Simetierre

I originally saw this in my mid teens, and made a mental note myself that it 'wasn't that good' - which in turn made me forget it.

I read the book for the 1st time 2 weeks back and LOVED IT!, so I thought I'd give the movie a try again to see how it fared.

I am 36 now and i thought It was actually pretty good!

Still quite spooky for its age, (especially on your own at night) stayed pretty close to the book too! I actually thought the scary characters in the film were more scary than they were in the book.

One of Kings better film adaptations (apart from stand by me & the green mile)

Definitely worth a watch for horror fans!

7.5 out of 10

Dale Midkiff and Denise Crosby move to Maine with their two small children and cat in a big house on a highway with lots of truck traffic. Close at hand...is a pet cemetery where all the dogs and cats killed on the road are buried. Neighbor Fred Gwynne shows another cemetery with incredible powers just beyond...the power to reanimate the dead. Trouble is the dead are nothing like they once were. Although I have not read the book by Stephen King, he did write the screenplay and must have remained relatively faithful to his own work. The film has many flaws but is also worthwhile. Coincidence and some muddled flashbacks from the past help make the script somewhat erratic and implausible. The acting in the leads is OK, but in the second half really deteriorates. Fred Gwynne is literally and figuratively a cut above the rest. He gives a heartfelt performance as a man run down with time and over-burdened with knowledge he should or would not have. Brad Greenquist is also good in his role as a ghost. His character also causes some believability factors. Director Mary Lambert does do some things rather nicely. There are some well-shot scenes of the cemeteries. The peril of the trucks is made very real, and she also relies heavily on human emotion that is universal. At its heart, Pet Semetary is about loss, coping with loss, and grief, and what are some of the effects of not coping with those things well. The film has many suspenseful moments, and although the ending became a bit tiresome - still manages to keeps its mood and message throughout. Author Stephen King has an interesting cameo as a preacher!

I love this movie, It brings me the creeps. This movie just gave me a lesson "Just Accept the Death of Your Loved Ones or Bad Things will happen" This is one of Stephen King's Good Movies. He truly is the Master of Horror Movies. The Make-Ups of this Movie is Great and Realistic. Honestly, This movie was sadder than scary imo. I would recommend this movie to anyone.

This Movie is about how Parents would feel after the Death of a Child and that's what makes this movie relatable. It is quite Hurtful and Unacceptable to lose a Baby, Babies are too young to die. So this movie showed us that Keep your Eyes on your Loved Ones around threats.

A doctor (Dale Midkiff) and his family move to a new home, dangerously close to a busy highway. After the death of the family cat, the doctor's neighbor lets him in on a secret: there is a sacred Indian burial ground where buried pets come back to life. The obvious question is: does it work on people?

Not to say this is a bad film (it's not), but the thing about this one is that its reputation and cultural impact have overshadowed the film itself. We all know that burying things in the sacred ground will bring them back to life, and that's without even having to see this film.

There is much good to say about this one: an amazing talent in Gage Creed, the little boy. Some nice violence and gore (including an Achilles tendon slice). One of the most painful things I've seen on film, when the doctor falls out of bed (I admit I winced a bit).

Mike Mayo points out that this is something of a variation on "The Monkey's Paw", and we agree it's a praiseworthy version. He says the film "lasts 30 seconds too long", and I see his point, but cannot comment on that here. Howard Maxford is considerably more critical (as usual -- he is the most negative horror critic I know) and says it is "over-extended" and could have made a good half hour of television.

Stephen King has made some good films and some bad ones (how much this is his fault or the fault of the directors is debatable). This falls firmly in the good category. Not among his very best ("Shawshank Redemption" is number one), but still worth a few watches.

In the trivia section for Pet Sematary, it mentions that George Romero (director of two Stephen King stories, Creepshow and The Dark Half) was set to direct and then pulled out. One wonders what he would've brought to the film, as the director Mary Lambert, while not really a bad director, doesn't really bring that much imagination to this adaptation of King's novel, of which he wrote the screenplay. There are of course some very effective, grotesquely surreal scenes (mainly involving the sister Zelda, likely more of a creep-out for kids if they see the film), and the casting in some of the roles is dead-perfect. But something feels missing at times, some sort of style that could correspond with the unmistakably King-like atmosphere, which is in this case about as morbid as you're going to get without incestuous cannibals rising from the graves being thrown in (who knows if he'll save that for his final novel...)

As mentioned though, some of the casting is terrific, notably Miko Hughes as Gage Creed, the little boy who goes from being one of the cutest little kids this side of an 80's horror movie, to being a little monster (I say that as a compliment, of course, especially in scenes brandishing a certain scalpel). And there is also a juicy supporting role for Fred Gwynne of the Munsters, who plays this old, secretive man with the right notes of under-playing and doom in tone. And applause goes to whomever did the make-up on Andrew Hubatsek. But there are some other flaws though in the other casting; Dale Midkiff is good, not great, as the conflicted, disturbed father figure Creed, and his daughter Ellie is played by an actress that just didn't work for me at all.

In terms of setting up some chilling set-pieces, only a couple really stand-out: a certain plot-thickening moment (not to spoil, it does involve a cool Ramones song), and the first visit to the pet sematary (the bigger one), including the sort of mystical overtones King had in the Shining. For the most part it's a very polished directing job, though it could've been made even darker to correspond with the script. If thought out in logical terms (albeit in King terms) it is really one of his more effective works of the period. But it doesn't add up like it could, or should. Still, it makes for a nifty little midnight movie.