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Ajouter une intrigue dans votre langueMan has finally conquered the ocean. America's first self-contained undersea laboratory is the pride of the nation, and expectations are high for an elaborate undersea mining operation. What... Tout lireMan has finally conquered the ocean. America's first self-contained undersea laboratory is the pride of the nation, and expectations are high for an elaborate undersea mining operation. What wasn't expected was the inhabitants of an undiscovered world.Man has finally conquered the ocean. America's first self-contained undersea laboratory is the pride of the nation, and expectations are high for an elaborate undersea mining operation. What wasn't expected was the inhabitants of an undiscovered world.
- Réalisation
- Scénario
- Casting principal
Gregory Sobeck
- Engel
- (as Greg Sobeck)
Roger Corman
- Corporate executive
- (non crédité)
Avis à la une
In the future, the government has established colonies on the bottom of the ocean to contend with the threats of global warming. Priscilla Barnes plays a scientist who becomes dazzled by what discoveries she makes living underwater.
This is dull, dull, dull. There is no action, no violence or nudity, and Roger Corman has a cameo. The special effects are passable, but some of this stuff is lifted from past Corman flicks, which ads to the cheapness. Mostly, the characters just talk a lot, and argue.
This is no way to spend 79 minutes, unless you like looking in at fake aquariums.
This is dull, dull, dull. There is no action, no violence or nudity, and Roger Corman has a cameo. The special effects are passable, but some of this stuff is lifted from past Corman flicks, which ads to the cheapness. Mostly, the characters just talk a lot, and argue.
This is no way to spend 79 minutes, unless you like looking in at fake aquariums.
I appreciate so much that this 1989 Roger Corman production in no small part demonstrates film-making sensibilities and production values of no later than the 1960s. Imagine if 'SeaQuest DSV' was a contemporary of the original 'Star Trek,' and you start to get a good sense of what's going on here. Despite obvious poor reception to the picture, I don't actually think it's half as bad as everyone makes it out to be: there's a distinct difference between a low-budget, low-grade feature with which people apparently refuse to engage on its chosen level, and a feature that's so poorly written or made as to demand abject vilification. 'Lords of the deep,' I believe, falls neatly into the former category, and not the latter. Yes, of course it's far from a major blockbuster, but that doesn't mean it can't be fun in its own right!
Recognizing the nature of this little flick, I think it's reasonably well made for what it is. I think the crew put in good work all around - production design, art direction, effects (including the creatures), and even the sometimes excitable editing and over the top cinematography. Mary Ann Fisher's direction seems perfectly competent to me in realizing Howard R. Cohen and Daryl Haney's screenplay, which of anything here is the sticking point for me. The story is fine in the broad strokes, even as it plays in some familiar territory. The scene writing is a little more thorny, I think, especially in those moments of '2001'-style "far-out" tripping. Such moments are overindulgent, and moreover require "spaced-out" acting and direction that I think constitute the weakest parts of the picture. Elsewhere, such as leading into the second half, scenes as written manifest some slothfulness in the pacing that bogs down the experience in some measure. And more than anything else, I think 'Lords of the deep' quite struggles to find just the right tone at any point, oscillating between "it's inspiring!" and "it's horrifying!" and back again, or sometimes just failing to carry much of a mood at all. If Fisher's contribution is to be condemned for anything, then maybe that's it - the writing fails to deliver a major spark, but so does her direction.
With all this in mind, the cast make what they can of what they are given. None of the acting makes any special impression; if anything, like the lacking immediacy of the film overall, the performances are just kind of flat. Again, however: this isn't to say that the movie isn't enjoyable. It's flawed, but modestly interesting and entertaining even such as it is. All the right ideas were here as far as I'm concerned - imagination, and intent, and skill - only, the result is less than vibrant, at best equal to the sum of its parts but not greater, and possibly lesser. When all is said and done I can honestly say that I like 'Lords of the deep,' and I'm not entirely sure why it's been the subject of such denigration over the past 30 years. In my mind the worst that can really be said is that it fails to evoke earnest thrills or otherwise active responses, but seeing as how the same is true of many more robustly financed genre flicks, well, I can't specifically blame this title. All told there's maybe no need to go out of your way for this, but if you happen to come across it, I think 'Lords of the deep' is a fairly good time, and worth checking out.
Recognizing the nature of this little flick, I think it's reasonably well made for what it is. I think the crew put in good work all around - production design, art direction, effects (including the creatures), and even the sometimes excitable editing and over the top cinematography. Mary Ann Fisher's direction seems perfectly competent to me in realizing Howard R. Cohen and Daryl Haney's screenplay, which of anything here is the sticking point for me. The story is fine in the broad strokes, even as it plays in some familiar territory. The scene writing is a little more thorny, I think, especially in those moments of '2001'-style "far-out" tripping. Such moments are overindulgent, and moreover require "spaced-out" acting and direction that I think constitute the weakest parts of the picture. Elsewhere, such as leading into the second half, scenes as written manifest some slothfulness in the pacing that bogs down the experience in some measure. And more than anything else, I think 'Lords of the deep' quite struggles to find just the right tone at any point, oscillating between "it's inspiring!" and "it's horrifying!" and back again, or sometimes just failing to carry much of a mood at all. If Fisher's contribution is to be condemned for anything, then maybe that's it - the writing fails to deliver a major spark, but so does her direction.
With all this in mind, the cast make what they can of what they are given. None of the acting makes any special impression; if anything, like the lacking immediacy of the film overall, the performances are just kind of flat. Again, however: this isn't to say that the movie isn't enjoyable. It's flawed, but modestly interesting and entertaining even such as it is. All the right ideas were here as far as I'm concerned - imagination, and intent, and skill - only, the result is less than vibrant, at best equal to the sum of its parts but not greater, and possibly lesser. When all is said and done I can honestly say that I like 'Lords of the deep,' and I'm not entirely sure why it's been the subject of such denigration over the past 30 years. In my mind the worst that can really be said is that it fails to evoke earnest thrills or otherwise active responses, but seeing as how the same is true of many more robustly financed genre flicks, well, I can't specifically blame this title. All told there's maybe no need to go out of your way for this, but if you happen to come across it, I think 'Lords of the deep' is a fairly good time, and worth checking out.
I gave my brother 5 bucks to go buy me a used movie because I was unable to go. He came home with "Lords of the Deep". He said he picked it out because I like underwater movies such as "The Abyss", "Leviathan", "Deep Star Six", and "Sphere". I knew I was in trouble when I looked on the credits and found that Roger Corman was the producer. "Lords of the Deep" ended up being so bad that I donated it to the library. What a horrible viewing experience!
It's the quickest cash-in on a popular sub-genre you'll ever see, appearing less than a year following "Leviathan", "The Abyss" and "Deepstar Six", starring the once-attractive Priscilla Barnes as a scientist aboard a deep-sea station who discovers a sinister plot to overcome the occupants of the expedition by a superior alien race via mind control.
Bradford Dillman plays the mothership's long-suffering skipper on his last voyage before a well-earned retirement, and among the otherwise undistinguished cast is John Lafayette as the commander of a satellite shuttle before his career accelerated culminating in back-to-back Tom Clancy inspired films ("Patriot Games" and "Clear and Present Danger").
Imagine "Alien" meets "The Abyss" while channelling "The Thing" on a tenth of the budget, and in half the time and you're somewhere in the vicinity of "Lords of the Deep". Claustrophobic with clunky cardboard sets (the eponymous creatures are truly absurd), limited (though sometimes gory) special effects (some of which is also blatant plagiarism) and astonishingly overwrought acting, it's tremendously bad, but if you're a fan of these types of C-grade rip-offs, and especially those conceived by the great Roger Corman, then it should nevertheless be enjoyable.
Bradford Dillman plays the mothership's long-suffering skipper on his last voyage before a well-earned retirement, and among the otherwise undistinguished cast is John Lafayette as the commander of a satellite shuttle before his career accelerated culminating in back-to-back Tom Clancy inspired films ("Patriot Games" and "Clear and Present Danger").
Imagine "Alien" meets "The Abyss" while channelling "The Thing" on a tenth of the budget, and in half the time and you're somewhere in the vicinity of "Lords of the Deep". Claustrophobic with clunky cardboard sets (the eponymous creatures are truly absurd), limited (though sometimes gory) special effects (some of which is also blatant plagiarism) and astonishingly overwrought acting, it's tremendously bad, but if you're a fan of these types of C-grade rip-offs, and especially those conceived by the great Roger Corman, then it should nevertheless be enjoyable.
I have a great story about the movie. In 1989, I was going to David Lipscomb University in Nashville, Tennessee. Near Lipscomb is 100 Oaks Mall, which at the time had a 99 cent movie theater in one of its strip centers next to the mall.
One Friday night I was hanging with a bunch of friends and we decided to go see a cheap movie. I forget the other show but in theater 1 was Lords of the Deep. It was billed as having the same sfx director as Aliens so we thought it might be good. There were roughly 30 people in the auditorium, including 8 in my group.
Within minutes we realized that we were in for a real gem of a movie. As each minute passed the storyline got more and more ridiculous and the actors looked like they were sleepwalking through the lines fully cognizant that they'd just made a massive career blunder. Within 10 mins. there were the first subdued chuckles from some of the more ridiculous lines and then came snickers, snorts, chortles, and lastly, pure laughter for a supposedly serious Sci-Fi thriller.
After it was over we pledged to try and see the movie again Saturday night. We drove back to campus and told all of our friends. Saturday there were 60 people in the crowd. At the Sunday 9pm showing there were probably 100 people. Monday, the last time I saw it the show was nearly sold out.
If you want a true, blue, so-bad-it-is-good film check out this cinematic calamity at your nearest Blockbuster.
One Friday night I was hanging with a bunch of friends and we decided to go see a cheap movie. I forget the other show but in theater 1 was Lords of the Deep. It was billed as having the same sfx director as Aliens so we thought it might be good. There were roughly 30 people in the auditorium, including 8 in my group.
Within minutes we realized that we were in for a real gem of a movie. As each minute passed the storyline got more and more ridiculous and the actors looked like they were sleepwalking through the lines fully cognizant that they'd just made a massive career blunder. Within 10 mins. there were the first subdued chuckles from some of the more ridiculous lines and then came snickers, snorts, chortles, and lastly, pure laughter for a supposedly serious Sci-Fi thriller.
After it was over we pledged to try and see the movie again Saturday night. We drove back to campus and told all of our friends. Saturday there were 60 people in the crowd. At the Sunday 9pm showing there were probably 100 people. Monday, the last time I saw it the show was nearly sold out.
If you want a true, blue, so-bad-it-is-good film check out this cinematic calamity at your nearest Blockbuster.
Le saviez-vous
- AnecdotesRobert Skotak and Dennis Skotak created the underwater visual effects. When a crew member asked Robert why he chose to work on such a low budget film, he replied, "It's four weeks paid work, and on a Roger Corman movie, you get to work with people on their way up, and on their way down."
- GaffesOne of the computer displays show the word 'submersible' misspelled as 'submersable'.
- ConnexionsEdited into Ultra Warrior (1990)
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- How long is Lords of the Deep?Alimenté par Alexa
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