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Mathilukal

  • 1990
  • 2h
NOTE IMDb
8,2/10
1,8 k
MA NOTE
Mammootty and Vaikom Muhammad Basheer in Mathilukal (1990)
DrameRomance

Ajouter une intrigue dans votre langueIts a story of Basheer, an author who experiences his prison life. In it he finds friendship, loneliness, fear and finally love, but that remains questionable.Its a story of Basheer, an author who experiences his prison life. In it he finds friendship, loneliness, fear and finally love, but that remains questionable.Its a story of Basheer, an author who experiences his prison life. In it he finds friendship, loneliness, fear and finally love, but that remains questionable.

  • Réalisation
    • Adoor Gopalakrishnan
  • Scénario
    • Vaikom Muhammad Basheer
    • Adoor Gopalakrishnan
  • Casting principal
    • Mammootty
    • Thilakan
    • Karamana Janardanan Nair
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,2/10
    1,8 k
    MA NOTE
    • Réalisation
      • Adoor Gopalakrishnan
    • Scénario
      • Vaikom Muhammad Basheer
      • Adoor Gopalakrishnan
    • Casting principal
      • Mammootty
      • Thilakan
      • Karamana Janardanan Nair
    • 10avis d'utilisateurs
    • 3avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 victoires et 1 nomination au total

    Photos5

    Voir l'affiche
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    Rôles principaux37

    Modifier
    Mammootty
    Mammootty
    • Vaikom Muhammad Basheer
    Thilakan
    Thilakan
    • Jail Warder
    Karamana Janardanan Nair
    Karamana Janardanan Nair
    • Political leader
    • (as Karamana)
    Murali
    Murali
    • Basheer's classmate
    Sreenath
    Sreenath
    • Brother Jailor
    Ravi Vallathol
    Ravi Vallathol
    • Razzaq
    Jagannatha Varma
    Jagannatha Varma
    • Judge
    Babu Namboothiri
    Babu Namboothiri
    • Trade union leader
    • (as Babu Nampoothiri)
    B.K. Nair
    • Ammavan old convict
    Azeez
    Azeez
    • Police constable
    Vembayam Thampi
    • Thorappan habitual criminal
    • (as Vempayam)
    P.C. Soman
    P.C. Soman
    • Head Constable
    Aliyar
    Aliyar
    • Police Constable
    Krishnan Kutty Nair
    Krishnan Kutty Nair
    • Witness
    • (as P. K. Krishnan Nair)
    • …
    Kallada Vijayan
    • Ex Congress leader
    Punnapra Appachan
    • Police constable
    T. Sudhakaran
    • Public Prosecutor
    Rayhu
    • Réalisation
      • Adoor Gopalakrishnan
    • Scénario
      • Vaikom Muhammad Basheer
      • Adoor Gopalakrishnan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    8,21.7K
    1
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    6
    7
    8
    9
    10

    Avis à la une

    10rupanisp

    Excellent, Elegant, and Beautiful....

    His Divine Grace Very Great and Honorable Mr. Adoor Gopalakrishnan has an art of its own.

    I saw His Divine Grace for first time in Houston International Film Festival in year 2000.

    We watched the movie at Houston Museum of Fine Arts with a audience of less than 50.

    It is really a work of art...

    I would request His Divine Grace to consider making something for rich people... like "Music Room" by His Divine Grace Late Satyajit Ray...

    His Divine Grace is in press this week -- India Today.

    I still believe His Divine Grace deserve more attention than he is getting in Bombay and New Delhi...

    Good Luck.

    Thanks and Regards.
    5normmit

    A prison sojourn without drama

    In 1942, Basheer, a noted writer in Kerala, South India, was imprisoned by the British Government for "treason", i.e. advocating the exit of the British. Sentenced to 2-1/2 years, he was released early by an amnesty. This movie depicts his months within the prison walls.

    And how lacking in incident or interest those months were! Mostly he passes the time smoking, walking about the yard, growing roses, scribbling, and talking with the other prisoners. (The politicals wear white hats, the murderers red, and all others black.) Everyone has heard of him, and he is cheerful to everyone, occasionally offering spiritual advice (like admonishing a guard for stealing his petty property). He is given small presents by the guards and other prisoners--cigarettes, tea, dried fish, writing paper. He meets an old classmate, who was whipped and shackled for petty disobedience, but this is the worst brutality he encounters. His political conversations are equally shallow, consisting mostly of gossip about "Gandhiji", and singing anthems. It is never revealed what he is writing in prison, though his guards request autographed copies of it when it is published. (Other prison writings have included Marco Polo's Travels, Don Quixote, and Mein Kampf, but nothing of that caliber appears here.) When all political prisoners except Basheer are amnestied, he goes into a bit of a funk, but perks up by having bland conversations with an unseen female prisoner beyond the wall in the women's cells. Just before he can meet her by faking illness, he is suddenly released.

    Now, drama is built on conflict; but all the conflict in this film is offstage. Basheer is played by Mammootty, an immensely popular Indian actor (almost 300 films!), who has the easy charm of George Clooney, as well as his physical presence. (The latter jars when he speaks of having frequently known hunger.) Other than his old schoolmate, no other character even has a backstory beyond the name of the crime they were sent in for. Perhaps the roses were symbolic, perhaps the wall that blocked his view of the women. But I found very little mental or emotional nourishment to feed on in this movie.
    10bluemoon-18808

    National Award for love story

    Sri. Mammootty got national award for beat actor in this movie , this is a love story but there is no actress in this movie
    9aryannairarun

    Great film

    This is a slice of life and simple film about the legendary writer, Vaikkom Muhammed Basheer's time in prison during the pre-independence era. This film explores the friendships and love he finds in the prison. Warning that this film is very slow and I was definitely bored the first 30 minutes. But eventually you will get used to the slowness of the film and appreciate it for its brilliant dialogues, amazing acting, and deep symbolism. The shots in the film are amazing and feel very intimate. It's also a unique pre independence film in that we don't see a single British person or any signs of conflict. Actually there is no scene where mamookka isn't surrounded by the mathilukal, or walls in english. The acting of mamooka is perfect as well and he deservedly got the national award for his performance.
    7patil_umesh

    Love story of prisoner, who couldn't see whom he loved

    This film is unique because for its style. Even though it is a romantic love story, actress or female character does not appears in film till the end! Isn't this fantastic concept? This is one of the well admired artwork by Adoor Gopalkrishnan. The protagonist is a prisoner and falls in love with a woman locked on other side of a wall. Film is based on few years spent by Malayalam writer VM Basheer in prison. It is cinematic art on his Autobiography. He wrote stories, novels during his stay in prison.

    Film opens doors of prison during pre-independent time, and reveal life of prisoners. How it was miserable. They were served food, locked into their room. People spent their years in life gossiping, smoking, walking to and fro. They even lost of count of days spent in prison. Suddenly after long time, they used to get release orders. Protagonist was brought in jail for his civil disobedience against British raj. He has been locked up for more than four years. He was well respected by all prison administrators. Stories by him well received and admired by all. He was supported to write by providing pen and paper regularly,. Few jailers also gave him cigarettes to smoke. Prison chef gave him tea, sugar, so he could prepare tea for himself

    Films by Adoor sir have charm of music that expresses emotions of loneliness, hope. One story told by a prisoner is very touching. Film implicitly expresses destiny, hope.

    Climax of film is very touching. Basheer won't be able to meet the woman with whom he is talking and fell in love with, because he is released.

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    Détails

    Modifier
    • Date de sortie
      • 18 mai 1990 (Inde)
    • Pays d’origine
      • Inde
    • Langue
      • Malayalam
    • Aussi connu sous le nom de
      • Стены
    • Société de production
      • Adoor Gopalakrishnan Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

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    • Durée
      • 2h(120 min)
    • Couleur
      • Color

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