD contains a trailer for this, and one for Blue Jean Cop. I recommend this to fans of those who made it. 4/10

Red Scorpion was filmed and released in the final months of the Cold War when communism was soon to fall. The 1980s saw a whole range of anti-Soviet films (which, in their style, were technically propaganda) as well as films promoting peace between the United States and Soviet Union (the most odd example probably being Red Heat)

This is certainly of the former camp. Portraying Dolph Lundgren as a mindless automaton of Soviet-era Russia, he fights with dedication for his Soviet commanders, until he is thrown in jail for drunken behaviour. There he meets a resistance fighter, who the Soviet command have designated as a terrorist threat, and learns the "truth" about the Soviet presence.

Looking beyond the mindless action scenes (which, despite the countless guns and explosions), there is a good fable about the possibility of manipulating truth, and how appearance is not always truth. It's nothing deep, and won't have film academics breaking out in a sweat, but it does add some interesting twists to the story.

Dolph Lundgren's acting, as always, does leave a lot to be desired, but then this film does seem to be concentrating more on the storyline and action. His education by an African Bushman is particularly funny, even touching at times as you see the relationship between Nikolai and the Bushman develop. It's just a shame that more wasn't made of it.

All in all, the film does try to be what it isn't but doesn't suffer for it - indeed, at times, it even shows signs of succeeding.

It's a fantastic movie and very touching. It may appear 'slow' at times, but bear with it, because it's well worth it. I love the switching. First he's on the soviets side, then pretends to be on the african side, go back to the soviets only to be tortured and then escapes to re-join the african rebels. The theme music for this movie is FANTASTIC. The best scene is after Dolph blows off the Cuban commanders arm; he is outside firing a heavy machine gun (in slow motion with the theme song playing in the background). That part may only be 5 seconds long, but it's the best part in my opinion.