La dame de coeur

"Queen of Hearts," (1989). Directed by Jon Amiel. Written by Tony Grisoni. Starring Vittorio Duse, Joseph Long, and Anita Zagaria. I cannot imagine how I missed this film when it came out. If you loved Moonstruck or Malena, you will sucumb to the charm of this movie. It just oozes Italian humanism, charm, and cinematic perfection. It is a point-of-view film told from the perspective of a pre-teen about the joys and trials of growing up in an Italian immigrant family, living and loving in an Italian borrough in England. My absolute favorites are the nonna and nonno. And the way that Italians empower the people they love. The screenplay, direction, acting,artproduction...excellent! It is on Amazon Prime. I give it 10 stars. Enjoy!

Although this is an English-Italian movie and made in English, this might as well be considered a "foreign film" to us in North America because it certainly has the feel of it. The dialog, the mood and actions of the people are like "foreign films" from France or Italy, not the normal fare of U.S., Canadian or British films.

For me, that's fine as I enjoy the good storytelling and the fascinating photography.

There is action in the first 10 minutes but not that much afterward. About halfway through this 112-minute film, it really begins to bog down, unfortunately. However, I still rate this movie with a decent number of stars almost strictly on the cinematography which is excellent, especially in that first half.

Ian Hawkes, as the little boy, and Vittorio Duse (?) as his dad, are fun to watch. Storywise, I did not understand the card game near the end and did not agree with the ending where the "good guys" cheat to get their goods back. I just never subscribed to the message that "two wrongs make a right."

I would like to this film again, and with a nice DVD transfer.

Quite why this film has been overlooked since it came out in 1989 is beyond me.

I've never seen it on television, and I don't think it's ever been released on dvd.

A beautifully crafted tale from Jon Amiel.

A genuinely wonderful heartwarming film, the likes of which you don't get very often

If you manage to get the chance, it's a must see.

One of the most charming films of the 80's. It's a happy, sad, tragic, comic and glorious film about an Italian immigrant family living in England, filled with the kind of characters that used to be so common in 30's and 40's films when we had character actors who played outrageous, over-the-top parts.

The story opens in Italy where Danilo steals Rosa away on her wedding day from the man her mother had chosen for her. Their escape plays with the action of a Republic serial but with a totally unexpected comic ending. The two flee to London where Danilo is given the secret to winning at cards from a talking stuffed pig on a meat platter. But his success is short lived and he and his family soon turn to running a coffee shop that is only marginally successful.

The rest of the film is taken up with marriage and family and the adventures of life that happened while they wait for that lucky break-----------and it happens with an extraordinary event that pulls joy from tragedy. I'll only tell you that for the men in her life, Rosa remains the Queen of Hearts.

The film has all the sweetness and heartache of FORREST GUMP------------and all the love and inspiration, too--------backed my lush romantic music that parallels the emotion of the characters.

If you buy only one film from the MGM Vault Classics, I'd recommend this one.

The fate and fortunes of an Italian family living in England survive many dramatic changes, beginning when the father takes the advice of a talking pig's head on a platter and strikes it rich at a card game. Fans of the British TV cult miniseries 'The Singing Detective' might know (to some degree at least) what to expect from director Jon Amiel's oddball follow-up: an often fantastic but always engaging fable full of magic and mischief, lucky charms and bad omens, rivalries, vendettas, wild coincidences, and eccentric characters. It opens like the last act of some grand Italian opera, but can't hope to sustain the same level of energy and invention all the way to the final credits. There's a false climax involving a magic box which makes the actual conclusion seem almost an afterthought, but elsewhere it's a lively, compassionate, unpredictable film, and unlike Amiel's previous film no one suffers any horrible skin diseases.